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Heritage news 21.pmd - South Derbyshire District Council

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SOUTH DERBYSHIRE<br />

HERITAGE NEWS<br />

The design and heritage <strong>news</strong>letter of <strong>South</strong> <strong>Derbyshire</strong> <strong>District</strong> <strong>Council</strong> & Sharpe’s Pottery<br />

Issue 21<br />

Winter 2005/2006<br />

TOURISM BOOST FOR<br />

SWADLINCOTE<br />

“A Tourist Information Centre? In Swad?”<br />

The idea would have seemed scarcely<br />

thinkable just 20 years ago, but the fact that<br />

Swadlincote is now set to have a TIC at<br />

Sharpe’s Pottery is a potent symbol of the<br />

rapid development of <strong>South</strong> <strong>Derbyshire</strong> in<br />

recent times.<br />

The new TIC acknowledges Swadlincote’s<br />

strategic location in the National Forest,<br />

and the dramatic improvements made<br />

recently to the local environment of the<br />

town.<br />

It also demonstrates the growing interest<br />

in industrial archaeology over the last 20<br />

years, as shown by visitor attractions on<br />

the <strong>Derbyshire</strong>/Leicestershire border.<br />

These include Sharpe’s Pottery, Moira<br />

Furnace, Snibston Discovery Park, Hough<br />

Windmill and the Swannington Incline.<br />

Sharpe’s Pottery Trust Chairman John Oake<br />

says: “The Swadlincote TIC is a joint enterprise<br />

Grange Farm is a Winner!<br />

Local property developer Richard Blunt, who restored a decaying Georgian farmhouse at Overseal, was presented with<br />

a prestigious national award during a ceremony at Christie’s, London, on 1 st November.<br />

Grange Farm, which sits alongside the A444, was declared winner of the Georgian Group’s award for “Best Restoration<br />

of a Georgian Building in an Urban Setting”. In clinching the award, it drove off the strong competition of the National<br />

Trust’s project to restore a group of humble back-to-back houses in Birmingham.<br />

The handsome Grade 2 listed farmhouse, which at first sight could be taken for a Burton on Trent townhouse, boasts a<br />

handsome dining room, a library with built in shelves to all four walls, and a restored oak staircase. Currently on the<br />

market, it is hoped that its many charms will seduce a purchaser into making a family home of it once more.<br />

Speaking at the awards ceremony, the <strong>District</strong> <strong>Council</strong> Conservation officer Marilyn Hallard said:<br />

“Grange Farm sits on land criss-crossed by fissures and in 1992 a large hole appeared in the classified road in front of it.<br />

When that happened Grange Farm tilted, the then Coal Board promptly bought it and talked to us at the Local Authority<br />

about demolition. The movement was monitored over a couple of years and to everyone’s surprise the building stabilised.<br />

The Coal Authority was eventually persuaded to dispose of it and that is where Richard Blunt stepped in.” Richard, who<br />

had previously taken a keen interest in the equally notable “Overseal House” next door, devised a rescue package and<br />

completed the repairs earlier this year.<br />

<strong>Heritage</strong> News - 1<br />

with <strong>South</strong> <strong>Derbyshire</strong> <strong>District</strong> <strong>Council</strong>,<br />

consisting of several elements. The Sharpe’s<br />

museum entrance and shop area will be<br />

improved, specialist staff will be recruited and<br />

there will be improvements to the museum<br />

galleries.<br />

The current lack of road signage will be<br />

addressed through a brown sign scheme and<br />

town centre finger posting. We’re particularly<br />

looking forward to the installation of an<br />

innovative ‘through the glass’ touch screen<br />

system, giving 24-hour access to information<br />

about attractions, accommodation, events,<br />

etc.”<br />

Work is under way to make the Swadlincote<br />

Tourist Information Centre a reality in time for<br />

the start of the 2006 tourist season in April.<br />

• It was the proposed demolition of this<br />

attractive building of 1898 that triggered the<br />

designation of a conservation area in<br />

Swadlincote in 1990. Fifteen years later, the<br />

town is set to get a Tourist Information Centre<br />

as well.<br />

• Grange Farm


Staying Staying Put:<br />

Put:<br />

Wood ood oodville ood ville War ar<br />

Memorial<br />

Memorial<br />

The Woodville war memorial sits in an<br />

inconspicuous spot on Woodville High<br />

Street; a passer-by could easily miss it. It<br />

became a listed building earlier this year<br />

(see <strong>Heritage</strong> News no. 19), reflecting the<br />

interest that English <strong>Heritage</strong> has recently<br />

been taking in the preservation of war<br />

memorials generally.<br />

The Parish <strong>Council</strong>, deeming the current<br />

location of the memorial to be unsuitable,<br />

recently applied for listed building consent<br />

to move the war memorial to a more<br />

spacious location behind the Methodist<br />

Church. A public consultation was<br />

generally favourable to the idea, but local<br />

opinion was not unanimous. Some felt it<br />

was disrespectful to re-site the memorial.<br />

Objections, including those of English<br />

<strong>Heritage</strong>, led to a refusal of permission for<br />

the removal.<br />

The present position is that the war<br />

memorial is likely to stay on its current site,<br />

pending necessary repairs.<br />

From Hepworth’s to<br />

Morrison’s<br />

It is a strange experience to visit the former<br />

Hepworth’s site and see nothing behind<br />

Swadlincote High Street except flat land<br />

and a large hole in the ground where the<br />

Morrison’s supermarket is to be built. The<br />

listed chimney and the buildings attached<br />

to it now stand isolated, and <strong>South</strong><br />

<strong>Derbyshire</strong>’s last remaining beehive oven<br />

is no more.<br />

Even so, a walk across the site still reveals<br />

the remains of kiln bases and of broken<br />

bricks, pipes and toilets made on the<br />

premises. One such piece that I picked up,<br />

complete with its transfer-printed badge,<br />

turned out to be from Humpherson’s<br />

“Beaufort” closet first made in 1884 - the<br />

first, fully-fledged, modern ‘wash-down’<br />

loo.<br />

Work on the supermarket itself is due to<br />

start in the New Year, and the store is<br />

expected to open during the Autumn of<br />

2006.<br />

• What’s this? Answer on back page<br />

Thumbs up for Festival!<br />

The first Melbourne Festival took place back in September, blessed with mild, sunny<br />

weather. The town was alive with visitors, unanimous in their admiration for the event, if<br />

a little overwhelmed by the<br />

amount of material on show.<br />

Over 1,500 trail guides were<br />

sold and many visitors hit the<br />

trail on both days.<br />

Surprises for visitors (to<br />

mention but a few) included<br />

impromptu lute performances<br />

in the appropriate setting of the<br />

tithe barn, traditional (i.e.<br />

‘politically incorrect’) Punch<br />

and Judy, and the breathtaking<br />

sight of spirited metal<br />

sculptures in the Dower House<br />

garden against the backdrop of<br />

Melbourne Pool. Here was a<br />

splendid opportunity for<br />

education, entertainment, or<br />

simply for invited nosiness on • Feeding the ducks and swans at Melbourne Pool<br />

private property, made respectable with a permit.<br />

The 2006 Melbourne Festival will take place from Saturday 8 th to Sunday 17 th September.<br />

There will be a programme of concerts & lectures in the evenings (separately ticketed)<br />

and a weekend trail over the 16 th and 17 th September. As in 2005, art and other exhibitions<br />

will be hosted in private houses, churches, chapels, halls and community buildings, many<br />

of them Grade II listed and not normally open to the public.<br />

The Festival Committee has taken account of the successful and less successful aspects<br />

of this year’s experience and intends to modify the content accordingly. The Trail itself<br />

will be the same size geographically with new host houses, about the same number of<br />

painters, but more potters, jewellers, milliners and sculptors. As one 11 year-old said in<br />

2005, “Mum, paintings are great but I’ve seen quite enough for today thanks”.<br />

Excavated kiln is still a mystery!<br />

Over at Sharpe’s Pottery, the steel-framed<br />

warehouse of 1928 alongside Alexandra<br />

Road has been taken down. The owners of<br />

the site wished to reduce the ground levels<br />

where the building stood, which is<br />

beneficial for the pottery buildings as it will<br />

help to divert the surface water that<br />

occasionally floods the Sharpe’s Pottery<br />

buildings.<br />

• James Whitaker of Sharpe Bros. and Co. Ltd. (right) and an archaeologist,<br />

photographed as the remains of the kiln began to come to light.<br />

It was known, however, that the remains<br />

of structures from an early phase of the<br />

pottery’s history would almost certainly be<br />

discovered during the work, and we have<br />

not been disappointed. Careful uncovering<br />

<strong>Heritage</strong> News - 2<br />

of the remains, funded by the site owners<br />

and done by them in conjunction with an<br />

archaeological contractor, has revealed the<br />

base of a small 19 th century kiln, and part<br />

of the base of one of the original kilns of<br />

1821. As expected, there has been no<br />

shortage of shattered toilets, urinals,<br />

basins, teapots (especially teapot lids!),<br />

mixing bowls and banded yellow ware.<br />

Interestingly, little<br />

or no mocha ware<br />

has been found on<br />

this part of the site<br />

so far.<br />

The function of the<br />

kiln that has been<br />

found is open to<br />

debate. Even<br />

Marilyn Palmer, a<br />

well-respected<br />

industrial<br />

archaeologist<br />

based in<br />

Leicestershire, was<br />

mystified. It is<br />

much smaller than<br />

a conventional<br />

kiln, and the doors<br />

ways into it are oddly placed. It is expected<br />

that the remains will be preserved in situ,<br />

as the ground levels can be reduced to the<br />

required gradient without disturbing them.


“No Pool! No Village!”<br />

Between the Clock Garage at<br />

Woodville and the Maurice Lea<br />

Memorial Park at Church Gresley lies<br />

a desolate area with its centre at Pool<br />

Village, where there is now neither<br />

pool nor village. Much of the land is<br />

in an intermediate state, reclaimed<br />

from opencasting and mineral<br />

extraction, but in an unproductive<br />

condition pending redevelopment.<br />

The area is the subject of a special study<br />

currently being carried out by the <strong>District</strong><br />

<strong>Council</strong>, with the aim of identifying, listing<br />

and interpreting all potential<br />

archaeological sites there. This work will<br />

feed into future work undertaken for the<br />

“Woodville to Swadlincote Town Centre<br />

Area Action Plan”, and will help to ensure<br />

that due account is taken of archaeological<br />

matters within the planning process.<br />

Readers may be interested in a few<br />

snippets of information from the study:<br />

The site occupied by the present T. G.<br />

Green factory, and by Ensors on the other<br />

side of the railway line, is the bed of a large<br />

pond known as the Windmill Pool, formerly<br />

the property of the Gresleys of Drakelow.<br />

It was also known as the Upper Pool, to<br />

distinguish it from the “Lower Pool”<br />

downstream. The purpose of both pools<br />

was apparently to drive Gresley Mill,<br />

further downstream<br />

The stream that was dammed to form the<br />

Windmill Pool was once the county<br />

boundary, but eventually the water level<br />

on the southern edge of the pool came to<br />

be recognised as the boundary instead. It<br />

is interesting to note that, some 180 years<br />

after the pool was drained, its old surface<br />

water level still forms the county boundary<br />

today! The area remained marshy, so T.<br />

G. Green devised his own system of piled<br />

foundations to overcome the problems<br />

when his new works was built c1880: “He<br />

employed his own labour force and<br />

directed operations in his typically<br />

forthright manner, using a remarkable<br />

vocabulary of oaths that gave him the<br />

nickname “swearing Tom”.” (Paul<br />

Atterbury, in Cornish Ware and Domestic<br />

Pottery by T. G. Green (2001).<br />

T. G. Green’s Top Bank, represented today<br />

by the premises of Neville Lumb, also has<br />

interesting origins. Originally, this spot was<br />

enclosed out of Gresley Common to<br />

provide a house for the warrener who<br />

looked after the rabbit warren on the<br />

common. It was quite usual for commons<br />

to house colonies of commercially-farmed<br />

rabbits. A rabbit warren could be quite<br />

lucrative to the lord of a manor, who would<br />

rent it out or employ a warrener directly.<br />

• Part of Burdett’s map of <strong>Derbyshire</strong> (1791 edition), showing the Windmill Pool half way up<br />

on the right, and the lower pool by the mill house to the south. The black dot above the<br />

Windmill Pool represents the Warrener’s house on Gresley Common.<br />

The low hill that provides the focal point<br />

of Pool Village was known as Windmill<br />

Hill. The windmill that crowned it is long<br />

gone and its precise site is lost.<br />

However, the following snippet shows<br />

that it must have stood close to the<br />

warren house, that later became part of<br />

Green’s “Top Bank”:<br />

“During the summer months a<br />

flock of sheep belonging to<br />

Cooper and Massey grazed on the<br />

common as well as cows, horses,<br />

donkeys and geese belonging to<br />

the commoners. One mound<br />

known as the Warren, on which at<br />

some time a windmill stood, was<br />

covered with bracken and<br />

infested with rabbits”<br />

(H. J. Wain in Burton Observer<br />

and Chronicle, 26 th August, 1977)<br />

Such mounds are commonly associated<br />

with “post mills”, timber-framed and<br />

boarded structures which were sometimes<br />

built on a mound to catch more wind. Post<br />

mills were very common in the 18 th century<br />

and could, with some trouble, be<br />

dismantled and re-erected on a different<br />

site if necessity demanded. Artificial “pillow<br />

mounds” might also be made on rabbit<br />

warrens to encourage the rabbits to<br />

burrow, but the dual-purpose mound on<br />

Windmill Hill, serving both windmill and<br />

rabbits, was presumably a chance<br />

occurrence rather than a deliberate<br />

contrivance!<br />

<strong>Heritage</strong> News - 3<br />

One of the most famous (and most<br />

unusual) warren houses in England is the<br />

Triangular Lodge at Rushton,<br />

Northamptonshire, built c1593 and now in<br />

the care of English <strong>Heritage</strong>.<br />

We don’t know for sure when the Warren<br />

House at Gresley first became a pottery,<br />

but it was probably around 1790. The<br />

origins of the domestic pottery industry in<br />

Church Gresley as a whole still remain a<br />

little obscure; the industry certainly<br />

gathered momentum during the 1790s,<br />

but we may discover that its origins go<br />

back a decade or two beyond that.<br />

• The Rushton Triangular Lodge, Northants,<br />

once a warrener’s house. The warrener’s house<br />

on Gresley Common, by contrast, would have<br />

been a plain affair.


Keith Foster writes:<br />

It has been a busy time in the Attic over the last few months,<br />

preparing for exhibitions and publishing new books.<br />

We were invited to The Arboretum at Alrewas on 15th August to<br />

show our “Soldiers of WW2” exhibition. The day was organised<br />

mainly to commemorate VJ day<br />

and to open a new permanent<br />

exhibition dedicated to<br />

Prisoners of War in the Far East<br />

– this is well worth a visit and<br />

includes descriptive panels,<br />

photographs, drawings and<br />

other artefacts relating to<br />

experiences of the prisoners<br />

(www.cofepow.org.uk). We<br />

were also invited back to The<br />

Arboretum on Armistice Day<br />

(11/11) to again show the same<br />

exhibition.<br />

The Civic Trust’s <strong>Heritage</strong><br />

Open Days (8 th – 11 th Sept.) -<br />

when many properties normally<br />

closed to the public are open –<br />

was another busy time for us.<br />

The Attic arranged three separate exhibitions, one at the old<br />

factory of T. G. Green in Church Gresley, one at the Methodist<br />

Chapel in West Street, Swadlincote and the third in the Attic<br />

itself. All were well attended – especially the T. G. Green factory<br />

- perhaps as this was possibly the last opportunity for a visit.<br />

In conjunction with the National Forest Co.’s LANDshapes<br />

project (www.landshapes.org) we have mounted two<br />

Marian Adams writes:<br />

News from the Magic Attic<br />

An exciting new project has recently got off the ground<br />

at Gresley Old Hall near Swadlincote, where members<br />

of <strong>South</strong> <strong>Derbyshire</strong>’s Mining Preservation Group have<br />

embarked on a journey of discovery into the Arts.<br />

Artist Rob Webster and writer Marian Adams, who are<br />

supported by People Express, have been commissioned<br />

to develop creative ways of expressing Mining <strong>Heritage</strong><br />

and Stories, which will be celebrated and reflected in a<br />

permanent sculpture to inspire and inform future<br />

generations.<br />

Over a six-week period, mine workers and their families<br />

will contribute to – and create - the finished piece, which<br />

will be sited at Rosliston Forestry Centre.<br />

“After the chicken comes the old hen”.<br />

Do you know what this means? No? Ask a miner!<br />

• High Street Swadlincote, 1906, as drawn recently by Steve Sharp.<br />

Underground Overground<br />

• A practical sculpting session at Gresley Old Hall, to develop themes for the<br />

finished piece. Left to right: Rob Webster (artist), Roger and Pauline Ward<br />

and Jim Harrison.<br />

<strong>Heritage</strong> News - 4<br />

photographic exhibitions in Swadlincote – one at the Library<br />

and the other on the 19 th Nov in our premises at Sharpe’s Pottery<br />

Museum.<br />

The Magic Attic has recently purchased a new printer especially<br />

for the production of local<br />

history books. It has been kept<br />

busy and we are now offering<br />

three new and previously<br />

unpublished titles (“Life and<br />

Times in Old Moira”, “The<br />

Pioneering People of<br />

Melbourne” and “<strong>Derbyshire</strong>’s<br />

Agricultural <strong>Heritage</strong>”). We<br />

have also completed a reprint<br />

of the classic 1980s study of<br />

Hartshorne “At the Sign of the<br />

Bull’s Head”. We are quite<br />

proud of all these titles and<br />

reviews of them can be read<br />

elsewhere in this issue of<br />

<strong>Heritage</strong> News.<br />

One of our more exciting<br />

recent “finds” has been a local<br />

artist, Steve Sharp, who has created a number of pencil drawings<br />

of local sites of interest. Three of his drawings are of Moira and<br />

together with authors of “Life and Times in Old Moira” we<br />

arranged a signing at Moira Furnace on the 19 th Nov.<br />

All the above books and limited edition prints are now available<br />

at The Attic. Other outlets are being arranged.


New Books<br />

The Pioneering People of Melbourne<br />

and the Surrounding <strong>District</strong><br />

G. R. Heath, published by the Magic Attic,<br />

Swadlincote, 2005. 62pp, £9.00.<br />

Melbourne has encouraged newcomers,<br />

fostered residents and enjoyed the success<br />

of those who left but maintained the pride<br />

of their birthplace. This publication is an<br />

attempt to record the progress of some of<br />

those people important to the Parish of<br />

Melbourne, straying to record a few just<br />

beyond the parish boundary.<br />

The personalities covered are a diverse and<br />

colourful bunch, from all ranks of society.<br />

Here are tales of self-made Victorian<br />

figures such as Thomas Cook the Travel<br />

Agent, John Borlase Warren of Cincinnati<br />

and J. G. Shields of Donington Park, as<br />

well as the lives of local aristocracy and<br />

gentry.<br />

• Thomas Cook the Travel Agent<br />

Not all are success stories, as the book<br />

actually includes a few men who “came<br />

undone”. William Dexter, for instance, was<br />

indeed a talented painter but led a<br />

Bohemian existence and was not so<br />

successful in other areas of his life, which<br />

was cut short in Australia. And it is<br />

questionable whether Laurence 4th Earl<br />

Ferrers of Staunton Harold should be<br />

included as a “pioneer”; his progress in life<br />

went downhill rather than up, terminating<br />

in his execution at Tyburn in 1760 with a<br />

rope wrapped in silk, for the murder of his<br />

steward.<br />

<strong>Derbyshire</strong>’s Agricultural <strong>Heritage</strong>:<br />

Series 1. Articles and photographs<br />

reproduced from the <strong>Derbyshire</strong> Advertiser<br />

July 1910 – July 1911.<br />

Compiled by Eric and Beryl Tunstall,<br />

published by the Magic Attic, Swadlincote,<br />

2005. 114pp, £10.75.<br />

This publication is of a simple but effective<br />

formula, being a series of articles about<br />

individual farms and the men who farmed<br />

them 95 years ago. The articles are wellillustrated<br />

with photographs of the<br />

farmsteads, farmers and livestock and are<br />

full of interest. It is sad that the<br />

photographs are only of the original<br />

<strong>news</strong>print quality, as the original<br />

photographic material would be a treasure<br />

in its own right. Assuming that it no longer<br />

exists, we have to make the best of what is<br />

left.<br />

The farms covered are spread across<br />

<strong>Derbyshire</strong>, with a few examples in<br />

Staffordshire and Leicestershire as well.<br />

Several are in <strong>South</strong> <strong>Derbyshire</strong> including<br />

Derby Hills Farm, Egginton Dairy, Gould’s<br />

Farm at Willington, Grange Farm at<br />

Weston on Trent, Dale Farm at Willington<br />

and Grange Farm at Barrow on Trent.<br />

The title is a little misleading, as it implies<br />

a look back to the past from a present-day<br />

standpoint. In reality, this is a last<br />

contemporary gaze at the proud days of<br />

Victorian farming before the World Wars<br />

and mechanisation irrevocably changed it<br />

all. The articles are chattily and<br />

intelligently written with a good mixture<br />

of descriptive and factual information, and<br />

have that power to make the reader feel<br />

that he is experiencing these farms at first<br />

hand for himself. This is “series 1”; I<br />

presume we may look forward to more of<br />

the same in “series 2”.<br />

Life and Times in Old Moira by Ashby<br />

Woulds & <strong>District</strong> Local History Group,<br />

published by the Magic Attic, Swadlincote.<br />

112pp, £8.00.<br />

In the Furnace of c1804 (which survives)<br />

and the Stone Rows of c1811 (which<br />

don’t), Moira had two landmark features<br />

of great interest and historic importance.<br />

The book records the memories of those<br />

who lived in both places, among others.<br />

We are given a vivid insight into the hard<br />

but character-forming routines that most<br />

residents shared in common not so long<br />

ago – a life of tin baths hung out on the<br />

back wall, frugal Christmases, make do and<br />

mend, fetching water, travelling long<br />

distances on foot, hard manual labour and<br />

the occasional killing of the family pig. We<br />

are also introduced to the various social<br />

organisations, the local foundry and mines,<br />

and local dialect. Insofar as those subjects<br />

are concerned, “yo cudna esk frote betta”.<br />

The book is clearly written for a local<br />

audience, as revealed by phrases such as<br />

“Many readers will remember…”, and will<br />

find its main market among the local<br />

residents of the present day. But the content<br />

is wide-ranging and diverse enough to offer<br />

something for the rest of us, throwing light<br />

on this interesting industrial community<br />

through the ages.<br />

The relatively recent scope of the content<br />

should come as no surprise to those that<br />

know Moira, as there was nothing much<br />

there to speak of 200 years ago. The book<br />

does make reference to the earliest days of<br />

the village, but here it is less successful.<br />

The origins of Moira as a part of Ashby<br />

Woulds, developed after the enclosure of<br />

the Woulds, are not adequately explained,<br />

nor are the Baths, and the histories of preenclosure<br />

features such as Barratt Mill and<br />

Pool do not take account of all the available<br />

evidence. And while the book notes that<br />

<strong>Heritage</strong> News - 5<br />

“Much has been written about the Moira<br />

Furnace and its history”, a summary<br />

sentence or two of useful history would<br />

have taken little more space, for the benefit<br />

of a reader unfamiliar with it.<br />

Some of the other content is inconsistent<br />

in the level of detail included. “Chapters”<br />

range from a single paragraph each to a<br />

chapter on the school which occupies a<br />

third of the book. But the prospective<br />

purchaser should not be put off. This is a<br />

document of social history, and makes no<br />

pretence at being a comprehensive history<br />

of Moira. There is plenty here to entertain,<br />

amuse and instruct the reader for several<br />

happy hours.<br />

At the Sign of the Bulls Head: A History<br />

of Hartshorne and its Enclosure. Edited<br />

by Janet Spavold and published by the<br />

<strong>South</strong> <strong>Derbyshire</strong> Local History Research<br />

Group, 1984. Re-printed, with minor<br />

amendments and corrections, by the Magic<br />

Attic, Swadlincote, 2005. 154pp, £14.95.<br />

Many will welcome a renewed chance to<br />

buy this popular and well-regarded study<br />

of Hartshorne, first produced 21 years ago.<br />

It was the result of original research which<br />

will not be found published elsewhere. The<br />

same group produced two other books<br />

which also remain essential reading for<br />

local historians in the area: “Pits, Pots and<br />

People: <strong>South</strong> <strong>Derbyshire</strong> in 1851” (1981)<br />

and “In the Name of God Amen: Everyday<br />

Life in <strong>South</strong> <strong>Derbyshire</strong> 1535-1700”<br />

(1992).<br />

The central theme of the Hartshorne study<br />

is the Parliamentary Enclosure of the<br />

common and open fields of Hartshorne in<br />

1765-66, which involved redistribution of<br />

land and new roads, thus paving the way<br />

for the creation of the modern landscape.<br />

But there is far more to this study than that.<br />

The book hones in on the history of<br />

indivudal families, houses and farmsteads,<br />

and among other things explores the<br />

workings of Hartshorne’s well-known<br />

screw mill (now the Mill Wheel<br />

Restaurant). Not least among the buildings<br />

is the Bulls Head Inn itself, once kept by<br />

Gilbert Raven, and the place where the<br />

enclosure commisioners met to deliberate<br />

the enclosure of the parish.<br />

• The Screw Mill at Hartshorne undergoing<br />

reconstruction, 1987 (Derby Daily Telegraph)


Sharpe’s<br />

Christmas Fayre<br />

John Oake writes:<br />

The weekend of 25th & 26th November<br />

marked Swadlincote’s traditional pre-<br />

Christmas Fair, with the switching on of<br />

the lights, a firework display on Friday<br />

evening and a street funfair across the<br />

two days.<br />

The management, staff and volunteers<br />

at Sharpe’s made great efforts to<br />

maximise the potential offered by the<br />

event, by staging a Victorian Christmas<br />

Fayre and Market throughout the two<br />

days.<br />

Attractions included a fairground organ,<br />

hog roast, hot chestnut seller and mulled<br />

wine, together with a strong contingent<br />

of our Farmers’ Market stallholders,<br />

crafters and fund raising stalls manned<br />

by the Volunteers for Sharpe’s Pottery.<br />

Our catering staff also put on a special<br />

menu, including a Friday evening ‘Bistro’<br />

meal.<br />

The Fayre was a resounding success<br />

for Sharpe’s, adding colour and vibrancy<br />

to one of Swadlincote’s top annual social<br />

occasions and bringing over 2,600<br />

visitors to the Museum in just two days.<br />

John Oake writes:<br />

On 29 th November, BBC1’s ‘Cash in the Attic’ featured<br />

the ‘de-cluttering’ of local collector and Sharpe’s<br />

supporter, Mrs. Pat Paling.<br />

Sharpe’s Majestic Empire Cinema<br />

A national initiative is currently being piloted to bring film screenings back to communities that<br />

are too small to support a commercial multi screen cinema. The main focus is on village halls, but<br />

Sharpe’s Pottery Museum has been chosen as the pilot location for <strong>South</strong> <strong>Derbyshire</strong>.<br />

Chairman John Oake says: “Our Conference Room (sponsored by <strong>Derbyshire</strong> Building Society) is<br />

equipped with a ceiling mounted projector, electric screen and sound system and we have decided<br />

to recall the names of Swadlincote’s two much-loved former cinemas in the title of the project, by<br />

calling it ‘Sharpe’s Majestic Empire Cinema’.<br />

• The former Majestic Cinema at Swadlincote (The Magic Attic)<br />

“We know that we can’t recreate the authentic cinema experience in the conference room, but<br />

hope to make up for that by creating a friendly ‘film club’ atmosphere. It should certainly be much<br />

more enjoyable to be out in company watching a film screening in the Sharpe’s environment than<br />

seeing a video or DVD at home.”<br />

Screenings have started in the run up to Christmas with a short programme of seasonal films<br />

screened on Saturday afternoons. Details of future screenings will appear in <strong>Heritage</strong> News and<br />

on the Sharpe’s events and activities calendar.<br />

Pat’s Pat’s Pots<br />

Pots<br />

Among the items identified for auction were a<br />

graduated set of three mid nineteenth century<br />

Sharpe’s Pottery ale jugs and two early Sharpe’s<br />

‘Rockingham’ glazed teapots. The ale jugs are<br />

particularly rare, being in superb condition and<br />

carrying Sharpe’s Pottery impressed marks, leaving<br />

• An advertisement for Sharpe’s Pottery, 1891.<br />

their place of manufacture in no doubt.<br />

Pat was anxious that the local items should end up in the Museum collection, so funding was provided through the Volunteers<br />

for Sharpe’s, enabling the Chairman to bid at the auction.<br />

There was considerable excitement and tension, as Pat’s items virtually doubled the expert’s pre auction valuation.<br />

Fortunately we were able to secure the items that we particularly wanted and they are now on display in one of the new<br />

cases, also provided by the ‘Volunteers’.<br />

Although we had to go beyond our original budget, it is encouraging to note the growing interest and value of <strong>South</strong><br />

<strong>Derbyshire</strong> collectable ceramics.<br />

<strong>Heritage</strong> News - 6


Sharpe’s Pottery Lecture<br />

Programme.<br />

In 2005, the <strong>District</strong> <strong>Council</strong> has begun to sponsor a programme of<br />

lectures at Sharpe’s Pottery, to further an appreciation of our local<br />

heritage. It is intended that the subjects covered should be wideranging<br />

and diverse; the only essential criterion is that the topic is in<br />

some way relevant to our local area, or as relevant to our area as to<br />

any other.<br />

To begin with, lectures have been limited to a “Spring lecture” and an<br />

“Autumn lecture”, which have both been well-attended. The Spring<br />

lecture was by Glyn Coppack on “The Archaeology of Monasteries”<br />

and the Autumn lecture was by David Eveleigh on “Bogs, Baths and<br />

Basins”. The established form is that the evenings begin with a<br />

reception at 7pm, when wine is on sale to the accompaniment of live<br />

music in the kiln. The lectures then begin at 7.45pm.<br />

The Spring 2006 lecture will be on the duties and dilemmas faced by<br />

churchwardens of the Church of England, and will be given by Dr.<br />

David Marcombe of Nottingham University on March 29 th . As there<br />

appears to be an appetite for these lectures, a series of four or five is<br />

planned for the winter season 2006-2007. So far, we have lined up<br />

Linda Hall, who will tell us how houses can be dated from such small<br />

features as doorknobs and hinges; Danny Wells who will speak on<br />

(Thomas) Cook’s Tours; and Jeremy Barlow, who will speak on the<br />

illustration, music and history of nursery rhymes (with musical<br />

demonstration!).<br />

We intend that there should be something for everyone in the<br />

programme of lectures we present.<br />

• A diagram of the ingenious water closet patented by Joseph<br />

Bramah (1748 - 1814) in 1778.<br />

Alan Kimber writes:<br />

News from Repton<br />

Repton Village History Group (www.reptonvillage.org.uk) has launched its latest<br />

publication “Notices and Jottings from St. Wystan’s, Repton Parish Magazine<br />

1889-1937". It is a 105 page volume of extracts taken from the magazines and<br />

provides an interesting insight into the life of the village in those days. It covers<br />

both national and local events as well as copies of advertisements from the early<br />

editions. Edited by Gill Hiley, it is available from Sharpe’s Pottery and The Magic<br />

Attic in Swadlincote, Ottakers in Burton, Derby Cathedral Bookshop and Repton<br />

Post Office. The price of £4.95 makes it an ideal present.<br />

On Saturday and Sunday 1 st & 2 nd April, we plan to hold a major 2-day exhibition<br />

of our archives. It will include an extensive photographic display covering Repton,<br />

Milton, Foremark and Ingleby, slide shows and many items from our large collection<br />

of documents including the Census Returns. Our publications will be available<br />

for purchase. Doors will be open from 10am till 5 pm each day.<br />

<strong>Heritage</strong> News - 7<br />

- Curiosity Corner -<br />

Ancient and Modern…<br />

The Trent at Twyford, meaning the “double ford”, could still be<br />

crossed by a chain ferry as recently as 1963, when the boat<br />

was washed away in floods. This photograph contrasts the<br />

archaic ferry with the chimneys of the “new age” power station<br />

at Willington. The two subjects seem worlds apart in time, but<br />

are captured here together on a photograph taken during their<br />

brief co-existence. Until Victorian times, Swarkestone Bridge<br />

formed the only roadway connection between the southern<br />

extremity of <strong>Derbyshire</strong> and the rest of the County north of<br />

Trent. Willington Bridge, originally a toll bridge, was opened<br />

in 1839 and the Midland Railway viaduct was built over the<br />

river between Melbourne and Weston in 1867. Other crossing<br />

points were provided by fords and ferries, all long abandoned<br />

with the ascendancy of motor vehicles.<br />

• The Ferry on the River Trent at Twyford<br />

( Brighouse Collection / www.picturethepast.org.uk)<br />

<strong>South</strong> <strong>Derbyshire</strong> Mining<br />

Preservation Group<br />

If you are interested in our local mining<br />

heritage, the Mining Preservation Group<br />

would be pleased to welcome you. The<br />

Group Secretary, Monica Hudson, says:<br />

“Our aim is to collect and preserve all we<br />

can of the mining heritage of this area. The<br />

collection of tools, books, photographs and<br />

multi-media is held at Gresley Old Hall and<br />

we meet every first Thursday in the month.<br />

We also take our collection out and about<br />

in the community to Schools, Village Halls<br />

and Galas. Why not join us? Everyone is<br />

welcome!” Monica can be contacted on<br />

01283 225729.


January<br />

Forthcoming events at Sharpe’s Pottery.<br />

To book events requiring tickets or reservations, please telephone Sharpe’s on 01283 222600.<br />

Artists of the Month: Erica Middleton and Sue Clews, painters, in the Coffee Shop, 9 th –31 st Jan.<br />

Saturday 14 th , 10am – 4pm Farmers’ Market in the Courtyard. Admission Free.<br />

February<br />

Artists of the Month: Joanne Sheppard and Jemma Rix, painters, in the Coffee Shop, 1 st – 28 th Feb.<br />

Saturday 4 th , 10am – 3pm Carolyn Bates Floral Masterclass, £12 per person, including buffet lunch.<br />

Tuesday 14 th Valentines Night event (supper and a film, the film<br />

sponsored by Visage Hairdressers), details to be announced.<br />

Saturday 18 th , 10am – 4pm Farmers’ Market in the Courtyard. Admission Free.<br />

Saturday 18 th “The Viking Coaches” – a booksigning day by Harry Twells, in the kiln.<br />

Admission Free.<br />

Monday 20 th , 10am – 4pm Over 8’s Half Term Craft Day with Angela Hudson: “Up, Up & Away!” £10.00<br />

(children to bring own lunch or bring money to spend in the coffee shop).<br />

Tuesday 21 st , 10am – 4pm Over 8’s Half Term Craft Day with Angela Hudson: “Dangerous Dinosaurs”<br />

£10.00<br />

(children to bring own lunch or bring money to spend in the coffee shop).<br />

Weds. 22 nd , 10am – 4pm Over 8’s Half Term Craft Day with Angela Hudson: “Mad Models” £10.00<br />

(children to bring own lunch or bring money to spend in the coffee shop).<br />

Saturday 25 th , 2pm Sharpe’s Saturday Afternoon Matinee. £3.00 (50 seats only). Film to be<br />

announced.<br />

March<br />

Artists of the Month: Jackie Palmer and Mary Byrne, painters, in the<br />

Coffee Shop, 1st – 31st March.<br />

Saturday 11th , 7.30pm Live music in the Kiln: “Bass-ically Music”<br />

by Fred Thelonious Baker, well known bass<br />

guitarist, tickets £6.00.<br />

Saturday 18th , 10am – 4pm Farmers’ Market in the Courtyard. Admission<br />

Free.<br />

Saturday 18th , 10am – 4pm Antiques Fair in the Conference Room.<br />

Admission Free.<br />

Saturday 25th , 2pm Sharpe’s Saturday Afternoon Matinee: “Best<br />

In Show”: (a film about wacky owners and their<br />

Wednesday 29<br />

pooches, sponsored by “The Pet Shop”, Swadlincote, to coincide with Crufts!).<br />

£3.00 (50 seats only).<br />

th • Fred Thelonious Baker<br />

, 6.45pm Sharpe’s History Lecture: “Churchwardens: Duties and Dilemmas” by Dr. David<br />

Marcombe.Tickets £4.50. Doors open 6.45pm; musical recital in kiln 7pm; lecture<br />

starts 7.45pm.<br />

April<br />

Mon 10 th – Fri 14 th , 10 – 4 Children’s Theatre Workshop with Angela Hudson. £50 for the week.<br />

Saturday 15 th , 10am – 4pm Farmers’ Market in the Courtyard. Admission Free.<br />

Thursday 20 th , 10am – 4pm Over 8’s Half Term Craft Day with Angela Hudson: “Battle Bots” £10.00<br />

(children to bring own lunch or bring money to spend in the coffee shop).<br />

Friday 21 st , 10am – 4pm Over 8’s Half Term Craft Day with Angela Hudson: “Dream Island” £10.00<br />

(children to bring own lunch or bring money to spend in the coffee shop).<br />

<strong>Heritage</strong> News -8


Recent research in the last few<br />

months has thrown new light on<br />

several historic buildings in our<br />

area.<br />

Foremark:<br />

Historic Buildings under the Spotlight<br />

We have Witan Archaeology to thank for<br />

a survey of Anchor Church at Foremark.<br />

It gets its name for the word “anchorite”<br />

= hermit, and was possibly once occupied<br />

in the Anglo Saxon period by St.<br />

Hardulph, patron saint of the church at<br />

Breedon on the Hill. Perhaps a thousand<br />

years later, the caves were turned into a<br />

picturesque retreat or summer house by<br />

the Burdetts of Foremark. Door and<br />

window frames were inserted, and a lime<br />

mortar floor; there was even a fireplace<br />

with a chimney.<br />

A print published in 1765 shows the site<br />

complete with a party of visitors. A man<br />

plays the flute to a small audience, while<br />

two others carry a picnic hamper. Dogs<br />

play on the grass, men fish, and women<br />

are attentive to their children. Boats ply<br />

the river while local village folk make hay<br />

in the meadows opposite.<br />

Sadly, it is a different scene today. All the<br />

joinery has gone and much of the floor<br />

has eroded away. Natural wear and tear<br />

account for this. Of greater cause for<br />

concern are the graffiti and spray paint<br />

which disfigure the walls. Nevertheless,<br />

this historic site remains atmospheric and<br />

is a Grade II listed building. The Witan<br />

Archaeology survey is a useful record of<br />

what now exists and provides a<br />

benchmark to monitor the condition of the<br />

caves in future.<br />

• Anchor Church, Foremark, engraved by Francois Vivares after a painting by Thomas Smith of<br />

Derby. Published 1765.<br />

Newton Solney:<br />

Over at Newton Solney, the editor has<br />

undertaken some new research in<br />

preparation for the forthcoming<br />

conservation area history leaflet. This<br />

work has shown that the course of events<br />

in the evolution of the park was<br />

substantially different to the story that is<br />

usually told. Previous accounts vary, but<br />

the general gist is that the park was bought<br />

by Abraham Hoskins the elder of Burton<br />

on Trent, who built a new<br />

house (now the Newton Park<br />

Hotel) c1798 and crowned<br />

the nearby hilltop with a<br />

huge folly called “Bladon<br />

Castle”, to be seen from the<br />

house.<br />

Closer inspection (both of<br />

the buildings and<br />

documentary evidence)<br />

casts grave doubts on this,<br />

and is slowly revealing a<br />

different story. The man<br />

behind it all was not Hoskins<br />

the elder at all, but his son<br />

Abraham Hoskins the<br />

<strong>Heritage</strong> News -9<br />

younger (c1759-1842). Hoskins acquired<br />

the first part of his estate at Newton<br />

Solney in 1798, excluding the site of the<br />

present hotel building which, it seems,<br />

was not part of his initial vision.<br />

Apparently, his intention at the time was<br />

to build a new house on Bladon Hill,<br />

where he later built his folly.<br />

For some reason, Hoskins abandoned his<br />

plan to build a house on the hill, and built<br />

Bladon Castle there instead, probably in<br />

1805. Meanwhile, in 1800, he had bought<br />

a farm on the edge of Newton Solney<br />

village from the Every estate, adjoining<br />

the land acquired in 1798. Perhaps he had<br />

intended to install a manager there, but<br />

eventually Hoskins decided to remodel<br />

the farmhouse as his own principal<br />

residence. This is the house that is now<br />

the Newton Park hotel, shorn of its<br />

extensive farm buildings in the mid 19 th<br />

century. Early photographs, once the<br />

property of the Ratcliff family, show the<br />

house as it stood after Hoskins’<br />

remodelling, but before extensive<br />

alterations were made around 1880.<br />

The resulting park is strange, as the<br />

Newton Park Hotel is visually<br />

disconnected from the main body of its<br />

own parkland. It was a desire to<br />

understand the peculiar layout of the park<br />

that stimulated the new research in the<br />

first place. The road in front of the house<br />

was moved further away in 1809, and the<br />

farm buildings at the back were removed<br />

to another site before 1877, but the house<br />

was never made to appear as a convincing<br />

centrepiece to the park. That role still<br />

belongs to Bladon Castle, which was<br />

eventually converted to a house but was<br />

always the secondary house of the<br />

Hoskins estate.<br />

Continued on page 10<br />

• Bladon Castle (Brighouse Collection /<br />

www.picturethepast.org.uk)


Swadlincote:<br />

Unlike the previous two buildings,<br />

Hearthcote House at Swadlincote no longer<br />

exists, but the <strong>District</strong> <strong>Council</strong> was<br />

recently made aware of some recording<br />

work that was undertaken by the County<br />

<strong>Council</strong> when the house was demolished.<br />

The County <strong>Council</strong>’s Sites and<br />

Monuments Record Officer has kindly<br />

scanned the relevant sketch plans, detail<br />

sketches and photographs onto a CD for<br />

us.<br />

There is some doubt as to whether this<br />

house was the manor house of Hearthcote,<br />

listed in Domesday as a separate place from<br />

Swadlincote, or was simply a farmhouse<br />

belonging to the manor. It was not a large<br />

house; it had two storeys plus attics and a<br />

stone-lined cellar, and just three rooms on<br />

the ground floor. But manor houses were<br />

not always large, and its quality suggested<br />

a house of relatively high status. Had it<br />

survived just a few years longer, it would<br />

almost certainly have become a listed<br />

building.<br />

In 1838 Hearthcote House belonged to a<br />

modest farm of 68 acres rented by Francis<br />

Allen from his landlord S. P. Wolferstan<br />

Esq. In the 18th century the farm was<br />

occupied by the Newbold family.<br />

Hearthcote is one of a group of “-cote”<br />

(=cottage) names in <strong>South</strong> <strong>Derbyshire</strong>, the<br />

others being Swadlincote and Brizlincote.<br />

The name takes various forms such as<br />

Hedcote (‘d’ was sometimes pronounced<br />

‘th’), Harcoat, Hathcote and Heathcote, and<br />

probably means “heath cottage”.<br />

The internal walls of the house were timber<br />

framed and the balusters and handrail of<br />

the fine contemporary staircase suggested<br />

• Hearthcote House on the eve of its demolition, c1979 (<strong>Derbyshire</strong> County <strong>Council</strong>)<br />

a mid 17 th century date. The entire building<br />

was probably timber framed when first<br />

erected, except for the chimneystacks (of<br />

dressed stone blocks), but the external walls<br />

were later replaced in brick. A rubbing of<br />

the date 1793 on a brick or stone perhaps<br />

indicates when this was done, but we are<br />

not told exactly whereabouts on the<br />

building the date was found.<br />

The staircase balustrades, tenoned into two<br />

posts that ran up the whole height of the<br />

house, were craned out of the building in<br />

one piece and taken into store at Elvaston<br />

Castle. Sadly, a recent search there failed<br />

WE CAN HELP YOU WITH PUBLICITY<br />

“<strong>Heritage</strong> News” is published by <strong>South</strong> <strong>Derbyshire</strong> <strong>District</strong> <strong>Council</strong> three times a year around April/May (Spring/Summer issue),<br />

August (Autumn issue) and December (Winter issue). It is circulated to all parish councils / meetings, amenity societies and historical<br />

groups within <strong>South</strong> <strong>Derbyshire</strong>, and is also distributed to libraries and to local press contacts. We are always pleased to advertise the<br />

work of local groups where possible, so please call us with any <strong>news</strong> for our next issue. The deadline for inclusion in No. 22 (Spring/<br />

Summer 2006) is Friday 17 th March.<br />

Contacts:<br />

Philip Heath <strong>Heritage</strong> Officer / Editor of “<strong>Heritage</strong> News” tel: 01283 595936 fax: 01283 595850<br />

e-mail: philip.heath@south-derbys.gov.uk<br />

Marilyn Hallard Design & Conservation Officer tel: 01283 595747 fax: 01283 595850<br />

e-mail: marilyn.hallard@south-derbys.gov.uk<br />

Cordelia Mellor-Whiting Curator, Sharpe’s Pottery tel: 01283 222600<br />

e-mail: cordelia@sharpespotterymuseum.org.uk web: www.sharpes.org.uk<br />

The postal address is: <strong>South</strong> <strong>Derbyshire</strong> <strong>District</strong> <strong>Council</strong>, Civic Offices, Civic Way, Swadlincote, <strong>Derbyshire</strong> DE11 0AH. The <strong>District</strong><br />

<strong>Council</strong> has a website at www.south-derbys.gov.uk<br />

Note: The non-editorial contributions to “<strong>Heritage</strong> News” reflect the views of their authors and may not necessarily coincide with<br />

those of the <strong>District</strong> <strong>Council</strong>.<br />

Answer to question on page 2.<br />

A mirrored view looking up the Grade II listed landmark chimney at the Morrison’s site<br />

<strong>Heritage</strong> News -10<br />

to find any trace of them; it is thought that<br />

they may have been destroyed in a fire there<br />

some time ago. Today, Hearthcote is just a<br />

road name.<br />

A Better Way to Receive<br />

“<strong>Heritage</strong> News”?<br />

We would like to hear from anyone who<br />

is able to receive a .pdf version of<br />

“<strong>Heritage</strong> News” via e-mail to save costs<br />

and materials. If you are able and willing<br />

to receive <strong>Heritage</strong> News in this way,<br />

please send an e-mail to<br />

philip.heath@south-derbys.gov.uk and<br />

we will add you to the list.

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