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A DRAMATIC CRITIC of rare and novel privilege in respect of his pronouns ; no need here to periphrase with neuters and passives, or to masquerade in the mock ermine of the editorial " we," since there is no reason why every one of his pages should not be as full of /'s be- fore and behind as any Apocalyptic Beast. I must forewarn my readers, however, that I can furnish them with few of those intimate details concerning actors, au- thors, and managers, which are relished sefnper^ ubique, et ab omnibus^ even the cultivated and fastidious. My narrative will be reduced in value by reason of this deficiency. After gossip has been allowed to stand for a few years, it usually rids it- self of its pernicious bacteria, and becomes a wholesome as well as sprightly bever- age. The qualities of Master Samuel Pepys which made him a dangerous neighbor in 1670 make him a valuable historian in 1 90 1. But it has seemed best to me, partly because actors are a very sensitive [ 2 ]
INTRODUCTION and fascinating folk, to deny myself the pleasure of their intimate acquaintance, as a rule, in the hope that my head might neither be quite turned nor much deflected from a true level. Many of my confreres have pursued a contrary policy with im- pressive success, I am aware ; and I con- cede that, as a critic, I have sometimes lost, as well as sometimes gained, through my lack of personal contact with dramatic artists. My readers must enjoy my remi- niscences, if they enjoy them at all, as a series of reconsiderations of the plays and players of the past, from the point of view of a disinterested citizen or public censor. There ought to be some pleasure, and some profit, also, for all of us in such a review, since it may be made calmly, through an atmosphere cleared by reflection, from a distance which permits the observer to see things in perspective, and to judge truly of their relative sizes and proportions. It was about thirty years ago that I took [ 3 ]
- Page 1 and 2: UNIVERSITY OF CA RIVERSIDE, LIBRARY
- Page 8 and 9: Bit
- Page 10 and 11: COPYRIGHT, 1902, BY HENRY AUSTIN CL
- Page 13: NOTE The reader is informed of what
- Page 16 and 17: CONTENTS XVII. ADELAIDE NEILSON 1 5
- Page 19: REMINISCENCES OF A DRAMATIC CRITIC
- Page 23 and 24: INTRODUCTION My equipment for my ta
- Page 25 and 26: II Spectacle, Farce, Melodrama, and
- Page 27 and 28: THE STAGE FIFTY YEARS AGO But what
- Page 29 and 30: THE STAGE FIFTY YEARS AGO men had c
- Page 31 and 32: THE STAGE FIFTY YEARS AGO with two
- Page 33 and 34: THE STAGE FIFTY YEARS AGO of the tr
- Page 35 and 36: THE STAGE FIFTY YEARS AGO a man of
- Page 37 and 38: THE STAGE FIFTY YEARS AGO bill of f
- Page 39 and 40: Ill The Worth and Impotence of Free
- Page 41 and 42: IMPOTENCE OF FREE CRITICISM hinting
- Page 43 and 44: IMPOTENCE OF FREE CRITICISM applaud
- Page 45 and 46: I IV Some Early Experiences and Mis
- Page 47 and 48: EXPERIENCES AND MISTAKES quent appl
- Page 49 and 50: EXPERIENCES AND MISTAKES outspoken
- Page 51 and 52: V Selwyn's Theatre and the Robert-
- Page 53 and 54: SELWYN'S THEATRE Sargent Curtis ; a
- Page 55 and 56: SELWYN'S THEATRE Colorado and the t
- Page 57 and 58: SELWYN'S THEATRE that of the life o
- Page 59 and 60: VI The Ephemeral Drama and the Endu
- Page 61 and 62: THE EPHEMERAL DRAMA culiar to their
- Page 63 and 64: THE EPHEMERAL DRAMA have no essenti
- Page 65 and 66: VII The Great Dramatic QyiNQiJENNiU
- Page 67 and 68: DRAMATIC Q_UINQ.UENNIUM ton : first
- Page 69 and 70: DRAMATIC CtUINQ^UENNIUM — by clos
A DRAMATIC CRITIC<br />
of rare and novel privilege in respect of<br />
his pronouns ;<br />
no need here to periphrase<br />
with neuters and passives, or to masquerade<br />
in the mock ermine of the editorial " we,"<br />
since there is no reason why every one of<br />
his pages should not be as full of /'s be-<br />
fore and behind as any Apocalyptic Beast.<br />
I must forewarn my readers, however,<br />
that I can furnish them with few of those<br />
intimate details concerning actors, au-<br />
thors, and managers, which are relished<br />
sefnper^ ubique, et ab omnibus^ even the<br />
cultivated and fastidious. My narrative<br />
will be reduced in value by reason of this<br />
deficiency. After gossip has been allowed<br />
to stand for a few years, it usually rids it-<br />
self of its pernicious bacteria, and becomes<br />
a wholesome as well as sprightly bever-<br />
age. The qualities of Master Samuel Pepys<br />
which made him a dangerous neighbor in<br />
1670 make him a valuable historian in<br />
1 90 1. But it has seemed best to me,<br />
partly because actors are a very sensitive<br />
[ 2 ]