A comprehensive dictionary of organ stops - Allen Organ Studio of ...
A comprehensive dictionary of organ stops - Allen Organ Studio of ...
A comprehensive dictionary of organ stops - Allen Organ Studio of ...
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DICTIONARY OF ORGAN STOPS. 1 01<br />
House, South Kensington, W. (Positive <strong>Organ</strong> Co.) ; St. Paul, Aix-la-<br />
Chapelle (Aachen), (Stahlhuth). Mr. R. S. Rutt, <strong>of</strong> Leyton, has also<br />
patented an ingenious " part-singing " soundboard, by means <strong>of</strong> which it is<br />
possible to isolate or combine together any <strong>of</strong> the individual parts <strong>of</strong> fourpart<br />
harmony on the given stop or manual to which it is applied. A<br />
somewhat similar contrivance has also been designed by Mr. Casson.<br />
The Double Touch is another device, admitting <strong>of</strong> the accentuation <strong>of</strong><br />
isolated notes.<br />
Melophone—(Gr.) /xiXos = song; (jxovri = voice. 8 ft.<br />
(i) A string-toned stop <strong>of</strong> very delicate intonation. Bridlington Priory<br />
Church (Anneessens, <strong>of</strong> Belgium). (2) A speciality <strong>of</strong> the Kimball <strong>Organ</strong><br />
Co., consisting <strong>of</strong> a metal cylindrical flue pipe, <strong>of</strong> Violin Diapason scale,<br />
speaking two qualities <strong>of</strong> unison pitch at one and the same time, viz.,<br />
String and " Open Wood." In other words a string-toned Flute.<br />
Washington Temple, U.S.A. (Kimball Co.). See also Vox Humana, 16 ft.<br />
Menschenstimme— (Ger.) Mensch = man (Lat. Homo); Stimme<br />
= voice. See Vox Humana.<br />
Merula—(Lat.) = blackbird. See Avicinium.<br />
Messing- Regal—See Regal.<br />
METALLIC, STOPPED—Also Metallic Flute. 8 ft. ; also 4 ft.<br />
The <strong>organ</strong> built by Schulze for the 1851 Exhibition was remarkable for<br />
the exquisite quality <strong>of</strong> its Gedeckt <strong>stops</strong>. It is traditionally reported that<br />
the pipes <strong>of</strong> this instrument were not open to public examination. Bishop,<br />
the celebrated <strong>organ</strong> builder, was so impressed with the tone <strong>of</strong> these<br />
Gedeckts that he endeavoured, after careful listening, to imitate it. By<br />
dint <strong>of</strong> much experimenting he succeeded to his satisfaction in doing so.<br />
He employed wooden pipes <strong>of</strong> the ordinary rectangular shape outside, but,<br />
above middle C, internally <strong>of</strong> cylindrical form. When, sometime later,<br />
Messrs. Bishop had Schulze's <strong>organ</strong> through their hands, it was found that<br />
the Stopped Metallic was really a very faithful representation <strong>of</strong> the<br />
original Gedeckt tone. Shortly after Bishop's attempt, Schulze enlarged<br />
the <strong>organ</strong> at the Temple Church, London, and in the most liberal manner<br />
he permitted other builders to examine his pipes. It was then discovered<br />
that his Lieblich Gedeckt, the nearest equivalent to which had hitherto<br />
in England been made <strong>of</strong> wood, was <strong>of</strong> metal. As it was then found<br />
easier to employ metal pipes, the use <strong>of</strong> the Stopped Metallic was dis-<br />
continued. The Metallic Flute was a stop, generally <strong>of</strong> open pipes, voiced<br />
on similar lines. Bishop's German Flute, though made in a variety <strong>of</strong><br />
ways, was sometimes (e.g., St. Mary, Nottingham) <strong>of</strong> cylindrical bore<br />
inside, like the metallic Flute. The German Flute was not always truly<br />
cylindrical in form. It was sometimes made <strong>of</strong> two pieces <strong>of</strong> wood,