HP Lovecraft's Magazine of Horror - Weird Tales

HP Lovecraft's Magazine of Horror - Weird Tales HP Lovecraft's Magazine of Horror - Weird Tales

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22 H .P . L O V E C R A F T ’S M A G A Z IN E O F H O R R O R The jutting jaw and tilted head gives Columba the look of a god rather than a saint. Massive arms bulge above the elbows. The long sword rests with its tip on the ground, held at the hilt. The free hand reaches toward nothing, grasping for understanding, or maybe for freedom. The eyes stare toward the ceiling, praying to God for an answer to his stone-bound predicament. Sometimes, rocky tears form. I shiver. I did not mold the body in that posture. The pose comes from Columba’s movement. Columba lowers his gaze until his eyes stare into mine. I take a sharp breath. I read the question with ease. Why? he asks. I look at Glenda who studies the wall opposite Columba. I know she sees, but she will not say. ',%.$!n Stephen stood immobile in the kitchen staring at the statue. I had known for some time that Saint Columba lived. I suspected Stephen’s talent when he sculpted the Black Madonna, which sold to an offbeat gallery at the edge of New Orleans. It brought a good price, but I hated to part with the Gnostic icon. I heard her voice at times, telling me to wait. Columba lowered his gaze, pleading for an escape. I studied the inner wall. Through the mirror, I saw Stephen glance my way. When he looked to Columba, I studied my husband. Dark hair fell to his shoulders when he worked. A receding hairline left a tuft up front. He was still a handsome man at forty-five. I saw the way women gazed when he walked into a room. For a couple of years, I wished he would find someone and leave, but he never noticed others. Ever the artist turned inward and to hell with the world, including his wife, especially his wife. Stephen had not loved me for years, though he thought he did. Our marriage died a slow painless death through neglect and too much comfort. Columba sagged in the shoulders, fear within the stone eyes. I talked to Columba when Stephen slept or left the house. I expected the old Celt to understand Latin, though he spoke Gaelic or Old English. Stephen mumbled something and trudged toward the stairs, moving with a wooden gait as if his skin turned to stone as he brought Columba to life. I smiled at the thought and turned back to Columba as Stephen pulled his way up the stairs. I waited until the bedroom door shut and then walked to the statue. I whispered to Columba in Latin. “Do not worry, Columba,” I said. “God would not let you live in such a condition, not one of His saints.” I caressed the cheek. The stone sent chills up my back. The head turned slightly. A smile formed on Columba’s face. The eyes warmed my heart as I wished Stephen would trade places with his stone creation. 34%0(%.n I hear Glenda whispering to Columba as she plots my demise. She is doing this. I don’t know how, but she is responsible. My anger wells up in my breast as I feel the hardening of my feet. I lie awake afraid that if I sleep I will become stone, as much stone as Columba and the Black Madonna. Sleep takes me when I least expect it. I stand in front of the Madonna. Darkness encompasses the gallery except for a bright light that outlines her head. The eyes shine and I see the stone face smile. “Stephen,” the Madonna says. “You and I will be together, soon. Ignore your wife and her obsessions. Her heart craves stone as mine longs for flesh.” Anger flashes when she mentions Glenda. “She’s trying to kill me.” “No,” the Madonna says. “She sets you free.” I wake with a start. Glenda did not sleep with me last night. Anger and jealousy burn my stomach. Struggling to get out of bed, I realize that my knees bend only with effort. My feet clunk as stone on the wooden floor. I walk to the bathroom and understand the true meaning of kidney stones. Pain racks my body as I expel little fluid. I dress, put my hair in a ponytail, and descend the stairs with care. Glenda gazes at Columba, her eyes glistening with love, his hands cupping hers. She hears my clonking gait on the carpet of the stairs and pulls away from the statue. Columba turns his head, easier than last night, as I glare. “Did you sleep well?” My words convey anger and hurt. How could she? “I didn’t sleep,” Glenda says. A furtive glance cast at Columba as she walks away. “You seemed tired and I decided to stay on the couch. Caught an old movie.” I glare at Glenda and then to Columba. Yesterday I had not yet finished the sculpture, but now he stood complete in the pose I had sculpted. As if I believe for one minute he did not sleep with my wife. “I am going into town today,” I say, trying to tone down the anger. “I thought I would visit the Black Madonna. Want to come?” Glenda shakes her head. “I have some errands to run. And I have a lunch date with Cedric about selling your latest work.” I stop and stare. Glenda holds my eyes with her gaze. “You want to sell Saint Columba?” I closed my mouth after realizing I left it open. I can’t believe she wants to part with Columba. Glenda laughs. “You did create this thing for money, didn’t you?” She raises an eyebrow. She plans something, I can tell. “I’m going to have Cedric over this evening to finalize the deal.” I nod. “Do you need anything while I am out?” She shakes her head, so I walk to the door and leave. I linger for a moment, until I hear a voice speaking in Latin, a man’s voice coming from my apartment. A tear rolls done my face and cracks as it hits the floor. ',%.$!n “How do we do this, my love?” Columba’s voice growled through stone vocal chords. “I can kill him with my sword as he walks through the door.” I smiled. He might be a saint, but things have changed since his day. Explaining about police and laws was out of the question. “No, you mustn’t kill him, my love.” I stroked his face, which feels less than stone. I found certain aspects fleshier than others last night. “He will see the Madonna today. That should finish the job.” My lips brushed his and I felt his kiss return. “I have things to do, Columba. I’ll be back later.” He grunted his answer.

Lunch with Cedric went well. He always wanted the newest thing Stephen created. The Black Madonna caused a stir at the gallery when she was unveiled. “This last sculpture is his best, Cedric.” Cedric dabbed at his mouth, removing residual oil left from his salad. He was a fastidious little man, impeccable in dress and fashion. Cedric epitomized the art crowd of his studio, from his extravagant lifestyle to the androgynous look. I liked him because I never worried about Cedric making a pass. “There is no way that he could top the Madonna,” Cedric said. “She has soul and heart that I have never seen in stone.” I smiled. “Be at the loft tonight by seven-thirty. This one positively lives and breathes.” Cedric grinned. “Oh my!” 34%0(%.n The Madonna’s eyes follow me as I drag my right leg behind me. Breathing becomes difficult and I wonder if I will be able to drive home, but she beckons me toward her though she does not move. The beauty of her face amazes me. To think I created such splendor. The Black Madonna gave me love and strength as I rescued her from the stone. Columba sucks life, stealing my soul and my flesh. And then he steals my wife. The Madonna smiles. I decide Columba must be destroyed before he destroys me, before Glenda can use him to destroy me. I pull myself up the stairs to the loft, both legs dragging behind me. The flesh hardens each leg to the hip, but as I get to the top of the stairs I can stand and walk in a stiff manner through the door. He stands where I left him. His sword point in the stone ground I created. I created. Those become the operative words. What I create I can destroy. To hell with Columba, to hell with Cedric, to hell with Glenda. I walk past Columba. His eyes follow my movement as if he does not trust me, his creator. You shouldn’t trust me,I think. I grab the sledgehammer I keep in the utility closet and approach my nemesis. Hate spears me as he glares. Columba knows. I raise the sledgehammer and swing it toward his torso. The stone sword swings up, parrying the hammer. Rock breaks from the sword and I see steel gleaming in the apartment lights. A smile forms on Columba’s face. I scream, swinging with all my might. The sword catches the wood at the handle and splinters it, leaving me weaponless. My flesh thickens at the legs and I cannot move. My pants have turned to stone. Coldness creeps up my body. What’s left of the handle falls from my hands as they too turn to stone. I open my mouth to scream, but my mouth shuts with its own volition and the scream is frozen within. Vocal chords harden. My chest constricts in pain, but my heart does not stop. Blood still flows to my brain. I see Columba approach, grinning, wielding his sword. He raises it back to cut me in half. “Stop!” I hear Glenda’s voice scream. She has come to save me. I try to turn but my neck has stiffened and become immobile. “Columba, it is through.” Glenda walks into my sight. A gray haze covers her body as I realize that my eyes have changed. Glenda smiles and I realize that she shows her happiness at my condition. I feel my brain congealing in my stone head. “The perfect self portrait,” Glenda says. “That’s what Cedric will buy, Columba. Not you, my love. Cedric will buy Stephen.” Columba grins and mumbles something in Latin. Glenda turns and kisses the now flesh-and-blood saint, as my brain finishes its transformation to stone. Glenda grabs a sheet and throws it over my head. Darkness encompasses the gallery. I see the Madonna’s gleeful stare, the evil eyes. Why did I not see them before? “You will always be with me,” she says. “Always.” n Terry Bramlett says: “While sitting in the Episcopal Church, St. Columb’s, which I attend, I saw the word descant on a sixteenth century hymn. My wife said descant meant the song had two complementary melodies. I brought the idea to this short story, which is why the title has little to do with the story line. Instead, the title describes the story’s structure. Once I had the structure, the writing followed both melodies.” H .P . L O V E C R A F T ’S M A G A Z IN E O F H O R R O R 23

Lunch with Cedric went well. He always wanted the newest<br />

thing Stephen created. The Black Madonna caused a stir at the<br />

gallery when she was unveiled. “This last sculpture is his best,<br />

Cedric.”<br />

Cedric dabbed at his mouth, removing residual oil left from<br />

his salad. He was a fastidious little man, impeccable in dress and<br />

fashion. Cedric epitomized the art crowd <strong>of</strong> his studio, from his<br />

extravagant lifestyle to the androgynous look. I liked him because<br />

I never worried about Cedric making a pass.<br />

“There is no way that he could top the Madonna,” Cedric<br />

said. “She has soul and heart that I have never seen in stone.”<br />

I smiled. “Be at the l<strong>of</strong>t tonight by seven-thirty. This one<br />

positively lives and breathes.”<br />

Cedric grinned. “Oh my!”<br />

34%0(%.n The Madonna’s eyes follow me as I drag<br />

my right leg behind me. Breathing becomes difficult and I wonder<br />

if I will be able to drive home, but she beckons me toward<br />

her though she does not move. The beauty <strong>of</strong> her face amazes<br />

me. To think I created such splendor. The Black Madonna gave<br />

me love and strength as I rescued her from the stone. Columba<br />

sucks life, stealing my soul and my flesh. And then he steals my<br />

wife. The Madonna smiles. I decide Columba must be destroyed<br />

before he destroys me, before Glenda can use him to destroy me.<br />

I pull myself up the stairs to the l<strong>of</strong>t, both legs dragging<br />

behind me. The flesh hardens each leg to the hip, but as I get to<br />

the top <strong>of</strong> the stairs I can stand and walk in a stiff manner<br />

through the door. He stands where I left him. His sword point<br />

in the stone ground I created. I created. Those become the operative<br />

words. What I create I can destroy. To hell with Columba,<br />

to hell with Cedric, to hell with Glenda.<br />

I walk past Columba. His eyes follow my movement as if he<br />

does not trust me, his creator. You shouldn’t trust me,I think. I grab<br />

the sledgehammer I keep in the utility closet and approach my<br />

nemesis. Hate spears me as he glares. Columba knows. I raise the<br />

sledgehammer and swing it toward his torso.<br />

The stone sword swings up, parrying the hammer. Rock<br />

breaks from the sword and I see steel gleaming in the apartment<br />

lights. A smile forms on Columba’s face. I scream, swinging with<br />

all my might. The sword catches the wood at the handle and<br />

splinters it, leaving me weaponless. My flesh thickens at the legs<br />

and I cannot move. My pants have turned to stone. Coldness<br />

creeps up my body. What’s left <strong>of</strong> the handle falls from my hands<br />

as they too turn to stone. I open my mouth to scream, but my<br />

mouth shuts with its own volition and the scream is frozen within.<br />

Vocal chords harden. My chest constricts in pain, but my<br />

heart does not stop. Blood still flows to my brain. I see Columba<br />

approach, grinning, wielding his sword. He raises it back to cut<br />

me in half.<br />

“Stop!” I hear Glenda’s voice scream. She has come to save<br />

me. I try to turn but my neck has stiffened and become immobile.<br />

“Columba, it is through.”<br />

Glenda walks into my sight. A gray haze covers her body as<br />

I realize that my eyes have changed. Glenda smiles and I realize<br />

that she shows her happiness at my condition. I feel my brain<br />

congealing in my stone head.<br />

“The perfect self portrait,” Glenda says. “That’s what<br />

Cedric will buy, Columba. Not you, my love. Cedric will buy<br />

Stephen.”<br />

Columba grins and mumbles something in Latin. Glenda<br />

turns and kisses the now flesh-and-blood saint, as my brain finishes<br />

its transformation to stone. Glenda grabs a sheet and<br />

throws it over my head.<br />

Darkness encompasses the gallery. I see the Madonna’s<br />

gleeful stare, the evil eyes. Why did I not see them before? “You<br />

will always be with me,” she says. “Always.” n<br />

Terry Bramlett says: “While sitting in the Episcopal Church, St. Columb’s,<br />

which I attend, I saw the word descant on a sixteenth century hymn. My<br />

wife said descant meant the song had two complementary melodies. I<br />

brought the idea to this short story, which is why the title has little to do with<br />

the story line. Instead, the title describes the story’s structure. Once I had the<br />

structure, the writing followed both melodies.”<br />

H .P . L O V E C R A F T ’S M A G A Z IN E O F H O R R O R 23

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