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PEACOCK 55<br />

century living in the nineteenth ; nothing<br />

could be farther from the truth. He loved<br />

the sense and dignity of the Augustans, just<br />

as he loved the fire and romance of the<br />

Renaissance, and the mysterious gaiety of<br />

the Middle Ages ; but he could have<br />

criticized any of them with as good a will as<br />

he criticized the age of machinery and " the<br />

march of mind," and, had he been born in<br />

any one of them, would doubtless have done<br />

so. He was a student of bardic poetry<br />

who yet admired Ariosto ; his passion for<br />

classical literature was uncommonly wise and<br />

sincere ; he read Sophocles for pleasure. So<br />

remote was he from the eighteenth-century<br />

Grecians that he could perceive and enjoy the<br />

romantic element in Greek life and art ; yet<br />

it is a mistake to call him a Greek. An<br />

Athenian of the time of Pericles was, he<br />

thought, the noblest specimen of humanity<br />

that history had to show, and of that nobility<br />

he assimilated what he could. He acquired a<br />

distaste for cant, prudery, facile emotion, and<br />

philanthropy ; he learnt to enjoy the good<br />

things of life without fear or shame to love<br />

;<br />

strength and beauty, and to respect the truth.<br />

For all that, he was a modern too ; sharp eyes<br />

can see it in his verse. A touch of gloating<br />

and uninquisitive wonder, a suspicion of<br />

sentiment for sentiment's sake, the ghost of an

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