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A DRAMATIC CRITIC of rare and novel privilege in respect of his pronouns ; no need here to periphrase with neuters and passives, or to masquerade in the mock ermine of the editorial " we," since there is no reason why every one of his pages should not be as full of /'s be- fore and behind as any Apocalyptic Beast. I must forewarn my readers, however, that I can furnish them with few of those intimate details concerning actors, au- thors, and managers, which are relished sefnper^ ubique, et ab omnibus^ even the cultivated and fastidious. My narrative will be reduced in value by reason of this deficiency. After gossip has been allowed to stand for a few years, it usually rids it- self of its pernicious bacteria, and becomes a wholesome as well as sprightly bever- age. The qualities of Master Samuel Pepys which made him a dangerous neighbor in 1670 make him a valuable historian in 1 90 1. But it has seemed best to me, partly because actors are a very sensitive [ 2 ]

INTRODUCTION and fascinating folk, to deny myself the pleasure of their intimate acquaintance, as a rule, in the hope that my head might neither be quite turned nor much deflected from a true level. Many of my confreres have pursued a contrary policy with im- pressive success, I am aware ; and I con- cede that, as a critic, I have sometimes lost, as well as sometimes gained, through my lack of personal contact with dramatic artists. My readers must enjoy my remi- niscences, if they enjoy them at all, as a series of reconsiderations of the plays and players of the past, from the point of view of a disinterested citizen or public censor. There ought to be some pleasure, and some profit, also, for all of us in such a review, since it may be made calmly, through an atmosphere cleared by reflection, from a distance which permits the observer to see things in perspective, and to judge truly of their relative sizes and proportions. It was about thirty years ago that I took [ 3 ]

A DRAMATIC CRITIC<br />

of rare and novel privilege in respect of<br />

his pronouns ;<br />

no need here to periphrase<br />

with neuters and passives, or to masquerade<br />

in the mock ermine of the editorial " we,"<br />

since there is no reason why every one of<br />

his pages should not be as full of /'s be-<br />

fore and behind as any Apocalyptic Beast.<br />

I must forewarn my readers, however,<br />

that I can furnish them with few of those<br />

intimate details concerning actors, au-<br />

thors, and managers, which are relished<br />

sefnper^ ubique, et ab omnibus^ even the<br />

cultivated and fastidious. My narrative<br />

will be reduced in value by reason of this<br />

deficiency. After gossip has been allowed<br />

to stand for a few years, it usually rids it-<br />

self of its pernicious bacteria, and becomes<br />

a wholesome as well as sprightly bever-<br />

age. The qualities of Master Samuel Pepys<br />

which made him a dangerous neighbor in<br />

1670 make him a valuable historian in<br />

1 90 1. But it has seemed best to me,<br />

partly because actors are a very sensitive<br />

[ 2 ]

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