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EXPERIENCES AND MISTAKES<br />

outspoken critic raises up against himself<br />

a bod}' of hostile unprofessionals, princi-<br />

pally of the more excitable sex, — strong<br />

in numbers, too, if weak in brain, — to<br />

whom he \s persona excessively ?ion g-rata,<br />

simply because he has dispraised, or even<br />

not sufficiently praised, their favorite per-<br />

former. There is something deliciously<br />

droll, and something rather touching, in<br />

such partisanship, inasmuch as the allies<br />

are, as a rule, strangers to the actor, who<br />

is therefore the object of their distant and<br />

purely disinterested cult, and also is usually<br />

a player of no great reputation. There is<br />

not a critic of a prominent daily newspaper<br />

who does not occasionally note the scowl-<br />

ing brows and basilisk glances of strangers<br />

who detest him for his disparagement of<br />

some one, — he can seldom guess whom.<br />

Boston is of all large American cities the<br />

one in which such cherishers of sentiment<br />

are rife, because it is the most ebulliently<br />

naive of all American cities in its passion<br />

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