Download here the Visitor's guide. - Les Ateliers de Rennes
Download here the Visitor's guide. - Les Ateliers de Rennes
Download here the Visitor's guide. - Les Ateliers de Rennes
You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
58<br />
<strong>Les</strong> Prairies's artists<br />
PIERRE LEGUILLON<br />
Prelinger Drawings, 2012. Prelinger Library, San Francisco, 2011.<br />
Courtesy of <strong>the</strong> artist and galery Motive, Amsterdam.<br />
Pierre Leguillon makes images out of images from his own collection. Prelinger<br />
Drawings is a new installation that combines two different artistic registers:<br />
a rectangular space ma<strong>de</strong> from an assemblage of various printed fabrics, chosen<br />
for <strong>the</strong>ir patterns, printing techniques and <strong>the</strong>ir provenance (Scandinavian, African,<br />
French or Japanese) on <strong>the</strong> one hand and, along with that, a set of pencil drawings,<br />
frottages of book covers from <strong>the</strong> Prelinger Library in San Francisco. This private<br />
library, <strong>de</strong>voted to <strong>the</strong> history of <strong>the</strong> United States, was created by Megan and Rick<br />
Prelinger and opened to <strong>the</strong> public in 2004. It contains a vast quantity of books, both<br />
scientific and non-scientific, a number of which are obsolete, on all kinds of subjects.<br />
It amounts to an encyclopaedic and vernacular storehouse of North American history.<br />
The diversity of <strong>the</strong> books on all kinds of subjects, whose covers <strong>the</strong> artist selected,<br />
reflects a pragmatic i<strong>de</strong>ology. The patterns of <strong>the</strong> fabrics summon up a history of<br />
mo<strong>de</strong>rn art and <strong>de</strong>sign while at <strong>the</strong> same time suggesting economic globalisation<br />
through <strong>the</strong> multifarious labels of origin left apparent on <strong>the</strong> edges of <strong>the</strong> fabric.<br />
Fabrics and drawings are overlaid to create a palimpsest in which <strong>the</strong> transparency<br />
of <strong>the</strong> printed materials is emphasised by <strong>the</strong> luminosity of <strong>the</strong> venue. This highly<br />
colourful arrangement is also like a <strong>the</strong>atre of memory w<strong>here</strong> frottage has something<br />
in common with a ritual gesture – an act of reining in perpetual movement, w<strong>here</strong><br />
<strong>the</strong> visual aspect is more important than <strong>the</strong> text and circulation prevails over<br />
transmission.<br />
A. B. tr. J. H.<br />
Born in 1969 in Nogent-sur-Marne (France), lives and works in Paris (France).<br />
Production<br />
<strong>Les</strong> <strong>Ateliers</strong> <strong>de</strong> <strong>Rennes</strong> 2012.