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DICTIONARY OF ORGAN STOPS. which wind is directed, have from time to time been made. Their tone is apt to be irregular, and ill-defined, and generally unsatisfactory. Cube. Cap.
DICTIONARY OF ORGAN STOPS. 121 The author, has, in his possession, however, a Cube of excellent effect, made and voiced by Mr. Compton, the tone of which somewhat resembles that of the same builder's Tibia Mollis. The lip is leathered. Cube basses might be found of great utility, when dealing with situations of some awkwardness. Q. Quadragesima— (Lat.) = fortieth. Mixture ranks of high pitch are sometimes found in old Italian organs, drawing separately. Quadragesima Terza— (Lat.) = forty-third. See above. Quarte—See Rauschquint. So called from the interval of a fourth (Lat. quartus) separating the Twelfth and Fifteenth. Querfldte— (Ger.) Quer = across. See Flauto Traverso. Quincena— (Sp.) = Fifteenth. Qu.in.ti—(Ger. and Fr.) Quinte. (Lat.) Quintus = fifth. Manual 5^ ft. ; pedal, io| ft. But the name is sometimes used for Octave Quint or Twelfth. Manual, 2% ft. ; pedal, 5^ ft. Schulze at Bremen Cathedral, and the Kimball Co. at Washington Temple,. U.S.A., inserted a pedal Quint of 2i\ ft. pitch. The Quint is a Mutation stop, speaking (when a manual stop of 5^ ft. length) at the interval of a fifth above the unison pitch. The pipes of the manual Quint are of various forms. In this country they are nearly always stopped. Abroad they are also variously of cylindrical open pipes, tapering Gemshorn pipes, widening Dolce pipes, or open rectangular wood pipes. Of late years the Manual Quint (as an independent stop) has been very generally discarded in this country. Certainly in organs of moderate size, where economy is essential, it can well be dispensed with ; but in larger instruments a Quint of duly subordinate tone is by no means to be despised. Like the Twelfth, it conduces to cohesion of tone, constituting a portion of the harmonic structure of the organ. In too many instances, nevertheless, the Quint has been badly voiced, with the result that instead of exercising a beneficent mollifying influence on the general tone, it has given rise to a thick and "muddy" effect. In schemes where doubt is- entertained as to the advisability of the inclusion of a Quint, a Quintaton, 16 ft. {q.v.) will in many instances be found to form a desirable com- promise. Fifth-sounding mutation ranks should, as a general rule, be of quiet, unobstrusive and rather dull tone, as free as possible from< harmonics. The Quint then, is best made of Dolce or stopped pipes. In some instances, notwithstanding, a Gemshorn Quint of quiet tone is by
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DICTIONARY OF ORGAN STOPS JJ.WEDGWO
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Cornell University Library The orig
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THIRD EDITION. TO T. TERTIUS NOBLE,
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A WORK FOREWORD. of this kind will
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PREFACE. V frame a few constructive
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PREFACE. Vll from the facts that a
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PREFACE TO THE SECOND EDITION. THE
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PREFACE TO THE SECOND EDITION. XI c
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XIV BIBLIOGRAPHY. 1833 he went to P
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XVI TABLE OF HARMONIC SERIES. TABLE
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DICTIONARY OF ORGAN STOPS. A. Acous
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DICTIONARY OF ORGAN STOPS. 3 artist
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DICTIONARY OF ORGAN STOPS. 5 are st
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DICTIONARY OF ORGAN STOPS. J BARYTO
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DICTIONARY OF ORGAN STOPS. Beard—
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DICTIONARY OF ORGAN STOPS. B©11—
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DICTIONARY OF ORGAN STOPS. 13 the e
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DICTIONARY OF ORGAN STOPS. 1 Dr. Ha
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DICTIONARY OF ORGAN STOPS. 1 would
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DICTIONARY OF ORGAN STOPS. 1 IV ran
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DICTIONARY OF ORGAN STOPS. 21 is ra
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DICTIONARY OF ORGAN STOPS. 23 Clari
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DICTIONARY OF ORGAN STOPS. 25 are n
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DICTIONARY OF ORGAN STOPS. 27 CLEAR
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DICTIONARY OF ORGAN STOPS. 2 9 Cont
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DICTIONARY OF ORGAN STOPS. 3 (2) In
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DICTIONARY OF ORGAN STOPS. 33 beaut
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DICTIONARY OF ORGAN STOPS. Courtel
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DICTIONARY OF ORGAN STOPS. 37 judgm
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DICTIONARY OF ORGAN STOPS. 39 (3) I
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DICTIONARY OF ORGAN STOPS. 41 seeme
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DICTIONARY OF ORGAN STOPS. 43 mouth
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DICTIONARY OF ORGAN STOPS. 45 domai
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DICTIONARY OF ORGAN STOPS. 47 legit
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DICTIONARY OF ORGAN STOPS. 49 Dia.p
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above stops are all of the bivalvul
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DICTIONARY OF ORGAN STOPS. S3 is no
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DICTIONARY OF ORGAN STOPS. 55 ^SSSN
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DICTIONARY OF ORGAN STOPS. 57 made
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DICTIONARY OF ORGAN STOPS. 59 was n
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DOUBLE - TONGUEO REED —Double-ton
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DICTIONARY OF ORGAN STOPS. 63 Dulci
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DICTIONARY OF ORGAN STOPS. 65 Echo
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DICTIONARY OF ORGAN STOPa. 67 Examp
Page 93 and 94: DICTIONARY OF ORGAN STOPS. 69 Flaut
Page 95 and 96: DICTIONARY OF ORGAN STOPS. T Flauto
Page 97 and 98: DICTIONARY OF ORGAN STOPS. 73 Flote
Page 99 and 100: DICTIONARY OF ORGAN STOPS. 75 lips
Page 101 and 102: DICTIONARY OF ORGAN STOPS. 77 to am
Page 103 and 104: DICTIONARY OF ORGAN STOPS. 7
Page 105 and 106: DICTIONARY OF ORGAN STOPS. 8r high.
Page 107 and 108: DICTIONARY OF ORGAN STOPS. 83 Germa
Page 109 and 110: DICTIONARY OF ORGAN STOPS. 85 H, Ha
Page 111 and 112: DICTIONARY OF ORGAN STOPS. 87 Harmo
Page 113 and 114: DICTIONARY OF OKQAN STOPS. -89 stan
Page 115 and 116: DICTIONARY OF ORGAN STOPS. 91 Hohlf
Page 117 and 118: HORN GAMBA—See Fugara. DICTIONARY
Page 119 and 120: DICTIONARY OF ORGAN STOPS. 95 pecul
Page 121 and 122: RRUMMHORN—See Clarinet. DICTIONAR
Page 123 and 124: DICTIONARY OF ORGAN STOPS. 99 Litic
Page 125 and 126: DICTIONARY OF ORGAN STOPS. 1 01 Hou
Page 127 and 128: DICTIONARY OF ORGAN STOPS. 103 test
Page 129 and 130: DICTIONARY OF ORGAN STOPS. 105 word
Page 131 and 132: DICTIONARY OF ORGAN STOPS. 10J ad a
Page 133 and 134: DICTIONARY OF ORGAN STOPS. 109 Anot
Page 135 and 136: Oboe. DICTIONARY OF ORGAN STOPS. Il
Page 137 and 138: DICTIONARY OF ORGAN STOPS. 113 Orch
Page 139 and 140: DICTIONARY OF ORGAN STOP? 115 OfTen
Page 141 and 142: DICTIONARY OF ORGAN STOPS. 117 reso
Page 143: DICTIONARY OF ORGAN STOPS. Prinzipa
Page 147 and 148: DICTIONARY OF ORGAN STOPS. 123 its
Page 149 and 150: DICTIONARY OF ORGAN STOPS. "5 R. Ra
Page 151 and 152: DICTIONARY OF ORGAN STOPS. 127 much
Page 153 and 154: DICTIONARY OF ORGAN STOPS. 129 or a
Page 155 and 156: DICTIONARY OF ORGAN STOPS. 13I orga
Page 157 and 158: DICTIONARY OF ORGAN STOPS. 133 Rega
Page 159 and 160: DICTIONARY OF ORGAN STOPS. 1 35 Mes
Page 161 and 162: DICTIONARY OF ORGAN STOPS. '37 chim
Page 163 and 164: Salicional .(rollered), with double
Page 165 and 166: DICTIONARY OF ORGAN STOPS. 141 empl
Page 167 and 168: DICTIONARY OF ORGAN STOPS. 1 43 Sha
Page 169 and 170: DICTIONARY OF ORGAN STOPS. 145 8 ft
Page 171 and 172: Subbass—See Bourdon. DICTIONARY O
Page 173 and 174: DICTIONARY OF ORGAN STOPS. 149 prop
Page 175: DICTIONARY OF ORGAN STOPS. 151 and
Page 178 and 179: 154 Metal Tibia Minor
Page 180 and 181: 156 DICTIONARY OF ORGAN STOPS. U P
Page 182 and 183: 158 DICTIONARY OF ORGAN STOPS. of a
Page 184 and 185: i6o DICTIONARY OF ORGAN STOPS. Trom
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170 DICTIONARY OF ORGAN STOPS. "Vio
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172 DICTIONARY OF ORGAN STOPS. due
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174 DICTIONARY OF ORGAN STOPS. Pari
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176 DICTIONARY OF ORGAN STOPS. them
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i 7 8 DICTIONARY OF ORGAN STOPS. me
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180 DICTIONARY OF ORGAN STOPS. rate
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182 DICTIONARY OF ORGAN STOPS. Vox
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1 84 DICTIONARY OF ORGAN STOPS. it
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1 86 DICTIONARY OF ORGAN STOPS. z\
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i88 PHONETIC PRONOUNCING VOCABULARY
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190 LIST OF SUBSCRIBERS. LIST OF SU
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192 LIST OF SUBSCRIBERS. Gordon & G
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194 LIST OF SUBSCRIBERS. Rollo, D.,
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THE SHEFFIELD DAILY TELEGRAPH. " Mr
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Works by the same Author. A HISTORY
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MUSICAL WORKS COMPOSED OR EDITED BY
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— MUSICAL WORKS BY FRANCIS BURGES
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The "JOHN HOLT" "PIONEER" PEDAL REE
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— — " Artis est Celare Artem" A
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ESTABLISHED 1869. TELEPHONE 673. Ab
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J. J. BINNS, BRAMLEY ORGAN WORKS, l
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ROBERT SPURDEN #rgan BSutltrer, RUT
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ESTABLISHED 1886. TUNINGS, &c, by Y
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Ssta.1blish.ecl 1888. High Class Ch
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