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Download here the Visitor's guide. - Les Ateliers de Rennes

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GYAN PANCHAL<br />

Dhrso, 2011. Courtesy of <strong>the</strong> artist and galery Frank Elbaz, Paris.<br />

<strong>Les</strong> Prairies's artists<br />

Production<br />

<strong>Les</strong> <strong>Ateliers</strong> <strong>de</strong> <strong>Rennes</strong> 2012.<br />

Gyan Panchal works like a<br />

geologist, probing <strong>the</strong> materials<br />

of our everyday environment,<br />

exploring <strong>the</strong>ir production cycle and<br />

<strong>the</strong>ir origin in or<strong>de</strong>r to reveal <strong>the</strong>ir<br />

story. He works with raw, mainly<br />

oil-<strong>de</strong>rived industrial materials<br />

such as polymers or plastics<br />

which he combines with natural<br />

pow<strong>de</strong>rs like graphite and coal. The<br />

forms he creates from industrial<br />

packaging situate his sculpture in<br />

<strong>the</strong> realm of concrete abstraction.<br />

It is <strong>de</strong>licate work rooted in organic<br />

and economic history in which <strong>the</strong><br />

sedimentation of <strong>the</strong> materials is not<br />

hid<strong>de</strong>n. For <strong>Les</strong> Prairies Panchal<br />

created a different sculpture for<br />

each of <strong>the</strong> two venues of <strong>the</strong><br />

collective exhibition. Although <strong>the</strong>y<br />

are autonomous works, <strong>the</strong> two<br />

sculptures are conceived as two<br />

moments of <strong>the</strong> same work – two<br />

projections into a space that was to<br />

be filled. The first stands in a 1970s<br />

building in <strong>the</strong> course of renovation,<br />

a rough predominantly concrete<br />

place, with glass walls giving on<br />

to <strong>the</strong> outsi<strong>de</strong> world. The sculpture<br />

leans against a pillar, hugging <strong>the</strong><br />

landscape. T<strong>here</strong> are three sheets of<br />

Styrofoam, curved and covered with<br />

red chalk dust. This is a material<br />

that architects use for <strong>the</strong>ir mo<strong>de</strong>ls<br />

and it suits architectonic forms and<br />

<strong>the</strong> notion of spatial projection. In<br />

<strong>the</strong> "white cube" exhibition areas<br />

of FRAC Bretagne, Panchal has<br />

<strong>de</strong>signed something different: long,<br />

crumpled isolation sheets hang on<br />

<strong>the</strong> wall down to <strong>the</strong> floor, projecting<br />

a layered, undulating relief into <strong>the</strong><br />

space. Gyan Panchal's conceptual<br />

and material exploration lightens<br />

<strong>the</strong> spatial constraints, freeing itself<br />

from gravity<br />

A. B. tr. J.H.<br />

Born in 1973 in Paris (France),<br />

w<strong>here</strong> he lives and works.<br />

63

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