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A comprehensive dictionary of organ stops - Allen Organ Studio of ...

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128 DICTIONARY OF ORGAN STOPS.<br />

top. In many <strong>organ</strong>s all sorts <strong>of</strong> solid matter is constantly<br />

indrawn by the bellows feeders and thence circulated through<br />

the internal system <strong>of</strong> the instrument. It would be quite<br />

Fig. D—<br />

"Hooded"<br />

Reed.<br />

worth adopting this obstructive gauze<br />

system in the interior <strong>of</strong> the <strong>organ</strong> in<br />

cases where it is impossible to plant the<br />

bellows work at an altitude sufficiently<br />

remote from the ground. In order to<br />

reduce their length, large pipes are generally curved<br />

round in their lower part, in the form <strong>of</strong> an elongated<br />

loop, somewhat similarly to some orchestral brass<br />

instruments. .<br />

This<br />

process is known as "mitreing"<br />

the pipe, from the fact that the latter is caused to<br />

assume rudely the form <strong>of</strong> a mitre.* It is frequently<br />

said that mitreing improves the tone <strong>of</strong> reed pipes.<br />

It is not unlikely that it had the effect <strong>of</strong> subduing<br />

something <strong>of</strong> the harshness <strong>of</strong> the old-fashioned<br />

type <strong>of</strong> reed; but it cannot with any semblance <strong>of</strong><br />

verity be said to improve the modern reed, nor<br />

yet, howbeit, appreciably to deteriorate it. The<br />

bass <strong>of</strong> double reeds is frequently made <strong>of</strong> half-<br />

length pipes. By dint <strong>of</strong> careful treatment the<br />

effect may be rendered quite satisfactory in the<br />

case <strong>of</strong> enclosed reeds. The practice is not one<br />

generally to be commended, as the tone is apt to<br />

be harsh and rough.<br />

Reeds are tuned by a wire crook, <strong>of</strong> which one<br />

end, accessible to the tuning knife, protrudes from<br />

the boot and the other bears on the tongue. By<br />

moving this in an upward or downward direction<br />

the arc <strong>of</strong> gyration <strong>of</strong> the tongue can be extended<br />

or curtailed, the pitch flattened or sharpened. The<br />

tight-fitting <strong>of</strong> these crooks is a sine qua non, wide-<br />

spread neglect on this point being a fruitful source<br />

<strong>of</strong> the instability <strong>of</strong> pitch <strong>of</strong> individual reed pipes,<br />

which is so frequently encountered. The secret <strong>of</strong><br />

successful reed voicing consists in imparting to the<br />

tongue such a degree <strong>of</strong> curvature as shall cause it<br />

to roll down rather than strike against the shallot,<br />

or, maybe, against the pneumatic buffer which is<br />

commonly supposed to intervene. Should a "flat"<br />

occur in the reed by reason <strong>of</strong> an imperfect curve,<br />

The word is sometimes used synonymously with " hooding."<br />

Fig. E-<br />

" Mitred'<br />

Reed.

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