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A DRAMATIC CRITIC began a dialogue no more important than this : — " Vio. What country, friends, is this ? Cap. This is Illyria, lady. Vio. And what should I do in Illyria ? My brother he is in Elysium. Perchance he is not drowned : what think you, sailors ? " In that slender maid, as she looked through Adelaide Neilson's eyes and spoke through her voice, the fairest dream of romance seemed incarnate ; in her the very " riches of the sea," strangely deliv- ered from its " enraged and foamy mouth," had " come on shore." [ 172 ]
XVIII Memorable Experiences of Single Plays and Artists APPROACHING the end of these reminiscent sketches, the scenes of which must not be brought too near the foreground in time, I purpose to note several disconnected and contrasting experiences of stage and platform, which stand out in my memory by reason of some salient peculiarity. The moments of highest exaltation, among many lofty moments, which came to me at any concert of sacred music, were passed as I listened, at the Music Hall, in April, 1 871, to Chris- tine Nilsson's interpretations of " There were shepherds abiding in the fields " and "I know that my Redeemer liveth," in a performance of the Messiah given by the [ m ]
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UNIVERSITY OF CA RIVERSIDE, LIBRARY
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Bit
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COPYRIGHT, 1902, BY HENRY AUSTIN CL
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NOTE The reader is informed of what
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CONTENTS XVII. ADELAIDE NEILSON 1 5
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REMINISCENCES OF A DRAMATIC CRITIC
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INTRODUCTION and fascinating folk,
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INTRODUCTION My equipment for my ta
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II Spectacle, Farce, Melodrama, and
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THE STAGE FIFTY YEARS AGO But what
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THE STAGE FIFTY YEARS AGO men had c
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THE STAGE FIFTY YEARS AGO with two
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THE STAGE FIFTY YEARS AGO of the tr
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THE STAGE FIFTY YEARS AGO a man of
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THE STAGE FIFTY YEARS AGO bill of f
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Ill The Worth and Impotence of Free
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IMPOTENCE OF FREE CRITICISM hinting
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IMPOTENCE OF FREE CRITICISM applaud
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I IV Some Early Experiences and Mis
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EXPERIENCES AND MISTAKES quent appl
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EXPERIENCES AND MISTAKES outspoken
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V Selwyn's Theatre and the Robert-
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SELWYN'S THEATRE Sargent Curtis ; a
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SELWYN'S THEATRE Colorado and the t
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SELWYN'S THEATRE that of the life o
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VI The Ephemeral Drama and the Endu
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THE EPHEMERAL DRAMA culiar to their
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THE EPHEMERAL DRAMA have no essenti
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VII The Great Dramatic QyiNQiJENNiU
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DRAMATIC Q_UINQ.UENNIUM ton : first
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DRAMATIC CtUINQ^UENNIUM — by clos
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VIII William Warren, Comedian BOSTO
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WILLIAM WARREN presented in the dra
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WILLIAM WARREN Apropos of the large
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WILLIAM WARREN must submit to a rec
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WILLIAM WARREN voiced organ. There
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WILLIAM WARREN depth and suggestive
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WILLIAM WARREN through a vast galle
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WILLIAM WARREN Senator from Massach
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TRAINING FOR THE STAGE any other th
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TRAINING FOR THE STAGE actors, and
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TRAINING FOR THE STAGE not brought
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TRAINING FOR THE STAGE rade;" Mr. M
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TOOLE AND MATHEWS Mrs. Rousby, who
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TOOLE AND MATHEWS rapidity against
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TOOLE AND MATHEWS finesse, and dext
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CHARLOTTE CUSHMAN figure and homely
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CHARLOTTE CUSHMAN was great, the ac
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CHARLOTTE CUSHMAN act, has been dis
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CHARLOTTE CUSHMAN be so pronounced
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CHARLOTTE CUSHMAN mendations " and
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THE XII E. A. SOTHERN, Sr. most not
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E. A. SOTHERN, SR. inverted as in a
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E. A. SOTHERN, SR effective for mir
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E. A. SOTHERN, SR. thrown completel
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E. A. SOTHERN, SR traordinary were
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E. A. SOTHERN, SR. Tragedian, a dra
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E. A. SOTHERN, SR sought or seeking
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THE ISOLATION OF ACTORS plish. Behi
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THE ISOLATION OF ACTORS fictive mat
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THE ISOLATION OF ACTORS rary life w
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DURING XIV Charles Fechter the seas
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CHARLES FECHTER holding the lease o
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CHARLES FECHTER psychic scheme, but
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CHARLES FECHTER man, treasure, pabu
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CHARLES FECHTER clouds, where Shake
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CHARLES FECHTER and in his final dy
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CHARLES FECHTER Glavis, there was a
Page 147 and 148: CHARLES FECHTER on lines already in
Page 149 and 150: CHARLES FECHTER internal discords,
Page 151 and 152: THERE is XV Edwin Booth no occasion
Page 155 and 156: EDWIN BOOTH A famous nomen I called
Page 157 and 158: EDWIN BOOTH creations, because of t
Page 159 and 160: EDWIN BOOTH ated with his name. Tha
Page 161 and 162: EDWIN BOOTH gance and distinction o
Page 163 and 164: EDWIN BOOTH thus to distinguish the
Page 167 and 168: TOMMASO SALVINI combination tolerab
Page 169 and 170: TOMMASO SALVINI the past fifty year
Page 171 and 172: TOMMASO SALVINI ing Shakespeare and
Page 173 and 174: TOMMASO SALVINI of rare delicacy be
Page 175 and 176: TOMMASO SALVINI interpretation of K
Page 177 and 178: TOMMASO SALVINI Every phase of the
Page 179 and 180: TOMMASO SALVINI and sobbing; strong
Page 181 and 182: TOMMASO SALVINI fresh and unconvent
Page 183 and 184: XVII Adelaide Neilson NO player in
Page 187 and 188: ADELAIDE NEILSON failing health, sh
Page 189 and 190: ADELAIDE NEILSON to be much remembe
Page 191 and 192: ADELAIDE NEILSON ing interview with
Page 193 and 194: ADELAIDE NEILSON " False to his bed
Page 195 and 196: ADELAIDE NEILSON remember the beaut
Page 197: ADELAIDE NEILSON belongs, and at th
Page 201 and 202: MEMORABLE EXPERIENCES carded, and t
Page 203 and 204: MEMORABLE EXPERIENCES mon touch as
Page 205 and 206: MEMORABLE EXPERIENCES worked less s
Page 207 and 208: MEMORABLE EXPERIENCES under the nam
Page 209 and 210: MEMORABLE EXPERIENCES George P. Lat
Page 211 and 212: XIX An American Theatre Privately E
Page 213 and 214: AN ENDOWED THEATRE and let the expe
Page 215 and 216: AN ENDOWED THEATRE for histrionic s
Page 217 and 218: AN ENDOWED THEATRE direction. I saw
Page 219 and 220: AN ENDOWED THEATRE will not always
Page 223 and 224: HENRY IRVING against any lively dis
Page 225 and 226: HENRY IRVING greatest actor of his
Page 227 and 228: HENRY IRVING at least to reflect an
Page 229 and 230: HENRY IRVING have said that he hope
Page 231 and 232: HENRY IRVING ficial and unessential
Page 233 and 234: HENRY IRVING the subject of wonder
Page 235 and 236: HENRY IRVING face is found to be si
Page 237 and 238: HENRY IRVING grip which he at once
Page 239 and 240: HENRY IRVING on the stage to the la
Page 241 and 242: HENRY IRVING superstition, which it
Page 243 and 244: HENRY IRVING movement of the hands
Page 245 and 246: HENRY IRVING faculty which is like
Page 247 and 248: HENRY IRVING that madness with whic
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HENRY IRVING and method to which I
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HENRY IRVING it is the source of th
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HENRY IRVING with beautiful softnes
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HENRY IRVING regal action in mounti
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HENRY IRVING boon to the stage of E
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HENRY IRVING tual with the spectato
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HENRY IRVING courage. Nearly all th
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HENRY IRVING own powers is the chie
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INDEX
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Enchanted Beauty, The, 9. Enchanted
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ElectrotyPed and printed by H. O. H
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