HP Lovecraft's Magazine of Horror - Weird Tales

HP Lovecraft's Magazine of Horror - Weird Tales HP Lovecraft's Magazine of Horror - Weird Tales

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24 H . P . L O V E C R A F T ’S M A G A Z IN E O F H O R R O R D O C T O R J O H N D E E , 1 5 2 7 – 1 6 0 8

EVERY PERFORMER DREADS DYING ONSTAGE. BUT NOT LIKE THIS . . . 4B? 4BCHA’M 4B? 0F;S L?Q *o 7CFMIH 9ou have absolutely no idea how scary a real, live pantomime horse can be until you see one of those bastards in the flesh. If two grown men put on a silly costume and indulge in a little slapstick on stage, it’s all good, clean festive fun. Primary-school kids love it, teenagers think it’s painfully unfunny and any adults in the audience get a sentimental trip down memory lane to the corner with amnesia street. Now, imagine the real beast foaming at the mouth, iron-shod hooves striking sparks on the flagstones and both, separate, unholy halves stampeding dementedly towards you: It’s absolutely terrifying. What makes it worse is hearing someone—someone who sounds suspiciously like your drama coach—scream at the top of her already very high voice, “Dear God, this isn’t in the script!” I SUPPOSE it all began the afternoon one of our teachers sawed Fat Malky Fairbairn in half. “Dinnae, Mister King, sir!” Malky shouted as he thrashed around in the coffin-like box at the front of the classroom. The rest of us wrestled him down, and I crammed his head through the hole at one end and shut the lid with a bang. “Gonnae no dae that?” our schoolmate added as we snapped the clasps shut. “Quiet in the cheap seats,” Mister King said, popping a jam doughnut between Malky’s flapping lips. That shut him up and Mister King was free to go on with his lesson. H . P . L O V E C R A F T ’S M A G A Z IN E O F H O R R O R 25

EVERY PERFORMER DREADS<br />

DYING ONSTAGE. BUT<br />

NOT LIKE THIS . . .<br />

4B? 4BCHA’M<br />

4B? 0F;S<br />

L?Q *o 7CFMIH<br />

9ou have absolutely no idea how scary a real, live pantomime horse<br />

can be until you see one <strong>of</strong> those bastards in the flesh. If two<br />

grown men put on a silly costume and indulge in a little slapstick<br />

on stage, it’s all good, clean festive fun. Primary-school kids love<br />

it, teenagers think it’s painfully unfunny and any adults in the audience<br />

get a sentimental trip down memory lane to the corner with amnesia street.<br />

Now, imagine the real beast foaming at the mouth, iron-shod hooves striking<br />

sparks on the flagstones and both, separate, unholy halves stampeding dementedly<br />

towards you: It’s absolutely terrifying.<br />

What makes it worse is hearing someone—someone who sounds suspiciously<br />

like your drama coach—scream at the top <strong>of</strong> her already very high voice,<br />

“Dear God, this isn’t in the script!”<br />

I SUPPOSE it all began the afternoon one <strong>of</strong> our teachers sawed Fat Malky<br />

Fairbairn in half.<br />

“Dinnae, Mister King, sir!” Malky shouted as he thrashed around in the c<strong>of</strong>fin-like<br />

box at the front <strong>of</strong> the classroom. The rest <strong>of</strong> us wrestled him down, and<br />

I crammed his head through the hole at one end and shut the lid with a bang.<br />

“Gonnae no dae that?” our schoolmate added as we snapped the clasps shut.<br />

“Quiet in the cheap seats,” Mister King said, popping a jam doughnut<br />

between Malky’s flapping lips. That shut him up and Mister King was free to go<br />

on with his lesson.<br />

H . P . L O V E C R A F T ’S M A G A Z IN E O F H O R R O R 25

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