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A DRAMATIC CRITIC sylvania, where he died on the 5th of August, 1879. I have known only one other case of gradual histrionic disintegration in the early life of a player. A native actress, who attained fame in her youth, and, in spite of many crudities and excesses of style, prevailed through frequent flashes of genius, first showed the subsidence of her power by the steady widening of her peculiar extravagances; then, suddenly, all vitality disappeared from her playing, which became a mere desiccated husk, with queer contours, rigid and fixed. [ 130 ]
THERE is XV Edwin Booth no occasion for me to discuss minutely the work of him whose art was the crown of our tragic stage during nearly all the second half of the nineteenth century, — of Ed- win Booth, claruni et venerabile nomen. There had been scarcely a break in the reign of his dynasty for the sevent3'-two years between 1821, when the wonderful Junius Brutus Booth, Sr., began to act in the United States, and 1893, when the son, Edwin, after a life strangely mixed of gloom and glory, " passed to where beyond these voices there is peace." The elder tragedian died in 1852, and in 1852 the younger, at the age of nineteen, in California, was playing "general utility [ 131 ]
- Page 99 and 100: TOOLE AND MATHEWS finesse, and dext
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- Page 105 and 106: CHARLOTTE CUSHMAN was great, the ac
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- Page 111 and 112: CHARLOTTE CUSHMAN mendations " and
- Page 113 and 114: THE XII E. A. SOTHERN, Sr. most not
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- Page 117 and 118: E. A. SOTHERN, SR effective for mir
- Page 119 and 120: E. A. SOTHERN, SR. thrown completel
- Page 121 and 122: E. A. SOTHERN, SR traordinary were
- Page 123 and 124: E. A. SOTHERN, SR. Tragedian, a dra
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- Page 127 and 128: THE ISOLATION OF ACTORS plish. Behi
- Page 129 and 130: THE ISOLATION OF ACTORS fictive mat
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- Page 133 and 134: DURING XIV Charles Fechter the seas
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- Page 139 and 140: CHARLES FECHTER man, treasure, pabu
- Page 141 and 142: CHARLES FECHTER clouds, where Shake
- Page 143 and 144: CHARLES FECHTER and in his final dy
- Page 145 and 146: CHARLES FECHTER Glavis, there was a
- Page 147 and 148: CHARLES FECHTER on lines already in
- Page 149: CHARLES FECHTER internal discords,
- Page 155 and 156: EDWIN BOOTH A famous nomen I called
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- Page 159 and 160: EDWIN BOOTH ated with his name. Tha
- Page 161 and 162: EDWIN BOOTH gance and distinction o
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- Page 167 and 168: TOMMASO SALVINI combination tolerab
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- Page 171 and 172: TOMMASO SALVINI ing Shakespeare and
- Page 173 and 174: TOMMASO SALVINI of rare delicacy be
- Page 175 and 176: TOMMASO SALVINI interpretation of K
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- Page 179 and 180: TOMMASO SALVINI and sobbing; strong
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- Page 183 and 184: XVII Adelaide Neilson NO player in
- Page 187 and 188: ADELAIDE NEILSON failing health, sh
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- Page 193 and 194: ADELAIDE NEILSON " False to his bed
- Page 195 and 196: ADELAIDE NEILSON remember the beaut
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- Page 199 and 200: XVIII Memorable Experiences of Sing
A DRAMATIC CRITIC<br />
sylvania, where he died on the 5th of<br />
August, 1879.<br />
I have known only one other case of<br />
gradual histrionic disintegration in the<br />
early life of a player. A native actress,<br />
who attained fame in her youth, and, in<br />
spite of many crudities and excesses of<br />
style, prevailed through frequent flashes<br />
of genius, first showed the subsidence of<br />
her power by the steady widening of her<br />
peculiar extravagances; then, suddenly,<br />
all vitality disappeared from her playing,<br />
which became a mere desiccated husk,<br />
with queer contours, rigid and fixed.<br />
[ 130 ]