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DICTIONARY OF ORGAN STOPS. MUSETTE—8 ft. ; sometimes 16 ft. ; 4 ft. The Musette is a development of the ancient Chalumeau, and was originally said to be imitative of the Bagpipes. Though not uncommon in France, the stop is rarely to be met with in this country. Its tone is thin and piquant, somewhat similar in the treble to that of the Cor Anglais. The pipes of the Musette vary in shape. Generally they resemble those of the Orchestral Oboe or the Vox Humana. It is made either as a free or a beating reed. There is a good specimen of the latter type at Rugby School Speech Room (Bryceson). The figure represents a form of Musette invented by Mr. John H. Compton, of Nottingham, The pipe is capped at top, but at about one-third of the length of the pipe, measured from the top, is pierced a small round hole. The upper portion of the pipe, acting as a resonating chamber, imparts a very quaint and "pastoral" effect to the tone. The tubes, which are approximately half-length (see Reed), and made of pure tin, are of very narrow scale, and the tone, conse- quently, is very thin and delicate. Musicirgedackt— (Ger.) Musiciren = to make music. 8 ft. A soft accompanimental Gedeckt found in ancient German organs. Mutation Stop. The term Mutation comprises those stops, the pipes of which sound at a pitch other than that of unison or one of its octaves. Such stops are : Quint, Twelfth, Tierce, Larigot, Flat Septime, Twenty-sixth, etc. In practice the name Mutation work is applied Musette, also to Mixtures, although the latter may contain such "found- (Compton). at ,on " ranks as Principal, Fifteenth, Twenty-second. See Foundation Stops. Muted "Viol—See Viole Sourdine. N. NACHTHORN— (Ger.) = Night Horn. See Cor de Nuit. NASAT—Nasad, Nasard, Nasaz, Nassat, Nassatt, Nazard, Nazardo. The Twelfth. Sometimes synonymous with Rauschquint (q.v.). The name is derived from either (1), (Ger.) Nase = nose. From the bare nasal sound supposedly produced by the sounding of fifths. Or, (2) (Ger.) Nachsetzen = to place behind. In the ancient primitive organs the Prestant (Lat., Prsestare = to stand before) composed the first row of pipes, the Mixture, sometimes called Nachsatz, standing behind. It is thought that a relic of this survives in the name Nasat.
Oboe. DICTIONARY OF ORGAN STOPS. Ill Nason—Nasonflote. 4 ft., occasionally 8 ft. The name, Nason, was applied by the old English builders to a 4 ft. Stopped Diapason, savouring strongly of the Quint- aton. Hence, possibly, the name (see derivation (1) of Nasat). Nete—The Quint. The title occurs in ancient specifications. Noli me tangere— (Lat.) = Do not touch. See Fuchsschwanz. o. Oboe— Hautboy. (Fr.) Hautbois. (Ger.) Hoboe. (Fr.) Haut = high; Bois = wood; a wooden instrument with a high-pitched tone. 8 ft.; Contra Oboe, 16 ft.; Oboe, 4 ft., sometimes known as Oboe Clarion, rarely found. The Oboe stop is named after the orchestral instrument. The form and characteristics of the latter are sufficiently well known to render super- fluous any description of it here. It was a development of the ancient Chalumeau. In Germany the Oboe was formerly frequently made as a free reed it is now usually of the beating variety. The English type of Oboe is almost entirely unknown on the Continent, the stop now found there (especially those made by Messrs. Walcker) usually corresponding to our Orchestral Oboe. The English Oboe is a beating reed, with pipes of small scale, shaped as an inverted cone, and surmounted by a bell. The pipes were formerly open at the top, but are now usually provided with a metal lid for purposes of regulation and the ex- clusion of dirt. Occasionally they are entirely capped {e.g., usually by Walker, and sometimes by Norman & Beard and Compton). A capped Oboe is shown in the accompanying figure. There is also illustrated an ingenious regulating device frequently used in Germany. Behind the usual vents are shown another set, which are pierced in a strip of metal attached to the cap. The size of the outlets can thus be regulated to a nicety by turning the cap. The Oboe is often continued by a bass of Bassoon pipes, unprovided with bells. ; "Capped" Oboe, showing special regulating device.
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DICTIONARY OF ORGAN STOPS JJ.WEDGWO
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Cornell University Library The orig
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THIRD EDITION. TO T. TERTIUS NOBLE,
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A WORK FOREWORD. of this kind will
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PREFACE. V frame a few constructive
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PREFACE. Vll from the facts that a
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PREFACE TO THE SECOND EDITION. THE
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PREFACE TO THE SECOND EDITION. XI c
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XIV BIBLIOGRAPHY. 1833 he went to P
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XVI TABLE OF HARMONIC SERIES. TABLE
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DICTIONARY OF ORGAN STOPS. A. Acous
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DICTIONARY OF ORGAN STOPS. 3 artist
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DICTIONARY OF ORGAN STOPS. J BARYTO
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DICTIONARY OF ORGAN STOPS. Beard—
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DICTIONARY OF ORGAN STOPS. B©11—
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DICTIONARY OF ORGAN STOPS. 1 Dr. Ha
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DICTIONARY OF ORGAN STOPS. 1 IV ran
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DICTIONARY OF ORGAN STOPS. 27 CLEAR
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DICTIONARY OF ORGAN STOPS. 2 9 Cont
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DICTIONARY OF ORGAN STOPS. 3 (2) In
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DICTIONARY OF ORGAN STOPS. Courtel
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DICTIONARY OF ORGAN STOPS. 37 judgm
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DICTIONARY OF ORGAN STOPS. 39 (3) I
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DICTIONARY OF ORGAN STOPS. 43 mouth
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DICTIONARY OF ORGAN STOPS. 45 domai
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DICTIONARY OF ORGAN STOPS. 47 legit
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DICTIONARY OF ORGAN STOPS. 49 Dia.p
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above stops are all of the bivalvul
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DICTIONARY OF ORGAN STOPS. S3 is no
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DICTIONARY OF ORGAN STOPS. 55 ^SSSN
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DICTIONARY OF ORGAN STOPS. 57 made
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Page 85 and 86: DOUBLE - TONGUEO REED —Double-ton
Page 87 and 88: DICTIONARY OF ORGAN STOPS. 63 Dulci
Page 89 and 90: DICTIONARY OF ORGAN STOPS. 65 Echo
Page 91 and 92: DICTIONARY OF ORGAN STOPa. 67 Examp
Page 93 and 94: DICTIONARY OF ORGAN STOPS. 69 Flaut
Page 95 and 96: DICTIONARY OF ORGAN STOPS. T Flauto
Page 97 and 98: DICTIONARY OF ORGAN STOPS. 73 Flote
Page 99 and 100: DICTIONARY OF ORGAN STOPS. 75 lips
Page 101 and 102: DICTIONARY OF ORGAN STOPS. 77 to am
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Page 105 and 106: DICTIONARY OF ORGAN STOPS. 8r high.
Page 107 and 108: DICTIONARY OF ORGAN STOPS. 83 Germa
Page 109 and 110: DICTIONARY OF ORGAN STOPS. 85 H, Ha
Page 111 and 112: DICTIONARY OF ORGAN STOPS. 87 Harmo
Page 113 and 114: DICTIONARY OF OKQAN STOPS. -89 stan
Page 115 and 116: DICTIONARY OF ORGAN STOPS. 91 Hohlf
Page 117 and 118: HORN GAMBA—See Fugara. DICTIONARY
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Page 121 and 122: RRUMMHORN—See Clarinet. DICTIONAR
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Page 163 and 164: Salicional .(rollered), with double
Page 165 and 166: DICTIONARY OF ORGAN STOPS. 141 empl
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Page 169 and 170: DICTIONARY OF ORGAN STOPS. 145 8 ft
Page 171 and 172: Subbass—See Bourdon. DICTIONARY O
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182 DICTIONARY OF ORGAN STOPS. Vox
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1 86 DICTIONARY OF ORGAN STOPS. z\
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i88 PHONETIC PRONOUNCING VOCABULARY
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190 LIST OF SUBSCRIBERS. LIST OF SU
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192 LIST OF SUBSCRIBERS. Gordon & G
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194 LIST OF SUBSCRIBERS. Rollo, D.,
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THE SHEFFIELD DAILY TELEGRAPH. " Mr
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Works by the same Author. A HISTORY
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MUSICAL WORKS COMPOSED OR EDITED BY
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— MUSICAL WORKS BY FRANCIS BURGES
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The "JOHN HOLT" "PIONEER" PEDAL REE
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— — " Artis est Celare Artem" A
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ESTABLISHED 1869. TELEPHONE 673. Ab
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J. J. BINNS, BRAMLEY ORGAN WORKS, l
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ROBERT SPURDEN #rgan BSutltrer, RUT
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ESTABLISHED 1886. TUNINGS, &c, by Y
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Ssta.1blish.ecl 1888. High Class Ch
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