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TOMMASO SALVINI<br />

combination tolerable. During the season<br />

of 1882-83 Miss Clara Morris was his<br />

leading lady; in other years, Miss Pres-<br />

cott, Miss Wainright, Mrs. Bowers, and<br />

other reputable performers belonged to his<br />

supporting companies. In the spring of<br />

1886 he appeared in Othello and Hamlet<br />

with Edwin Booth, who played lago and<br />

Hamlet to Salvini's Othello and the Ghost.<br />

For many of the most finely discrim-<br />

inating connoisseurs of acting, in this<br />

region, Salvini became the first and fore-<br />

most of the histrionic artists of our day,<br />

and with nearly all " the judicious " he<br />

took, held, and holds a highly exalted<br />

position. His personality was the most<br />

splendid — the adjective is fit, and, indeed,<br />

required — that has illustrated the theatre<br />

of his time. When he was first seen here,<br />

the beauty and strength of his classic<br />

face, the grand proportions of his figure,<br />

and the vibrant, sympathetic sweetness of<br />

his voice — a voice as glorious as ever pro-<br />

[ 143 ]

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