HP Lovecraft's Magazine of Horror - Weird Tales
HP Lovecraft's Magazine of Horror - Weird Tales
HP Lovecraft's Magazine of Horror - Weird Tales
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A<br />
Hatshepsut Temple. Then back to your ship. You stay on a<br />
ship? Right? All that for seventy.”<br />
“Seventy pounds! I won’t give you more than thirty.”<br />
“Thirty dollars. But no Hatshepsut.”<br />
“Who said anything about dollars? Egyptian pounds.”<br />
The man protested. Thirty pounds was nothing, wasn’t<br />
even gas money to cross this bridge. But he took her.<br />
Grumbling all the way, he took her. She smiled as she sat in the<br />
back seat. In her business, she had a reputation for being a keen<br />
negotiator.<br />
She intentionally got out <strong>of</strong> the cab before paying him. He<br />
cursed the three red bills and drove away quickly. She asked<br />
where King Tut’s tomb was. There were never any signs in<br />
Egypt. A man pointed way <strong>of</strong>f in the distance to a rim <strong>of</strong> cliffs.<br />
She thought he hadn’t understood. But she was the one who<br />
was wrong. She was at the Valley <strong>of</strong> the Queens.<br />
The women were not buried anywhere near their husbands.<br />
The women were given smaller and less spectacular<br />
tombs, on the far side <strong>of</strong> the Theban Hills from the marvels<br />
which Merril had intended to see.<br />
SHE can’t afford to get upset. Her anger only makes her hotter.<br />
She forces herself to take deep breaths. She will focus on<br />
what she can do. She will not fight battles she can’t win. That<br />
is how she has built her success.<br />
THE postcard <strong>of</strong> the Manhattan skyline had been purchased at<br />
JFK airport. Merril had not wanted Karla to buy it, since leaving<br />
the gate necessitated another agonizing wait to pass through<br />
airport security. But Karla insisted. The writing was in purple<br />
ink, large loopy letters decorated with hearts and flowers and<br />
smiles.<br />
Dear Kyle, I miss you sooooo much. I didn’t eat the chocolate truffle<br />
they gave me on the jet. I’m saving everything for you. My aunt’s kind <strong>of</strong><br />
weird. She keeps talking about maximizing my potential. Whatever that<br />
means. All I know, is I love you. Love, Karla. XOXOX!!!!!!<br />
Merril grabs her pen and writes.<br />
Maximizing potential means making the most <strong>of</strong> opportunities! Not<br />
wasting chances by going to Banana Island!<br />
Her handwriting is much smaller than Karla’s, the black<br />
ink intricately woven between the lines like the threads <strong>of</strong> a carpet.<br />
But here I am. Nothing to do but wait. I guess I’ll be as<br />
famous as Howard Carter for discovering this tomb. No gold<br />
here, though, like in King Tut’s. Just broken bits <strong>of</strong> pots and<br />
probably bones somewhere. That is the purpose <strong>of</strong> the place.<br />
But I refuse to add mine to the collection.<br />
!t the Antiquities Museum in Cairo, all the other tourists<br />
crowded around the golden treasures which had been<br />
removed from King Tut’s tomb. But Mido took his<br />
group into another nearby room, which contained no statues<br />
and no gold, just glass cases displaying broken bits <strong>of</strong> rock.<br />
“Why have you brought us in here?” Merril said.<br />
As usual, Mido preferred to address his remarks to Karla<br />
whose wide eyes appeared perpetually in admiration even when<br />
she was not paying the slightest bit <strong>of</strong> attention. “This is the<br />
ostraca. You may think the pyramids are nothing but a pile <strong>of</strong><br />
rocks. But this is not true. Each giant block had to be carved to<br />
fit together perfectly. To make the angles which reach to the<br />
sky. These bits <strong>of</strong> stone are what’s left <strong>of</strong> that carving. The<br />
ostraca prove that space aliens did not make the pyramids with<br />
super technology. My ancestors chipped away each fragment.<br />
Then on these shards, the artisans practiced their hieroglyphics.<br />
They left their own names here on the ostraca.”<br />
“They should have found bigger pieces to write on,”<br />
Merril said, making yet another attempt to expand her niece’s<br />
ambitions.<br />
Mido said, “They wrote on what they had. And left a mark<br />
which outlasts the centuries.”<br />
Dear Kyle: This is a picture <strong>of</strong> Hatshepsut. She was like the only woman<br />
to be a pharo. That’s why she has a beard. Mido calls my aunt<br />
Hatshepsut. She hates it, but it suits her, so we all do, when she can’t hear<br />
us. I’ve been praying to love her in Christ’s name. But it’s a real test <strong>of</strong> my<br />
soul. You are so easy to love. Love, Karla<br />
I NEVER asked to be loved. Just respected. I can’t help how<br />
I am. And Hatshepsut couldn’t help that her husband died<br />
before she could produce a male heir. Why should she have<br />
been deprived <strong>of</strong> power just because another wife had given<br />
birth to a son? Let her rule, if she can. Only the boy grows up,<br />
hating her. And once she’s dead, he orders all her statues<br />
defaced and her name scratched out, unwritten, and everything<br />
she tried to do undone.<br />
“SHUKRAN!” Her mouth is very dry from shouting. The<br />
guidebook does not list the Arabic word for help. So she calls<br />
out “Shukran!” Thanking somebody, anybody, if they might<br />
H . P . L O V E C R A F T ’S M A G A Z IN E O F H O R R O R 55