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A comprehensive dictionary of organ stops - Allen Organ Studio of ...

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102 DICTIONARY OF ORGAN STOPS.<br />

grooved out, and then jointed up. The mouth was inverted, and the cap<br />

fixed slantwise. See also Flauto Traverso. The author well remembers<br />

a Stopped Metallic <strong>of</strong> beautifully mellow tone at Brighton College (Bishop).<br />

Other examples were inserted at Brompton Oratory, Bombay Cathedral,<br />

etc. (Bishop).<br />

Minerici<br />

—<br />

2% ft. Merseburg Cathedral. An octave Quint.<br />

Mittelgedackt— (Ger.) Mittel = middle. 8 ft.<br />

A Gedeckt <strong>of</strong> medium power.<br />

JVIixtupe— (Lat.) Miscere = to mix.<br />

Mixture <strong>stops</strong> are sometimes known by the generic name <strong>of</strong> Compound<br />

Stops, because they are compounded <strong>of</strong> two or more ranks <strong>of</strong> pipes, <strong>of</strong><br />

disparate pitch. In the earlier stages <strong>of</strong> the evolution <strong>of</strong> the <strong>organ</strong>, as the<br />

instrument increased in magnitude and importance, it became customary<br />

to unite with the Diapasons, under the control <strong>of</strong> each individual key,<br />

several subsidiary pipes sounding octaves and fifths, and later thirds, to<br />

them. It was felt, no doubt, that the rather bare effect resulting from the<br />

mere duplication <strong>of</strong> octaves could, in some measure, be palliated or<br />

modified, the tone rendered <strong>of</strong> a more homogeneous character, by the<br />

introduction <strong>of</strong> fifth-sounding pipes. There is absolutely no reason to<br />

suppose that our forefathers were ignorant <strong>of</strong> the existence <strong>of</strong> the harmonic<br />

system, although Helmholtz was the first to evolve the scientific theory <strong>of</strong><br />

the influence <strong>of</strong> overtones on tone quality. Hence the introduction <strong>of</strong><br />

Mutation pipes may reasonably be regarded as a practical recognition <strong>of</strong><br />

the laws <strong>of</strong> Nature, and not as mere empiricism. When, by the respective<br />

inventions <strong>of</strong> Timotheus and Agricola, facilities were afforded for the<br />

control <strong>of</strong> separate ranks <strong>of</strong> pipes by means <strong>of</strong> stop *-sliders, the principal<br />

sets <strong>of</strong> pipes were isolated, but the subsidiary ranks were lumped together<br />

on one slider, being considered, it would appear, as unworthy, or outside<br />

the necessity, <strong>of</strong> separation. In this wise originated the use <strong>of</strong> compound<br />

<strong>stops</strong>.<br />

But presently the Mixture became subjected to a curiously artificial<br />

usage. There is some indirect evidence to show that in the period pre-<br />

ceding the religious cataclysm, commonly known as the Continental<br />

" Reformation," the <strong>organ</strong> was not used to accompany the voices <strong>of</strong> the<br />

congregation. It was sometimes used to accompany the choir, but more<br />

<strong>of</strong>ten to take the place <strong>of</strong> singing altogether. It seems that it was<br />

customary for the verses <strong>of</strong> the Psalms to be taken alternately by the choir<br />

and the <strong>organ</strong>, and in the XVth and XVIth Centuries there is constant<br />

* It is curious how the negative aspect <strong>of</strong> the process still survives in the name. The<br />

stop-slider is a mechanical device for stopping the ingress <strong>of</strong> wind to the pipes. The<br />

function <strong>of</strong> the stop handle was thus originally regarded as that <strong>of</strong> silencing a rank <strong>of</strong><br />

pipes, not, as now, <strong>of</strong> serving to bring it into operation.

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