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THIS XIII The Isolation of Actors condition, which from some important points of view is fortu- nate, from others unfortunate, and .from nearly all inevitable, is unique in- deed. Here we have the only large class of workers which keeps the world at arm's length. Clergymen, physicians, lawyers, architects, merchants, tradesmen, and laborers of all sorts by the very terms of their toil, are brought- into constant per- sonal contact with parishioners, patients, clients, or customers. Even painters and sculptors must needs be in touch with their patrons. But that thin, impassable row of blazing lamps, which rims the front of the stage, accomplishes what the Great Wall of China was built to accom- [ io6 ]
THE ISOLATION OF ACTORS plish. Behind them is the sole " profes- sion ; " in front of them the barbarous laity. If the player desired to break down the partition, he would scarcely be able to do so. From the more important social gatherings, which take place in the even- ing, both actress and actor are necessarily absent ; the actor may vote, if he can ac- quire a residence and contrive to be in his own city on election day, but it is impos- sible that he should take any active part in politics or participate in preliminary meetings, caucuses, and " rallies," which are held at night ; and as to attendance at church, the player encounters, in the first place, the difficulty, inseparable from his wandering life, of making a connection with a parish, and besides, in recent years, is almost constantly required to travel on Sunday, passing from a Saturday evening's performance in one town to a Monday morning's rehearsal in another. Quite unrelated, however, to these out- [ 107 ]
- Page 75 and 76: WILLIAM WARREN Apropos of the large
- Page 77 and 78: WILLIAM WARREN must submit to a rec
- Page 79 and 80: WILLIAM WARREN voiced organ. There
- Page 81 and 82: WILLIAM WARREN depth and suggestive
- Page 83 and 84: WILLIAM WARREN through a vast galle
- Page 85 and 86: WILLIAM WARREN Senator from Massach
- Page 87 and 88: TRAINING FOR THE STAGE any other th
- Page 89 and 90: TRAINING FOR THE STAGE actors, and
- Page 91 and 92: TRAINING FOR THE STAGE not brought
- Page 93 and 94: TRAINING FOR THE STAGE rade;" Mr. M
- Page 95 and 96: TOOLE AND MATHEWS Mrs. Rousby, who
- Page 97 and 98: TOOLE AND MATHEWS rapidity against
- Page 99 and 100: TOOLE AND MATHEWS finesse, and dext
- Page 103 and 104: CHARLOTTE CUSHMAN figure and homely
- Page 105 and 106: CHARLOTTE CUSHMAN was great, the ac
- Page 107 and 108: CHARLOTTE CUSHMAN act, has been dis
- Page 109 and 110: CHARLOTTE CUSHMAN be so pronounced
- Page 111 and 112: CHARLOTTE CUSHMAN mendations " and
- Page 113 and 114: THE XII E. A. SOTHERN, Sr. most not
- Page 115 and 116: E. A. SOTHERN, SR. inverted as in a
- Page 117 and 118: E. A. SOTHERN, SR effective for mir
- Page 119 and 120: E. A. SOTHERN, SR. thrown completel
- Page 121 and 122: E. A. SOTHERN, SR traordinary were
- Page 123 and 124: E. A. SOTHERN, SR. Tragedian, a dra
- Page 125: E. A. SOTHERN, SR sought or seeking
- Page 129 and 130: THE ISOLATION OF ACTORS fictive mat
- Page 131 and 132: THE ISOLATION OF ACTORS rary life w
- Page 133 and 134: DURING XIV Charles Fechter the seas
- Page 135 and 136: CHARLES FECHTER holding the lease o
- Page 137 and 138: CHARLES FECHTER psychic scheme, but
- Page 139 and 140: CHARLES FECHTER man, treasure, pabu
- Page 141 and 142: CHARLES FECHTER clouds, where Shake
- Page 143 and 144: CHARLES FECHTER and in his final dy
- Page 145 and 146: CHARLES FECHTER Glavis, there was a
- Page 147 and 148: CHARLES FECHTER on lines already in
- Page 149 and 150: CHARLES FECHTER internal discords,
- Page 151 and 152: THERE is XV Edwin Booth no occasion
- Page 155 and 156: EDWIN BOOTH A famous nomen I called
- Page 157 and 158: EDWIN BOOTH creations, because of t
- Page 159 and 160: EDWIN BOOTH ated with his name. Tha
- Page 161 and 162: EDWIN BOOTH gance and distinction o
- Page 163 and 164: EDWIN BOOTH thus to distinguish the
- Page 167 and 168: TOMMASO SALVINI combination tolerab
- Page 169 and 170: TOMMASO SALVINI the past fifty year
- Page 171 and 172: TOMMASO SALVINI ing Shakespeare and
- Page 173 and 174: TOMMASO SALVINI of rare delicacy be
- Page 175 and 176: TOMMASO SALVINI interpretation of K
THE ISOLATION OF ACTORS<br />
plish. Behind them is the sole " profes-<br />
sion<br />
; " in front of them the barbarous<br />
laity. If the player desired to break down<br />
the partition, he would scarcely be able<br />
to do so. From the more important social<br />
gatherings, which take place in the even-<br />
ing, both actress and actor are necessarily<br />
absent ; the actor may vote, if he can ac-<br />
quire a residence and contrive to be in his<br />
own city on election day, but it is impos-<br />
sible that he should take any active part<br />
in politics or participate in preliminary<br />
meetings, caucuses, and " rallies," which<br />
are held at night ;<br />
and as to attendance at<br />
church, the player encounters, in the first<br />
place, the difficulty, inseparable from his<br />
wandering life, of making a connection<br />
with a parish, and besides, in recent years,<br />
is almost constantly required to travel on<br />
Sunday, passing from a Saturday evening's<br />
performance in one town to a Monday<br />
morning's rehearsal in another.<br />
Quite unrelated, however, to these out-<br />
[ 107 ]