HP Lovecraft's Magazine of Horror - Weird Tales
HP Lovecraft's Magazine of Horror - Weird Tales
HP Lovecraft's Magazine of Horror - Weird Tales
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these thoughts, they are too much to bear. I have locked away<br />
that time in the deepest vault <strong>of</strong> my mind. Until now. Curse him.<br />
I have lit all the lamps. Sleep is murdered. Brandy is called<br />
for. Courvoisier Grand Cru, in a sparkling balloon. As I raise it<br />
to the light it is the gold <strong>of</strong> tigers’ eyes.<br />
!JLCF UUNBo %;LFSo There is glass on the floor, and<br />
blood.<br />
As I raised my brandy in a toast to no-one, my eye was<br />
caught by a dark shimmer <strong>of</strong> movement in the far shadows <strong>of</strong><br />
the room, and I saw the edge <strong>of</strong> the carpet fold up on itself. It<br />
reared up like surf at the sea’s edge and began to travel towards<br />
me, fold on fold. I took a step back and felt the table edge<br />
behind me.<br />
The tsunami, the great tidal wave <strong>of</strong> Japan came into my<br />
mind. It begins far out to sea, initiated by some fathomless suboceanic<br />
eruption, then gathers speed driving a crescendo <strong>of</strong><br />
water higher and higher until it envelops all in its path—so did<br />
the carpet come at me in lightning corrugations, rearing up as<br />
if hungry to clutch my naked feet . . . I screamed and sprang<br />
back on to the table top, lifting my legs. The brandy glass<br />
crunched in my band. Blood and liquor spattered the carpet<br />
which now stood in a peak level with my face, and in that second<br />
something other than carpet revealed itself.<br />
Eyes out <strong>of</strong> Hell. A long flick <strong>of</strong> tongue. A bestial stare to<br />
paralyse and maim. And then—gone.<br />
The carpet was flat again, flat as the day it was laid.<br />
4hat time I was in Africa, I saw a few things. You<br />
couldn’t always explain them away. I saw a black bloke<br />
once, clothed himself in fire—it was real, the fire, he<br />
let me put a stick to it, and the stick went up but he didn’t—<br />
scorched my hand. You get so you think O.K., that stuff is here<br />
in the world too. And then you keep away from it, because it’s<br />
like a particular weapon you can’t ever be trained sufficiently to<br />
handle. Or it’s like gambling, or too much drink, that you have<br />
to learn to leave alone.<br />
Put it this way, that change in my room, that thing that<br />
came out <strong>of</strong> the ceiling, I didn’t have any doubts I’d seen them.<br />
But I turned my back on it all pretty quick once it was gone.<br />
Nevertheless, I knew who’d caused it. That guy upstairs, with<br />
the ring and the cane.<br />
In the next few days, I heard a couple <strong>of</strong> sounds up there.<br />
There was some kind <strong>of</strong> music that didn’t sound right, a heavy<br />
thick beat, like something from the East . . . Certainly not the<br />
dainty whiff <strong>of</strong> the classics he’d put on before. Also, I heard a<br />
woman up there one night. She sounded giggly, pissed, frankly<br />
a bit <strong>of</strong>f her head. But she’d have to be, to go after a bugger like<br />
him, wouldn’t she?<br />
I did my usual, and kept out <strong>of</strong> it.<br />
Only, I started to leave the house more. I’d walk round the<br />
streets at night, trying to stay out <strong>of</strong> the pubs. One night I<br />
picked up a woman myself. She was all right, nothing special.<br />
But it kept me out <strong>of</strong> the pubs and the flat.<br />
Back at base, anyway, I started not sleeping. I mean the<br />
worse kind, where you just don’t, as if no one invented sleep<br />
yet. All your past starts coming back up then, like your brain’s<br />
throwing up. In the early hours I’d be making tea and playing<br />
patience. I never looked at the ceiling, not even in bed with the<br />
door on the other room open. I’d moved the chairs and the<br />
table away in there, to the sides <strong>of</strong> the room, against the wall.<br />
One other thing, I went down to find the caretaker bod,<br />
and for once when I was looking for him, he was there in the<br />
lobby.<br />
“My flat,” I said. “Any chance <strong>of</strong> changing it?”<br />
He looked affronted, a scrawny little chap who can’t shave<br />
himself properly, all whiskery like a rat.<br />
“Your rooms is very nice,” he told me.<br />
“A palace, mate, but they don’t quite suit me like I hoped<br />
they would.”<br />
“What’s wrong with than?” he asked. “There ain’t nothing<br />
wrong with them,” he answered himself.<br />
“There’s damp, and a drip,” I said. “It runs down through<br />
the ceiling.”<br />
I watched him closely when I said this. Not a flicker. But I<br />
hadn’t thought there would be. He didn’t know about any <strong>of</strong> it,<br />
or didn’t want to, like me.<br />
“No damp,” he said.<br />
“What about the flats below mine? Any going spare? I can<br />
pay a bit more, if it’s right.”<br />
“No other flats. American people pay a lot <strong>of</strong> money to<br />
store old furniture, innit.”<br />
And upstairs, I thought, it’s taken—presumably by a crazy<br />
magician in league with Christ knew what. I wasn’t going to<br />
bad-mouth him either, not to this one.<br />
I said, indifferently, “I may have to move out then.”<br />
The rat shrugged.<br />
It had been worth a try.<br />
I went back up to my place, and put the whisky I’d opened<br />
and drunk quite a bit <strong>of</strong> back in the kitchen cupboard. I didn’t<br />
want to move on, not yet. That was the whole idea <strong>of</strong> bivouacing<br />
here.<br />
So, there I am, and tonight I hear the voice.<br />
I say voice, but was it? It was like—gravel scrunching<br />
between someone’s teeth.<br />
I’d been lying awake as per usual. The clock said three minutes<br />
past 4 a.m. I’d been just about to get up and put the kettle<br />
on, when there was this kind <strong>of</strong> rushing sound, like a high wind—<br />
and then the first noise, like gravel whispering—and then—<br />
I heard what it said, despite its lack <strong>of</strong> clear diction or a<br />
posh accent. What it said was: I ARE OORL. I ARE<br />
INWORLD. GREETINGS THEE, MY NEW-FOUNDED<br />
DESPAIRORS.<br />
It was exactly that. I know, because it said it over and over,<br />
like it wanted me to learn the message <strong>of</strong>f. Which I damn well<br />
did, <strong>of</strong> course. Even the name—if it was—Oorl—that’s the<br />
only way I can spell it. And inworld all one word. And this<br />
other word that isn’t a word—despairors. Between each phrase<br />
I heard something else too, a little s<strong>of</strong>t sipping.<br />
I lay there rigid. Listening, learning. It must have gone on<br />
about fifty minutes.<br />
In the dark, I kept my eyes on the ceiling <strong>of</strong> the outer<br />
room. There was nothing to be seen, just the stain that had<br />
H . P . L O V E C R A F T ’S M A G A Z IN E O F H O R R O R 85