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A DRAMATIC CRITIC vivid Mr. Keach ; Mr. J. Davies, who was a very " heavy " villain on the stage, but, off it, lightly wielded the barber's razor ; the blazing Mrs. Barrett, whose life went out in darkness ; J. A. Smith, who did stage fops, always with the same affected drawl and rising inflection, and, an actor at night, was a tailor by day, except on Wednesday and Saturday afternoons, when he was an actor ; Miss Kate Reignolds, a very brilliant player, who, as Mrs. Erving Winslow, now enjoys the highest reputa- tion as a reader ; the dryly effective Mr. Hardenbergh ; Mr. Charles Barron, a care- ful and versatile leading man ; Miss Annie Clarke, who made herself an accomplished actress, despite the handicaps of a harsh voice and native stiffness of bearing ; Mrs. Vincent, the perennial, the great-hearted, who for years was never mentioned except in close connection with the adjectives "dear" and "old;" and, finally, Wil- liam Warren, the comedian. [ 52 ]
VIII William Warren, Comedian BOSTON was fortunate, indeed, to be the home and workshop of Wil- liam Warren for the better part of half a century. His career as an actor cov- ered exactly fifty years, extending from 1832 to 1882 ; and during the entire period between 1847 and 1882, except for a sin- gle break of one year, he was the central sun of the stock company of the Boston Museum. Of the modern mode of histri- onic vagabondage he had no experience, — no experience, of course, of the mer- cenary " star " system, which binds the artist to very numerous repetitions of a very few plays. When his seventieth birth- day was celebrated, a little while before the close of his professional career, the tale [ 53 ]
- Page 19 and 20: REMINISCENCES OF A DRAMATIC CRITIC
- Page 21 and 22: INTRODUCTION and fascinating folk,
- Page 23 and 24: INTRODUCTION My equipment for my ta
- Page 25 and 26: II Spectacle, Farce, Melodrama, and
- Page 27 and 28: THE STAGE FIFTY YEARS AGO But what
- Page 29 and 30: THE STAGE FIFTY YEARS AGO men had c
- Page 31 and 32: THE STAGE FIFTY YEARS AGO with two
- Page 33 and 34: THE STAGE FIFTY YEARS AGO of the tr
- Page 35 and 36: THE STAGE FIFTY YEARS AGO a man of
- Page 37 and 38: THE STAGE FIFTY YEARS AGO bill of f
- Page 39 and 40: Ill The Worth and Impotence of Free
- Page 41 and 42: IMPOTENCE OF FREE CRITICISM hinting
- Page 43 and 44: IMPOTENCE OF FREE CRITICISM applaud
- Page 45 and 46: I IV Some Early Experiences and Mis
- Page 47 and 48: EXPERIENCES AND MISTAKES quent appl
- Page 49 and 50: EXPERIENCES AND MISTAKES outspoken
- Page 51 and 52: V Selwyn's Theatre and the Robert-
- Page 53 and 54: SELWYN'S THEATRE Sargent Curtis ; a
- Page 55 and 56: SELWYN'S THEATRE Colorado and the t
- Page 57 and 58: SELWYN'S THEATRE that of the life o
- Page 59 and 60: VI The Ephemeral Drama and the Endu
- Page 61 and 62: THE EPHEMERAL DRAMA culiar to their
- Page 63 and 64: THE EPHEMERAL DRAMA have no essenti
- Page 65 and 66: VII The Great Dramatic QyiNQiJENNiU
- Page 67 and 68: DRAMATIC Q_UINQ.UENNIUM ton : first
- Page 69: DRAMATIC CtUINQ^UENNIUM — by clos
- Page 73 and 74: WILLIAM WARREN presented in the dra
- Page 75 and 76: WILLIAM WARREN Apropos of the large
- Page 77 and 78: WILLIAM WARREN must submit to a rec
- Page 79 and 80: WILLIAM WARREN voiced organ. There
- Page 81 and 82: WILLIAM WARREN depth and suggestive
- Page 83 and 84: WILLIAM WARREN through a vast galle
- Page 85 and 86: WILLIAM WARREN Senator from Massach
- Page 87 and 88: TRAINING FOR THE STAGE any other th
- Page 89 and 90: TRAINING FOR THE STAGE actors, and
- Page 91 and 92: TRAINING FOR THE STAGE not brought
- Page 93 and 94: TRAINING FOR THE STAGE rade;" Mr. M
- Page 95 and 96: TOOLE AND MATHEWS Mrs. Rousby, who
- Page 97 and 98: TOOLE AND MATHEWS rapidity against
- Page 99 and 100: TOOLE AND MATHEWS finesse, and dext
- Page 103 and 104: CHARLOTTE CUSHMAN figure and homely
- Page 105 and 106: CHARLOTTE CUSHMAN was great, the ac
- Page 107 and 108: CHARLOTTE CUSHMAN act, has been dis
- Page 109 and 110: CHARLOTTE CUSHMAN be so pronounced
- Page 111 and 112: CHARLOTTE CUSHMAN mendations " and
- Page 113 and 114: THE XII E. A. SOTHERN, Sr. most not
- Page 115 and 116: E. A. SOTHERN, SR. inverted as in a
- Page 117 and 118: E. A. SOTHERN, SR effective for mir
- Page 119 and 120: E. A. SOTHERN, SR. thrown completel
A DRAMATIC CRITIC<br />
vivid Mr. Keach ; Mr. J. Davies, who was<br />
a very " heavy " villain on the stage, but,<br />
off it, lightly wielded the barber's razor ;<br />
the blazing Mrs. Barrett, whose life went<br />
out in darkness ; J. A. Smith, who did<br />
stage fops, always with the same affected<br />
drawl and rising inflection, and, an actor<br />
at night, was a tailor by day, except on<br />
Wednesday and Saturday afternoons, when<br />
he was an actor ;<br />
Miss Kate Reignolds, a<br />
very brilliant player, who, as Mrs. Erving<br />
Winslow, now enjoys the highest reputa-<br />
tion as a reader ; the dryly effective Mr.<br />
Hardenbergh ; Mr. Charles Barron, a care-<br />
ful and versatile leading man ;<br />
Miss Annie<br />
Clarke, who made herself an accomplished<br />
actress, despite the handicaps of a harsh<br />
voice and native stiffness of bearing ;<br />
Mrs.<br />
Vincent, the perennial, the great-hearted,<br />
who for years was never mentioned except<br />
in close connection with the adjectives<br />
"dear" and "old;" and, finally, Wil-<br />
liam Warren, the comedian.<br />
[ 52 ]