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- Page 12 and 13: viii CONTENTS PICTURE SHOWS : PAGE
- Page 14 and 15: 2 FOREWORD how much more readable h
- Page 16 and 17: 4 venerable institutions, FOREWORD
- Page 18 and 19: 6 FOREWORD The idea is gone, and wi
- Page 20 and 21: 8 FOREWORD I herewith tender custom
- Page 22 and 23: io FOREWORD But if by Mr. Bennett's
- Page 24 and 25: 12 FOREWORD perhaps the best noveli
- Page 26 and 27: i 4 * FOREWORD Crime and Punishment
- Page 28 and 29: 16 FOREWORD reading ; I can say no
- Page 30 and 31: 1 8 MONTAIGNE in 1595, three years
- Page 32 and 33: 20 MONTAIGNE agreeable stage on the
- Page 34 and 35: 22 MONTAIGNE Like most sensible men
- Page 36 and 37: 24 MONTAIGNE and that fine Athenian
- Page 38 and 39: 26 MONTAIGNE This passage is except
- Page 40 and 41: IBSEN i WAS it chance made Mr. Elli
- Page 42 and 43: 30 IBSEN prevent Peer Gynt from bec
- Page 44 and 45: 32 IBSEN situations from Ibsen's pl
- Page 46 and 47: 34 IBSEN the precepts of Aristotle,
- Page 48 and 49: 36 IBSEN elect. He saw that the uni
- Page 50 and 51: 38 IBSEN excuses for not bothering
- Page 52 and 53: 40 IBSEN Above all things, Mr. Robe
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42 MISS COLERIDGE Elkin Mathews pro
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44 MISS COLERIDGE she differed so d
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46 MISS COLERIDGE whole a valid cas
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48 MISS COLERIDGE sit still nor lau
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PEACOCK i I IN the first place, wer
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52 PEACOCK 1839, an
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54 PEACOCK known, as also their aut
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56 PEACOCK appeal from the head to
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58 " * PEACOCK It is well,' said El
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60 PEACOCK was expected to inquire
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BETWEEN the publication of his [Pea
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64 PEACOCK of his compatriots ; and
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66 PEACOCK The Muse, this cold weat
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68 PEACOCK her carriage and got dow
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70 PEACOCK further inspection, may
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72 PEACOCK in it. He terrified a me
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BOSWELL'S LETTERS^ Athenaum BoswELL
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76 BOSWELL'S LETTERS appears to hav
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78 BOSWELL'S LETTERS cost me a grea
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8o BOSWELL'S LETTERS ship of Paoli,
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CARLYLE'S LOVES AND LOVE-LETTERS 1
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84 CARLYLE'S LOVES AND LETTERS feel
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86 CARLYLE'S LOVES AND LETTERS was
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88 CARLYLE'S LOVES AND LETTERS Migh
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90 CARLYLE'S LOVES AND LETTERS or P
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92 CARLYLE'S LOVES AND LETTERS corr
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94 CARLYLE'S LOVES AND LETTERS seem
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96 CARLYLE'S LOVES AND LETTERS or i
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98 CARLYLE'S LOVES AND LETTERS for
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ioo THE LYSISTRATA in that age Punc
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102 THE LYSISTRATA and feeling. Now
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104 THE LYSISTRATA the war until it
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106 THE LYSISTRATA the glory and gr
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io8 THE LYSISTRATA Aristophanes and
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i io THE LYSISTRATA The women concl
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H2 THE LYSISTRATA artist. Neither t
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ii4 THE LYSISTRATA political ideas.
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ii6 TRELAWNY'S LETTERS one could na
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ii8 TRELAWNY'S LETTERS and when the
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120 TRELAWNY'S LETTERS If he cared
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122 TRELAWNY'S LETTERS There are tw
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124 TRELAWNY'S LETTERS Allegra was
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SOPHOCLES IN LONDON I THERE need be
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128 SOPHOCLES IN LONDON One new as
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1 3 o SOPHOCLES IN LONDON to what t
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1 32 SOPHOCLES IN LONDON rob the cl
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134 SOPHOCLES IN LONDON Scholars wi
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136 THE FLIGHT OF THE DRAGON the me
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138 THE FLIGHT OF THE DRAGON itself
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1 4 o THE FLIGHT OF THE DRAGON stag
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142 THE FLIGHT OF THE DRAGON serves
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144 THE FLIGHT OF THE DRAGON " In O
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WILLIAM MORRIS i New HERE is a book
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148 WILLIAM MORRIS He was always th
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150 WILLIAM MORRIS what was wanted
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152 WILLIAM MORRIS that Morris, as
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154 WILLIAM MORRIS can help liking
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PERSIAN MINIATURES 1 Burlington VER
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PERSIAN MINIATURES 158 " " Manafi-i
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160 PERSIAN MINIATURES have Mongol
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162 PERSIAN MINIATURES displeases m
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1 64 PERSIAN MINIATURES tion of the
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166 COUNTERCHECK QUARRELSOME the ed
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168 COUNTERCHECK QUARRELSOME pardiz
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170 COUNTERCHECK QUARRELSOME score
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172 COUNTERCHECK QUARRELSOME have r
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uy PICTURE SHOWS I THE LONDON SALON
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176 THE LONDON SALON an added charm
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178 THE LONDON SALON too, is steadi
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180 ENGLISH POST-IMPRESSIONISTS The
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1 82 ENGLISH POST-IMPRESSIONISTS ex
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1 84 ENGLISH POST-IMPRESSIONISTS Ca
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1 86 ENGLISH POST-IMPRESSIONISTS go
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Ill AN EXPENSIVE " MASTERPIECE " BE
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190 AN EXPENSIVE "MASTERPIECE" aest
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192 AN EXPENSIVE "MASTERPIECE" whic
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Preface. IV MARCHAND OF the younger
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196 MARCHAND such a picture as No.
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198 MARCHAND for some sort of milit
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200 THE MANSARD GALLERY or Roberts
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202 THE MANSARD GALLERY he is highl
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204 THE MANSARD GALLERY brush-strok
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206 THE MANSARD GALLERY be serious.
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208 THE MANSARD GALLERY those who w
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2io CONTEMPORARY ART European art.
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212 CONTEMPORARY ART from five to t
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214 CONTEMPORARY ART seems to pride
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2i6 CONTEMPORARY ART would such con
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218 CONTEMPORARY ART larity, and he
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220 CONTEMPORARY ART But this diffe
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222 CONTEMPORARY ART never so grand
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224 CONTEMPORARY ART there is, of c
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226 CONTEMPORARY ART Cezanne was a
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228 CONTEMPORARY ART Raphaelite pic
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230 CONTEMPORARY ART one imagine th
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232 ART AND WAR the cultured regard
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234 ART AND WAR patriotic. We are n
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236 ART AND WAR statesmen who, to a
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238 ART AND WAR have they made ? He
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240 ART AND WAR cannot appreciate a
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242 ART AND WAR feelings far beyond
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244 ART AND WAR were exposed for sa
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246 ART AND WAR scarcely ruffled, f
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248 BEFORE THE WAR ideas that in ti
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250 BEFORE THE WAR In 1914 what in
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252 BEFORE THE WAR tion. Thanks chi
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254 BEFORE THE WAR Wealth was the f
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256 BEFORE THE WAR war has ruined o
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258 Dostoievsky, 13, 213 Doyle, Sir
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260 INDEX OF NAMES VELASQUEZ, 140 W
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PRESS OPINIONS ON "ART" BY CLIVE BE
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University of California SOUTHERN R