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THERE is<br />

XV<br />

Edwin Booth<br />

no occasion for me to<br />

discuss minutely the work of him<br />

whose art was the crown of our<br />

tragic stage during nearly all the second<br />

half of the nineteenth century, — of Ed-<br />

win Booth, claruni et venerabile nomen.<br />

There had been scarcely a break in the<br />

reign of his dynasty for the sevent3'-two<br />

years between 1821, when the wonderful<br />

Junius Brutus Booth, Sr., began to act in<br />

the United States, and 1893, when the<br />

son, Edwin, after a life strangely mixed<br />

of gloom and glory, " passed to where<br />

beyond these voices there is peace." The<br />

elder tragedian died in 1852, and in 1852<br />

the younger, at the age of nineteen, in<br />

California, was playing "general utility<br />

[ 131 ]

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