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A DRAMATIC CRITIC face resemblance of things. Life was a muddle by reason of these recurring like- nesses, and language was a pitfall or a labyrinth. It was a genuine grief and trial to him, though very amusing to the specta- tors, when he came upon another of " those things that no fellah can find out." His weakness was carried to the point of farci- cal extravagance, but there was something to sympathize with when he was most ridic- ulous, and one had new visions both of the inherent weakness and the latent capacities of our language when he said, with eager hitches and emphatic bursts, to Lieutenant Vernon : " Of course you can pass your examination ; what I want to know is, can you go through it ? " Closely allied to this mental infirmity, and another important ele- ment in the humor of the conception, was Dundreary's absolute incapacity to cherish more than one idea at a time. A single thought, whether great or small, brimmed his brain, and his cerebral machinery was C 9S ]

E. A. SOTHERN, SR. thrown completely out of gear by the in- trusion of another idea. The rhythmic mo- tion of Asa Trenchard's foot made it impos- sible for him to remember the words of his song ; the accidental view of a split hair in his whiskers caused him to be oblivious of Georgina's narrative j a sudden discov- ery of her chignon, when her back was modestly turned, and the train of conse- quent meditation, broke him off in the midst of an offer of marriage. The funniest and most highly illustra- tive incident of this sort was the famous passage in which his search for his mis- placed trousers pocket passed from a usual automatic act to a mind-absorbing effort, and— with a perfect parallelism of effect at every stage — at first left his words un- checked, then gradually slowed his tongue, then stopped his speech altogether, finally required the united devotion of hand, eyes, and brain to discover the missing recep- tacle. Dundreary's mind had — to change [ 99 ]

A DRAMATIC CRITIC<br />

face resemblance of things. Life was a<br />

muddle by reason of these recurring like-<br />

nesses, and language was a pitfall or a<br />

labyrinth. It was a genuine grief and trial<br />

to him, though very amusing to the specta-<br />

tors, when he came upon another of " those<br />

things that no fellah can find out." His<br />

weakness was carried to the point of farci-<br />

cal extravagance, but there was something<br />

to sympathize with when he was most ridic-<br />

ulous, and one had new visions both of the<br />

inherent weakness and the latent capacities<br />

of our language when he said, with eager<br />

hitches and emphatic bursts, to Lieutenant<br />

Vernon : " Of course you can pass your<br />

examination ; what I want to know is, can<br />

you go through it ? " Closely allied to this<br />

mental infirmity, and another important ele-<br />

ment in the humor of the conception, was<br />

Dundreary's absolute incapacity to cherish<br />

more than one idea at a time. A single<br />

thought, whether great or small, brimmed<br />

his brain, and his cerebral machinery was<br />

C 9S ]

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