Download here the Visitor's guide. - Les Ateliers de Rennes
Download here the Visitor's guide. - Les Ateliers de Rennes
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68<br />
<strong>Les</strong> Prairies's artists<br />
YANN SéRANDOUR<br />
Un cours d’eau paresseux à travers les prairies, 2012. Courtesy of <strong>the</strong> artist and galery gb agency, Paris.<br />
Photography : Yann Sérandour.<br />
Yann Sérandour's work has evolved within <strong>the</strong> world of books and bookshops. He has<br />
produced a number of pieces in which he has exten<strong>de</strong>d or given a twist to <strong>the</strong> emblematic<br />
works of conceptual artists from art history who have used books, texts or printed matter.<br />
He has adopted in<strong>de</strong>xing, listing and reproduction processes and applied <strong>the</strong>m to <strong>the</strong> very<br />
people who were <strong>the</strong> first to use <strong>the</strong>m. Through quotation and appropriation, his referential<br />
art plays on <strong>the</strong> meanings of signs, offering reinterpretations, even totally new stories, of art<br />
and its history. A lazy stream flowing through <strong>the</strong> prairies would be <strong>the</strong> translation (slightly<br />
adapted for <strong>the</strong> <strong>Rennes</strong> Biennale 2012) of <strong>the</strong> Japanese paper-marbling technique called<br />
Suminagashi. Drops of different coloured inks are dripped using a paintbrush into a tray of<br />
clear water so that <strong>the</strong>y float in concentric rings which <strong>the</strong> artist <strong>the</strong>n disturbs with a fea<strong>the</strong>r.<br />
When a <strong>de</strong>sign is ready, <strong>the</strong> artist places a sheet of paper on <strong>the</strong> surface of <strong>the</strong> water and<br />
it picks up <strong>the</strong> imprint of <strong>the</strong> suspen<strong>de</strong>d pattern. In an installation consisting of a series of<br />
eight stainless steel trays, Sérandour revisits <strong>the</strong> technique of this ephemeral art form in<br />
which attention to <strong>the</strong> expression of natural forces overri<strong>de</strong>s any controlling intention <strong>the</strong><br />
artist may have. The formats and <strong>the</strong> positioning of <strong>the</strong> trays in this installation map <strong>the</strong><br />
layout of <strong>the</strong> display cabinets in <strong>the</strong> Cabinet du Livre d’Artiste – <strong>the</strong> exhibition venue for this<br />
joint project in which Yann Sérandour is ai<strong>de</strong>d and abetted by Mathieu Kleyebe Abonnenc<br />
and Pierre Leguillon.<br />
A. B. tr. J.H.<br />
Born in 1974 in Vannes (France), lives and works around <strong>Rennes</strong><br />
and Paris (France).<br />
Production<br />
<strong>Les</strong> <strong>Ateliers</strong> <strong>de</strong> <strong>Rennes</strong> 2012.