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A DRAMATIC CRITIC achievement in the histrionic profession, and the stage will always have a climate and an atmosphere of its own, with which the thermometers and barometers of the outer world will have no immediate rela- tion. [ 112 ]
DURING XIV Charles Fechter the season of 1869-70 Charles Fechter pla3^ed for the first time in the United States, appearing first in New York, and opening, in March of the latter year, at the Bos- ton Theatre as Hamlet. He was born in London, in 1824, and was the son of an Englishwoman and Jean Maria Fechter, a sculptor, who was of German descent, but a native of France. Notwithstanding the mixture of his blood, Charles Fechter was wholly French in his affiliations and sympathies, loathed Germany and all its ways, works, and words, and was careful to pronounce " Fayshtair " his surname, the first syllable of which Boston, because of its extreme culture, persisted and persists [ 113 ]
- Page 81 and 82: WILLIAM WARREN depth and suggestive
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- Page 95 and 96: TOOLE AND MATHEWS Mrs. Rousby, who
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- Page 113 and 114: THE XII E. A. SOTHERN, Sr. most not
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- Page 119 and 120: E. A. SOTHERN, SR. thrown completel
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- Page 123 and 124: E. A. SOTHERN, SR. Tragedian, a dra
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- Page 151 and 152: THERE is XV Edwin Booth no occasion
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- Page 171 and 172: TOMMASO SALVINI ing Shakespeare and
- Page 173 and 174: TOMMASO SALVINI of rare delicacy be
- Page 175 and 176: TOMMASO SALVINI interpretation of K
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- Page 179 and 180: TOMMASO SALVINI and sobbing; strong
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A DRAMATIC CRITIC<br />
achievement in the histrionic profession,<br />
and the stage will always have a climate<br />
and an atmosphere of its own, with which<br />
the thermometers and barometers of the<br />
outer world will have no immediate rela-<br />
tion.<br />
[ 112 ]