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114 DICTIONARY OF ORGAN STOPS. Ocarina—4 ft. An octave stop, named Ocarina, occurs on the Great organ at Brid- lington Priory Church (Anneessens, of Gramont, Belgium). Mr. George T. Patman, F.R.C.O., of Glasgow, and late organist of that Church, kindly informs the author that the stop is a metal one of true length, resembling in tone a Harmonic Flute. There is an Ocarina of similar pitch on the Positif of the organ at Seville Cathedral (Aquilino Amezua, 1903). Octave—-Manual 4 ft. ; pedal 8 ft. An octave Diapason. The name " Octave " is surely more rational in application than "Principal." The latter term is, indeed, employed in Germany to designate the principal stops of the organ, the Diapasons. The Octave, of course, is of proportionately smaller scale, and voiced rather brighter than the unison Diapason. A distinction is now usually drawn between Octave and Principal, the former being loud and full-scaled, the latter more subdued and bright. The Octave is the connecting link between the foundation stops and the higher-pitched stops of the organ. It should therefore be designed and voiced with very great care. It is to the boldness of the Octave that much of the solidity and brilliancy of the work of the late Mr. Henry Willis is due. As a pedal stop the Octave is now usually an extension of the Major Bass. Octave Clarion— 2 ft. Obsolete. A reed of super-octave pitch is occasionally to be found in ancient organs. One such exists on the Pedal organ at Cologne Cathedral. Octave Coupler-(It) Terzo Mano (= third ha«d). Sometimes "Octaves" (plural to distinguish it from the sounding stop, Octave). A Coupler controlling an arrangement whereby the octave keys to all those depressed on one manual or the pedal are brought into action. With pneumatic coupling the coupled keys do not fall as with mechanical. Octave Couplers add vastly to the resources of an organ, particularly if the instrument be designed with a view to their inclusion as part of the aggregate tonal scheme. In Italy the Octave Coupler dates from a very early period. For a description of Octave Couplers functioning from one manual to another, see Coupler. OCTAVE DIAPASON—See Octave. Octave Hautboy—Hautboy Clarion. 4 ft. See Hautboy. Octave Oboe— See above. OCTAVE QUINT— 2| ft. See Twelfth. Octavin—(Fr.) = Fifteenth. 2 ft O+Tenbass— (Ger.) = open Bass. See Major Bass.
DICTIONARY OF ORGAN STOP? 115 OfTenflote— (Ger.) = open Flute. Virtually a Clarabella. Oiseau— (Fr.) = bird. See Avicinium Open— A term indicating that the stop to which it is prefixed is composed of open, not stopped, pipes. Open. Diapason—The prefix is unnecessary. See Diapason. Ophicleide— (Gr.) ocg = serpent, n\eic = key. Pedal, 16 ft. and 32 ft. ; manual, 16 ft. and 8 ft. A powerful pedal reed. Accurately, it should be mere powerful and "free "in tone than the Trombone. On the Continent it is sometimes to be found as a large-scaled free reed. The original Tuba Mirabilis stop at Birmingham Town Hall (Hill, 1835) was named Ophicleide. The instrument Ophicleide was invented circa 1790. It was a development of the Serpent {q.v.). Orchestral—A term indicating that the stop to which it is prefixed is designed for imitative rather than combinational use. See Clarinet, Concert Flute, Oboe. See also Vicle d'Orchestre. Orlo = Zink. P. Pandean Flute—See Flauto di Pan. Parforce—See Corne Parforce. Pastorita— .(Lat.) Pastor =. shepherd. See Cor de Nuit. Passu na— See Posaune. Paukerengel— (Ger.) Pauke = drum; Engel = angel. A mechanism found in some ancient organs causing one or more angels, situated in the case, to beat drums. Usually controlled by a pedal. Garrison Church, Berlin (Joachim Wagner). Pedal Pipes—See Major Bass. Pente— (Gr.) mvrt = five. Quint. Petit— (Fr.) Petit = small. 1 ft. ; sometimes 2 ft. A Flageolet, at Ansprech. Pfeife— (Ger.) = pipe. The word is sometimes used as a suffix synonymously with Flote (e.g., Hohlpfeife).
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DICTIONARY OF ORGAN STOPS JJ.WEDGWO
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Cornell University Library The orig
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THIRD EDITION. TO T. TERTIUS NOBLE,
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A WORK FOREWORD. of this kind will
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PREFACE. V frame a few constructive
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PREFACE. Vll from the facts that a
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PREFACE TO THE SECOND EDITION. THE
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PREFACE TO THE SECOND EDITION. XI c
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XIV BIBLIOGRAPHY. 1833 he went to P
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XVI TABLE OF HARMONIC SERIES. TABLE
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DICTIONARY OF ORGAN STOPS. A. Acous
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DICTIONARY OF ORGAN STOPS. J BARYTO
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DICTIONARY OF ORGAN STOPS. Beard—
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DICTIONARY OF ORGAN STOPS. B©11—
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DICTIONARY OF ORGAN STOPS. 1 Dr. Ha
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DICTIONARY OF ORGAN STOPS. 23 Clari
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DICTIONARY OF ORGAN STOPS. 27 CLEAR
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DICTIONARY OF ORGAN STOPS. 2 9 Cont
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DICTIONARY OF ORGAN STOPS. 3 (2) In
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DICTIONARY OF ORGAN STOPS. Courtel
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DICTIONARY OF ORGAN STOPS. 37 judgm
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DICTIONARY OF ORGAN STOPS. 39 (3) I
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DICTIONARY OF ORGAN STOPS. 43 mouth
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DICTIONARY OF ORGAN STOPS. 45 domai
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DICTIONARY OF ORGAN STOPS. 47 legit
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DICTIONARY OF ORGAN STOPS. 49 Dia.p
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above stops are all of the bivalvul
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DICTIONARY OF ORGAN STOPS. S3 is no
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DICTIONARY OF ORGAN STOPS. 55 ^SSSN
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DICTIONARY OF ORGAN STOPS. 57 made
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DICTIONARY OF ORGAN STOPS. 59 was n
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DOUBLE - TONGUEO REED —Double-ton
Page 87 and 88: DICTIONARY OF ORGAN STOPS. 63 Dulci
Page 89 and 90: DICTIONARY OF ORGAN STOPS. 65 Echo
Page 91 and 92: DICTIONARY OF ORGAN STOPa. 67 Examp
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Page 113 and 114: DICTIONARY OF OKQAN STOPS. -89 stan
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Page 117 and 118: HORN GAMBA—See Fugara. DICTIONARY
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Page 121 and 122: RRUMMHORN—See Clarinet. DICTIONAR
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Page 163 and 164: Salicional .(rollered), with double
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Page 171 and 172: Subbass—See Bourdon. DICTIONARY O
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182 DICTIONARY OF ORGAN STOPS. Vox
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1 86 DICTIONARY OF ORGAN STOPS. z\
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i88 PHONETIC PRONOUNCING VOCABULARY
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190 LIST OF SUBSCRIBERS. LIST OF SU
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192 LIST OF SUBSCRIBERS. Gordon & G
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194 LIST OF SUBSCRIBERS. Rollo, D.,
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THE SHEFFIELD DAILY TELEGRAPH. " Mr
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Works by the same Author. A HISTORY
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MUSICAL WORKS COMPOSED OR EDITED BY
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— MUSICAL WORKS BY FRANCIS BURGES
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The "JOHN HOLT" "PIONEER" PEDAL REE
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— — " Artis est Celare Artem" A
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ESTABLISHED 1869. TELEPHONE 673. Ab
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J. J. BINNS, BRAMLEY ORGAN WORKS, l
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ROBERT SPURDEN #rgan BSutltrer, RUT
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ESTABLISHED 1886. TUNINGS, &c, by Y
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Ssta.1blish.ecl 1888. High Class Ch
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