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Actors, training of, 68-75;
segregation of, 103-105;
general isolation, 106-109;
peculiarities of, 109-111;
disappearance of tragic, 133;
would profit by Endowed
Theatre, 188; American temperament
suited to, 188, 189.
Advertiser, Boston Daily, 4, 21.
Archer, William, 197, 225.
Barnard, Charles, 190.
Barrett, Mrs., 52.
Barron, Charles, 52.
Barry, Mrs. Thomas, 34, 49.
Beauvallet, M. Leon, 57, 58.
Belasco, Mr., 190.
Betsy Baker, 15.
Blanchard, Miss Kitty, 34.
Booth, Edwin, 48, 131-133, 143,
216 ; progress and variety,
Boston, naive passion for the
theatre, 31 ; home and work-
;
INDEX
Carson, Miss, 34.
Cary, Miss Mary, 34, 49.
Caste, Robertson's, 38, 42.
Chanfrau, Mrs. F. S., 34-36.
Children of Cyprus, The, 9.
ChUdren, Dramas for, 7-9.
Clapp, Henry Austin, 3-5, 27-
30-
Clarke, Miss Annie, 52.
Comer, Tom, 51.
Criticism, dramatic, should be
free and clean, 23; power
and impotence of, 24 ; greater
public uninfluenced by,
Critics, dramatic, 22 ;
ideal, 22;
generally honorable, 23 ; personae
non gratae, 31, 32.
Curtis, Mrs. D. S., 36, 37.
Cushman, Charlotte, 47, 82 ; as
Meg Merrilies, 83, 84; as
Lady Macbeth, 84-86 ; as
Queen Katharine, 86-92.
133, 134; distinction in elocution,
133; hisShylock, 135;
his Richelieu, 135 ; his lago,
I35> ^36 his King Lear,
;
136-138; his Hamlet, 139-
Daly, H. F., 34.
Davenport, Mrs. E. L., 34.
141 ; his limitations, 138. David Garrick, Robertson's,
37, 38.
Davies, J., 52.
shop of Wm. Warren, 53
its Theatre P"ran9ais in Wm.
Dora, Charles Reade's, 34-36.
Drama, ephemeral, 39-42 ; Ro-
Warren, 56 ; accepts Fechbertsonian, 42-45 ; law of surter's
Hamlet, 117; indiscriminating
and greedy, 190-192.
Boston Museum, 7, 9, 50-53,58.
Boston Theatre, 50, 113, 132,
142.
vival of, ; 44, 45 American,
48, 189, 190.
Drunkard, The, 9.
Dunbar, Charles F., 4.
Box and Cox, 15, 16.
Elaine, George P. Lathrop's,
Buckstone, J. B., 15.
183.
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