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A comprehensive dictionary of organ stops - Allen Organ Studio of ...

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DICTIONARY OF ORGAN STOPS. "5<br />

R.<br />

Ranket—Sordun. 8 ft. ; Gross Ranket, 16 ft.<br />

A variety <strong>of</strong> Chalumeau used at a very early date. The<br />

pipes were capped at the top, a few small holes being opened<br />

in the side. Sometimes the Ranket was a double pipe—one<br />

pipe being inside <strong>of</strong>, and opening into, another. A similar<br />

device has recently been employed for a chamber <strong>organ</strong> Vox<br />

Humana. The effect <strong>of</strong> this treatment was to render the<br />

tone <strong>of</strong> the Ranket smothered and "bottled up." There is<br />

<strong>of</strong>ten a tendency toward a similar effect in modern capped<br />

chorus reeds. It is curious to note how old ideas are<br />

rejuvenated. The Ranked and other capped reeds with vents<br />

cut in the side are mentioned in Prsetorius' work (1619).<br />

Yet,<br />

notwithstanding the fact that capped reeds have consistently<br />

figured in Germany and elsewhere, ever since, one firm <strong>of</strong><br />

<strong>organ</strong> builders, in-i885, actually patented the process <strong>of</strong> capping<br />

pipes "to keep out the dust and increase the mellowness <strong>of</strong><br />

the sound !<br />

"<br />

RAUSCHQUINT — - Rauschquarte, Rauschflote, Rausch-<br />

pfeife, Rauschwerk, Quarte. (Ger.) Rauschen = to<br />

rustle or rush.<br />

A Twelfth and Fifteenth combined on one slide. Other<br />

compositions have been known, viz., 2 ft. and 1^ ft., and III or<br />

IV ranks, but the most authentic definition is as above. The<br />

interval separating the two ranks is a fourth, hence the name Ranket.<br />

Quarte. A slight stretch <strong>of</strong> imagination causes the stop to<br />

assume a " rustling " effect, whence the prefix, Rausch. It was formerly a<br />

common custom <strong>of</strong> Continental and English builders to unite the two<br />

<strong>stops</strong> on one slide. But sometimes the thin whistling effect <strong>of</strong> the Great<br />

up to the Fifteenth, without the bell-like cohesion which should be<br />

imparted by the Twelfth, is required. Occasionally, also, a Twelfth, <strong>of</strong><br />

suitable character, can effectively be employed without necessarily being<br />

associated with the Fifteenth (see Harmonic Stopped Twelfth). The<br />

two <strong>stops</strong>, accordingly, are now generally controlled by separate sliders.<br />

Recorder—4 ft.<br />

The instrument <strong>of</strong> this name was <strong>of</strong> the Flute tribe. The name is<br />

said to be derived from an obsolete meaning <strong>of</strong> the verb to record, viz., to<br />

warble. Dallam's specification <strong>of</strong> an <strong>organ</strong> erected in York Minster in<br />

1632 contains the following passage: "Item, one recorder unison to the<br />

said principall. vL li." It was probably an ordinary Flute.

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