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A comprehensive dictionary of organ stops - Allen Organ Studio of ...

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8o<br />

I<br />

nMI<br />

Gedeckt<br />

(wood).<br />

DICTIONARY OF ORGAN STOPS.<br />

Ged/kkt— See Gedackt.<br />

Gedackt-Bommer—For derivation see Bombarde. 8 ft.<br />

tone.<br />

A stopped register <strong>of</strong> this name occurred at St. Peter<br />

and St. Paul, Gorlitz (Casparini, 1703). It has been stated<br />

that it over-blew into the first harmonic, the twelfth, that it<br />

was virtually a harmonic stopped Twelfth, and therefore, an<br />

anticipation <strong>of</strong> Mr. Thynne's Zauberflote. Werkmeister,<br />

and after him Hamel, however, speak <strong>of</strong> it as a Quintaton.<br />

Certainly the ?tame would seem to imply a coarse-toned<br />

Gedackt, with the twelfth so developed as to suggest the<br />

idea <strong>of</strong> a "growling"* tone. On the whole, there would<br />

seem to be no adequate ground for assuming the entire<br />

elimination <strong>of</strong> the fundamental or prime tone <strong>of</strong> the stop.<br />

Gedampft-Regal—Gedempft-Regal. See Regal.<br />

Gedeckt — - Gedackt, Stopped Diapason. (Old<br />

Ger.) Gedackt, (Ger.) Gedeckt = covered. (Ger.)<br />

Decken = to cover; cf. (Eng.) deck. (Anglo-Saxon)<br />

Theccan, from which is also derived (Eng.) thatch.<br />

8 ft. ; 16 ft. ; 4 ft. ; rarely 2 ft.<br />

In the case <strong>of</strong> the name, Stopped Diapason, the word<br />

Diapason is used in the sense <strong>of</strong> a standard, the register<br />

being to stopped flue pipes what the Diapason is to open<br />

flue pipes. But the title is apt to be misleading, since the<br />

tone <strong>of</strong> the stop in no way resembles Diapason tone. It<br />

might well, therefore, be permitted to lapse. It is curious<br />

that the earliest form <strong>of</strong> <strong>organ</strong> pipe known, the Pandean<br />

Pipe, was stopped. From it was evolved the open pipe,<br />

and the stopped pipe, as known to-day, was not re-invented<br />

until the close <strong>of</strong> the XVth century. The Gedeckt is formed<br />

<strong>of</strong> stopped pipes <strong>of</strong> wood or metal. In this country the former<br />

material is rapidly being discarded for this stop in favour <strong>of</strong><br />

the latter ; but if the same effect is to be gained the metal<br />

must needs be <strong>of</strong> some thickness. In view <strong>of</strong> this fact it is<br />

altogether questionable whether the wholesale discardment<br />

<strong>of</strong> wood is a change for the better. The bass <strong>of</strong> metal<br />

Gedeckts is generally made <strong>of</strong> wood. The stoppers <strong>of</strong><br />

wood pipes are covered with leather, whilst those <strong>of</strong> metal<br />

pipes are now usually lined with cork, a practice introduced<br />

by Willis. The lips <strong>of</strong> metal Gedeckts are left thick, and<br />

<strong>of</strong>ten not flattened into a leaf at all. The mouths are cut up<br />

* (Ger.) Brummen — to growl or mutter.

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