A comprehensive dictionary of organ stops - Allen Organ Studio of ...
A comprehensive dictionary of organ stops - Allen Organ Studio of ...
A comprehensive dictionary of organ stops - Allen Organ Studio of ...
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Il6 DICTIONARY OF ORGAN STOPS.<br />
Philomela—(Lat.) = nightingale.<br />
A large-scaled solo Doppelflote or wood Stentorphon, something after<br />
the Tibia Plena style (see Jubalflote). Cincinnati Concert Hall, U.S.A.<br />
(Hook & Hastings). There is a musical instrument <strong>of</strong> the name made in<br />
various classical forms. It is akin to the Violin, but has wire strings.<br />
Phocinx = Krummhorn.<br />
Phoneuma—(Gr.) /j.a = breath or<br />
spirit—voice <strong>of</strong> the spirit. If the latter meaning be that intended,<br />
the 7r should not have been elided. Invented by Mr. Hope-Jones.<br />
8 ft. ; 16 ft.<br />
The Phoneuma, roughly speaking, is a stopped pipe <strong>of</strong> Dulciana scale,<br />
speaking as a Quintaton. It is, however, more stringy in character than<br />
the last-named stop. The Phoneuma, as found in Mr. Hope-Jones'<br />
<strong>organ</strong>s, is purely a fancy stop, barely audible. It is useful occasionally for<br />
special effects, but it is in reality more <strong>of</strong> a curiosity in voicing than anything<br />
else. The lower octaves <strong>of</strong> the stop are usually bearded. In some<br />
examples, a peculiarity <strong>of</strong> the voicing is that the nicking extends but half<br />
way across the face <strong>of</strong> the languid. The mouth <strong>of</strong> the Phoneuma is<br />
narrow, being in some instances only \ <strong>of</strong> the circumference <strong>of</strong> the pipe;<br />
Occasionally two Phoneumas are caused to beat together as a Voix Celeste<br />
(see Celestina). In fact, the Phoneuma was originally introduced as a<br />
stop arranged to beat with a Gedeckt, a circumstance which accounts for<br />
the stereotyped definition <strong>of</strong> the stop as "something <strong>of</strong> the nature <strong>of</strong> the<br />
Voix Celeste.'' When voiced as a quiet and keen Quintaton, the stop<br />
might be most effectively employed as a timbre creator, and even, perhaps,<br />
as an accompaniment to a solo stop. St. Mark, Brighton ;• St. Michael,<br />
Chester Square, W. (Hope-Jones) ; Burton Parish Church (Norman &<br />
Beard and Hope-Jones). In 16 ft. pitch, Oakleigh Park Congregational<br />
Church (Ingram, Hope-Jones & Co.); Orchestrelle Co., Regent Street, \V.<br />
(Austin <strong>Organ</strong> Co., <strong>of</strong> U.S.A.). In U.S.A.— First Presbyterian Church,<br />
Montclair, N.J. (Austin <strong>Organ</strong> Co., Hope- Jones) ; St. John's School,<br />
Manlius, N.Y. (Hope-Jones and Harrison).<br />
PHYSHARMONIKA— Phisharmonika, Seraphine. S ft. ; 16 ft.<br />
Virtually a set <strong>of</strong> Harmonium (free) reeds incorporated in the <strong>organ</strong><br />
The Physharmonika is usually unprovided with tubes and fed from a<br />
separate reservoir, the wind pressure <strong>of</strong> which is capable <strong>of</strong> being varied<br />
by means <strong>of</strong> a pedal at the console. The power <strong>of</strong> the Physharmonika is<br />
thus susceptible <strong>of</strong> variation without any concomitant alteration <strong>of</strong> pitch.<br />
The Physharmonika can be used expressively with excellent effect in a