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A comprehensive dictionary of organ stops - Allen Organ Studio of ...

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DICTIONARY OF ORGAN STOPS. 1 01<br />

House, South Kensington, W. (Positive <strong>Organ</strong> Co.) ; St. Paul, Aix-la-<br />

Chapelle (Aachen), (Stahlhuth). Mr. R. S. Rutt, <strong>of</strong> Leyton, has also<br />

patented an ingenious " part-singing " soundboard, by means <strong>of</strong> which it is<br />

possible to isolate or combine together any <strong>of</strong> the individual parts <strong>of</strong> fourpart<br />

harmony on the given stop or manual to which it is applied. A<br />

somewhat similar contrivance has also been designed by Mr. Casson.<br />

The Double Touch is another device, admitting <strong>of</strong> the accentuation <strong>of</strong><br />

isolated notes.<br />

Melophone—(Gr.) /xiXos = song; (jxovri = voice. 8 ft.<br />

(i) A string-toned stop <strong>of</strong> very delicate intonation. Bridlington Priory<br />

Church (Anneessens, <strong>of</strong> Belgium). (2) A speciality <strong>of</strong> the Kimball <strong>Organ</strong><br />

Co., consisting <strong>of</strong> a metal cylindrical flue pipe, <strong>of</strong> Violin Diapason scale,<br />

speaking two qualities <strong>of</strong> unison pitch at one and the same time, viz.,<br />

String and " Open Wood." In other words a string-toned Flute.<br />

Washington Temple, U.S.A. (Kimball Co.). See also Vox Humana, 16 ft.<br />

Menschenstimme— (Ger.) Mensch = man (Lat. Homo); Stimme<br />

= voice. See Vox Humana.<br />

Merula—(Lat.) = blackbird. See Avicinium.<br />

Messing- Regal—See Regal.<br />

METALLIC, STOPPED—Also Metallic Flute. 8 ft. ; also 4 ft.<br />

The <strong>organ</strong> built by Schulze for the 1851 Exhibition was remarkable for<br />

the exquisite quality <strong>of</strong> its Gedeckt <strong>stops</strong>. It is traditionally reported that<br />

the pipes <strong>of</strong> this instrument were not open to public examination. Bishop,<br />

the celebrated <strong>organ</strong> builder, was so impressed with the tone <strong>of</strong> these<br />

Gedeckts that he endeavoured, after careful listening, to imitate it. By<br />

dint <strong>of</strong> much experimenting he succeeded to his satisfaction in doing so.<br />

He employed wooden pipes <strong>of</strong> the ordinary rectangular shape outside, but,<br />

above middle C, internally <strong>of</strong> cylindrical form. When, sometime later,<br />

Messrs. Bishop had Schulze's <strong>organ</strong> through their hands, it was found that<br />

the Stopped Metallic was really a very faithful representation <strong>of</strong> the<br />

original Gedeckt tone. Shortly after Bishop's attempt, Schulze enlarged<br />

the <strong>organ</strong> at the Temple Church, London, and in the most liberal manner<br />

he permitted other builders to examine his pipes. It was then discovered<br />

that his Lieblich Gedeckt, the nearest equivalent to which had hitherto<br />

in England been made <strong>of</strong> wood, was <strong>of</strong> metal. As it was then found<br />

easier to employ metal pipes, the use <strong>of</strong> the Stopped Metallic was dis-<br />

continued. The Metallic Flute was a stop, generally <strong>of</strong> open pipes, voiced<br />

on similar lines. Bishop's German Flute, though made in a variety <strong>of</strong><br />

ways, was sometimes (e.g., St. Mary, Nottingham) <strong>of</strong> cylindrical bore<br />

inside, like the metallic Flute. The German Flute was not always truly<br />

cylindrical in form. It was sometimes made <strong>of</strong> two pieces <strong>of</strong> wood,

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