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A DRAMATIC CRITIC him in refinement, taste, and learning, is his superior in this respect. The want from which the difficulty grows is deep-seated, and is, I am convinced, nothing else than a lack of that temperamental solidity and force out of which alone the actor's most potent lightning can be forged. It is not necessary for the purposes of passion that this force should be accompanied with what Mr. Irving's idolaters sneeringly de- nominate " robustiousness." The sinew and muscle — the brawn, if you please — of which I speak is in the will and heart and imagination, not in the arms and legs. If one seeks it in its grandest form to- day, it is to be found in Signor Salvini, who in intellect is but little inferior to Mr. Irving, and in artistic faculty is decidedly above him ; but it filled the genius of the pigmy Edmund Kean, and it is abundant in our own slender Mr. Booth. It lies at the root of the ability both to conceive and to express the greatest human emotions ; [ 222 ]
HENRY IRVING it is the source of the pure, pathetic faculty; it is essential to a complete mastery of the spectator; it gives the eagle's tireless wing to the actor's impassioned speech. I have already alluded to Mr. Irving's inability, through lack of elocutionary variet}?^ and strength, either to attain or to sustain the effects of noble declamation ; but his entire performance displays, through an unbroken series of phenomena, the want of that tem- peramental impetus of which his feeble speech and his monotonous repetition of the rhythmic nod of the head, the dull stamp of the foot, and the queer clutch of the breast in exacting passages are but single symptoms. Mr. Irving's style has in no respect the sustained quality ; it is, so to speak, altogether staccato; there are no sweeps or long strokes in it, but every- thing is accomplished by a series of light, disconnected touches or dabs, the total ef- fect of which, when the subject is not too lofty, is agreeable and harmonious. As for [ 223 ]
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A DRAMATIC CRITIC<br />
him in refinement, taste, and learning, is<br />
his superior in this respect. The want from<br />
which the difficulty grows is deep-seated,<br />
and is, I am convinced, nothing else than<br />
a lack of that temperamental solidity and<br />
force out of which alone the actor's most<br />
potent lightning can be forged. It is not<br />
necessary for the purposes of passion that<br />
this force should be accompanied with<br />
what Mr. Irving's idolaters sneeringly de-<br />
nominate " robustiousness." The sinew<br />
and muscle — the brawn, if you please —<br />
of which I speak is in the will and heart<br />
and imagination, not in the arms and legs.<br />
If one seeks it in its grandest form to-<br />
day, it is to be found in Signor Salvini,<br />
who in intellect is but little inferior to Mr.<br />
Irving, and in artistic faculty is decidedly<br />
above him ; but it filled the genius of the<br />
pigmy Edmund Kean, and it is abundant<br />
in our own slender Mr. Booth. It lies at<br />
the root of the ability both to conceive and<br />
to express the greatest human emotions ;<br />
[ 222 ]