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VII<br />

The Great Dramatic QyiNQiJENNiUM<br />

AND THE Boston Museum<br />

first few years of my experience<br />

THEwere memorable for their wealth<br />

of interest, for the splendor and<br />

variety of their histrionic material, for the<br />

significant changes of the lines upon which<br />

the American theatre was to develop.<br />

Within the half decade between 1870 and<br />

1875, Charles Fechter, Carlotta Leclercq,<br />

and Tommaso Salvini first appeared in this<br />

country ; Charles James Mathews, in ad-<br />

mirable form, revisited our stage after a<br />

long absence ;<br />

Charlotte Cushman, having<br />

reestablished her primacy over all our na-<br />

tive actresses, was playing her most cel-<br />

ebrated parts ; Nilsson and Lucca and<br />

Parepa-Rosa were first seen and heard here<br />

[ 47 ]

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