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A DRAMATIC CRITIC upon a stage fiction, come together in my mind. It is not uncommon to hear close observers of the life of cities speak of the peculiar remoteness and aloofness of the theatrical profession from other orders of humanity; but only a very small propor- tion even of thoughtful persons come near to realizing how complete is the separa- tion of the actor and actress from other men and women. The conditions of mod- ern life, with the prevailing passion for publicity, incarnated in the newspaper reporter, whose necessity knows no law, and expended with special force upon the people of the theatre, who often seem to invite notoriety, have, in fact, accomplished very little in breaking down the barriers which divide " the profession " from the rest of the world. The race of gypsies does not lead an existence more alien from its entourage than the order of players. Here and there, actors or actresses of uncommon distinction or definite social ambition, [ 104 ]
E. A. SOTHERN, SR sought or seeking, make appearances in " society; " but such irruptions are few and intermittent. Mr. Irving is the only great artist of our day who has made social prestige a steady feeder of histrionic success. Edwin Booth and William War- ren, with all their rare gifts, grace, and charm, were practically unknown in pri- vate, except to other actors and a few per- sonal friends. The prejudice of the outside world has doubtless been an important agent in effecting this segregation; but if that prejudice, which has been gradually diminishing, were wholly to disappear, the situation would remain substantially un- changed, I am convinced, for centuries to come. [ 105 1
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UNIVERSITY OF CA RIVERSIDE, LIBRARY
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Bit
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COPYRIGHT, 1902, BY HENRY AUSTIN CL
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NOTE The reader is informed of what
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CONTENTS XVII. ADELAIDE NEILSON 1 5
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REMINISCENCES OF A DRAMATIC CRITIC
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INTRODUCTION and fascinating folk,
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INTRODUCTION My equipment for my ta
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II Spectacle, Farce, Melodrama, and
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THE STAGE FIFTY YEARS AGO But what
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THE STAGE FIFTY YEARS AGO men had c
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THE STAGE FIFTY YEARS AGO with two
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THE STAGE FIFTY YEARS AGO of the tr
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THE STAGE FIFTY YEARS AGO a man of
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THE STAGE FIFTY YEARS AGO bill of f
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Ill The Worth and Impotence of Free
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IMPOTENCE OF FREE CRITICISM hinting
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IMPOTENCE OF FREE CRITICISM applaud
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I IV Some Early Experiences and Mis
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EXPERIENCES AND MISTAKES quent appl
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EXPERIENCES AND MISTAKES outspoken
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V Selwyn's Theatre and the Robert-
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SELWYN'S THEATRE Sargent Curtis ; a
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SELWYN'S THEATRE Colorado and the t
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SELWYN'S THEATRE that of the life o
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VI The Ephemeral Drama and the Endu
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THE EPHEMERAL DRAMA culiar to their
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THE EPHEMERAL DRAMA have no essenti
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VII The Great Dramatic QyiNQiJENNiU
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DRAMATIC Q_UINQ.UENNIUM ton : first
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DRAMATIC CtUINQ^UENNIUM — by clos
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VIII William Warren, Comedian BOSTO
Page 73 and 74: WILLIAM WARREN presented in the dra
Page 75 and 76: WILLIAM WARREN Apropos of the large
Page 77 and 78: WILLIAM WARREN must submit to a rec
Page 79 and 80: WILLIAM WARREN voiced organ. There
Page 81 and 82: WILLIAM WARREN depth and suggestive
Page 83 and 84: WILLIAM WARREN through a vast galle
Page 85 and 86: WILLIAM WARREN Senator from Massach
Page 87 and 88: TRAINING FOR THE STAGE any other th
Page 89 and 90: TRAINING FOR THE STAGE actors, and
Page 91 and 92: TRAINING FOR THE STAGE not brought
Page 93 and 94: TRAINING FOR THE STAGE rade;" Mr. M
Page 95 and 96: TOOLE AND MATHEWS Mrs. Rousby, who
Page 97 and 98: TOOLE AND MATHEWS rapidity against
Page 99 and 100: TOOLE AND MATHEWS finesse, and dext
Page 103 and 104: CHARLOTTE CUSHMAN figure and homely
Page 105 and 106: CHARLOTTE CUSHMAN was great, the ac
Page 107 and 108: CHARLOTTE CUSHMAN act, has been dis
Page 109 and 110: CHARLOTTE CUSHMAN be so pronounced
Page 111 and 112: CHARLOTTE CUSHMAN mendations " and
Page 113 and 114: THE XII E. A. SOTHERN, Sr. most not
Page 115 and 116: E. A. SOTHERN, SR. inverted as in a
Page 117 and 118: E. A. SOTHERN, SR effective for mir
Page 119 and 120: E. A. SOTHERN, SR. thrown completel
Page 121 and 122: E. A. SOTHERN, SR traordinary were
Page 123: E. A. SOTHERN, SR. Tragedian, a dra
Page 127 and 128: THE ISOLATION OF ACTORS plish. Behi
Page 129 and 130: THE ISOLATION OF ACTORS fictive mat
Page 131 and 132: THE ISOLATION OF ACTORS rary life w
Page 133 and 134: DURING XIV Charles Fechter the seas
Page 135 and 136: CHARLES FECHTER holding the lease o
Page 137 and 138: CHARLES FECHTER psychic scheme, but
Page 139 and 140: CHARLES FECHTER man, treasure, pabu
Page 141 and 142: CHARLES FECHTER clouds, where Shake
Page 143 and 144: CHARLES FECHTER and in his final dy
Page 145 and 146: CHARLES FECHTER Glavis, there was a
Page 147 and 148: CHARLES FECHTER on lines already in
Page 149 and 150: CHARLES FECHTER internal discords,
Page 151 and 152: THERE is XV Edwin Booth no occasion
Page 155 and 156: EDWIN BOOTH A famous nomen I called
Page 157 and 158: EDWIN BOOTH creations, because of t
Page 159 and 160: EDWIN BOOTH ated with his name. Tha
Page 161 and 162: EDWIN BOOTH gance and distinction o
Page 163 and 164: EDWIN BOOTH thus to distinguish the
Page 167 and 168: TOMMASO SALVINI combination tolerab
Page 169 and 170: TOMMASO SALVINI the past fifty year
Page 171 and 172: TOMMASO SALVINI ing Shakespeare and
Page 173 and 174: TOMMASO SALVINI of rare delicacy be
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TOMMASO SALVINI interpretation of K
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TOMMASO SALVINI Every phase of the
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TOMMASO SALVINI and sobbing; strong
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TOMMASO SALVINI fresh and unconvent
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XVII Adelaide Neilson NO player in
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ADELAIDE NEILSON failing health, sh
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ADELAIDE NEILSON to be much remembe
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ADELAIDE NEILSON ing interview with
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ADELAIDE NEILSON " False to his bed
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ADELAIDE NEILSON remember the beaut
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ADELAIDE NEILSON belongs, and at th
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XVIII Memorable Experiences of Sing
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MEMORABLE EXPERIENCES carded, and t
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MEMORABLE EXPERIENCES mon touch as
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MEMORABLE EXPERIENCES worked less s
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MEMORABLE EXPERIENCES under the nam
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MEMORABLE EXPERIENCES George P. Lat
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XIX An American Theatre Privately E
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AN ENDOWED THEATRE and let the expe
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AN ENDOWED THEATRE for histrionic s
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AN ENDOWED THEATRE direction. I saw
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AN ENDOWED THEATRE will not always
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HENRY IRVING against any lively dis
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HENRY IRVING greatest actor of his
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HENRY IRVING at least to reflect an
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HENRY IRVING have said that he hope
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HENRY IRVING ficial and unessential
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HENRY IRVING the subject of wonder
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HENRY IRVING face is found to be si
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HENRY IRVING grip which he at once
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HENRY IRVING on the stage to the la
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HENRY IRVING superstition, which it
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HENRY IRVING movement of the hands
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HENRY IRVING faculty which is like
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HENRY IRVING that madness with whic
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HENRY IRVING and method to which I
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HENRY IRVING it is the source of th
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HENRY IRVING with beautiful softnes
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HENRY IRVING regal action in mounti
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HENRY IRVING boon to the stage of E
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HENRY IRVING tual with the spectato
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HENRY IRVING courage. Nearly all th
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HENRY IRVING own powers is the chie
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INDEX
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Enchanted Beauty, The, 9. Enchanted
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ElectrotyPed and printed by H. O. H
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