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54 PEACOCK known, as also their author, for having helped to raise the tone of novel-writing at a critical juncture in its development, by introducing into his tales instruction and information " ? It is only fair to add that this bit of criticism occurs in his " Inaugural Dissertation presented to the Philosophical Faculty of the University of Freiburg im Breisgau for the Asquisition of the Degree of Doctor of Philosophy." In calling Peacock a great writer we have raised a claim that needs some support. His exquisite style with its Tacitean flavour, the perfection of his lyrics, his wit, and that intellectual brilliancy which sparkles from all the facets of his satire, parody, and epigram, suffice to endear him to the small, fastidious world whose approval is best worth having, and also, perhaps, to justify our opinion. But, unless we mistake, the appeal of his novels goes farther than the frontiers of good taste. Peacock's mind was original ; he thought about many things and he did his own thinking. He is the other side to every at life is a question his ; way of looking perpetual challenge ; and a man without a vestige of humour or taste may read him with profit for his point of view. Peacock belongs to no school or age. He has been called a man of the eighteenth
PEACOCK 55 century living in the nineteenth ; nothing could be farther from the truth. He loved the sense and dignity of the Augustans, just as he loved the fire and romance of the Renaissance, and the mysterious gaiety of the Middle Ages ; but he could have criticized any of them with as good a will as he criticized the age of machinery and " the march of mind," and, had he been born in any one of them, would doubtless have done so. He was a student of bardic poetry who yet admired Ariosto ; his passion for classical literature was uncommonly wise and sincere ; he read Sophocles for pleasure. So remote was he from the eighteenth-century Grecians that he could perceive and enjoy the romantic element in Greek life and art ; yet it is a mistake to call him a Greek. An Athenian of the time of Pericles was, he thought, the noblest specimen of humanity that history had to show, and of that nobility he assimilated what he could. He acquired a distaste for cant, prudery, facile emotion, and philanthropy ; he learnt to enjoy the good things of life without fear or shame to love ; strength and beauty, and to respect the truth. For all that, he was a modern too ; sharp eyes can see it in his verse. A touch of gloating and uninquisitive wonder, a suspicion of sentiment for sentiment's sake, the ghost of an
- Page 15 and 16: FOREWORD 3 Naturally, by so obligin
- Page 17 and 18: FOREWORD 5 I have said that the edi
- Page 19 and 20: FOREWORD 7 I write more fluently no
- Page 21 and 22: FOREWORD 9 amiss with Mr. Bennett's
- Page 23 and 24: FOREWORD ii is bound to turn the be
- Page 25 and 26: FOREWORD 13 " La Princesse de Cleve
- Page 27 and 28: FOREWORD 15 Mr. Bennett is not so w
- Page 29 and 30: MONTAIGNE IN FACSIMILE 1 LET it be
- Page 31 and 32: MONTAIGNE 19 Montaigne was thorough
- Page 33 and 34: MONTAIGNE 21 by, his subject, but,
- Page 35 and 36: MONTAIGNE 23 moral code and the met
- Page 37 and 38: MONTAIGNE 25 Indeed, this admiratio
- Page 39 and 40: MONTAIGNE 27 not inappropriate, the
- Page 41 and 42: IBSEN 29 the romantic, invited to s
- Page 43 and 44: IBSEN 31 political thinker or a soc
- Page 45 and 46: IBSEN 33 greatness of Ibsen's art t
- Page 47 and 48: IBSEN 35 or his life to the ideal,
- Page 49 and 50: IBSEN 37 Ibsen's social and politic
- Page 51 and 52: IBSEN 39 tolerate. Men long for the
- Page 53 and 54: MISS COLERIDGE i THE greatest art i
- Page 55 and 56: MISS COLERIDGE 43 without demur tha
- Page 57 and 58: MISS COLERIDGE 45 Here is the first
- Page 59 and 60: MISS COLERIDGE 47 a shrinking fasti
- Page 61 and 62: MISS COLERIDGE 49 picture. Her life
- Page 63 and 64: PEACOCK 51 are as amateurish as the
- Page 65: PEACOCK 53 was folly, who judged ev
- Page 69 and 70: PEACOCK 57 the Conservative party ;
- Page 71 and 72: PEACOCK 59 Peacock's attitude towar
- Page 73 and 74: PEACOCK 61 curiosity and ; just as
- Page 75 and 76: PEACOCK 63 A letter to Hookham, dat
- Page 77 and 78: PEACOCK 65 who claims attention for
- Page 79 and 80: PEACOCK 67 His epitaph I wrote, as
- Page 81 and 82: PEACOCK 69 his relations with Shell
- Page 83 and 84: PEACOCK 71 most entertaining, and p
- Page 85 and 86: PEACOCK 73 sionately pursued imposs
- Page 87 and 88: BOSWELL'S LETTERS 75 they created a
- Page 89 and 90: BOSWELL'S LETTERS 77 the sheer trut
- Page 91 and 92: BOSWELL'S LETTERS 79 Boswell tells
- Page 93 and 94: BOSWELL'S LETTERS 81 plexities bese
- Page 95 and 96: CARLYLE'S LOVES AND LETTERS 83 ten
- Page 97 and 98: CARLYLE'S LOVES AND LETTERS 85 tere
- Page 99 and 100: CARLYLE'S LOVES AND LETTERS 87 What
- Page 101 and 102: CARLYLE'S LOVES AND LETTERS 89 with
- Page 103 and 104: CARLYLE'S LOVES AND LETTERS 91 gues
- Page 105 and 106: CARLYLE'S LOVES AND LETTERS 93 degr
- Page 107 and 108: CARLYLE'S LOVES AND LETTERS 95 high
- Page 109 and 110: CARLYLE'S LOVES AND LETTERS 97 a gr
- Page 111 and 112: THE LYSISTRATA 1 At XdjOtrey Te/xev
- Page 113 and 114: Rogers to give THE LYSISTRATA 101 u
- Page 115 and 116: THE LYSISTRATA 103 and arguments od
54<br />
PEACOCK<br />
known, as also their author, for having helped<br />
to raise the tone of novel-writing at a critical<br />
juncture in its development, by introducing<br />
into his tales instruction and information " ?<br />
It is only fair to add that this bit of criticism<br />
occurs in his " Inaugural Dissertation presented<br />
to the Philosophical Faculty of the University<br />
of Freiburg im Breisgau for the Asquisition of<br />
the Degree of Doctor of Philosophy."<br />
In calling Peacock a great writer we have<br />
raised a claim that needs some support. His<br />
exquisite style with its Tacitean flavour,<br />
the perfection of his lyrics, his wit, and that<br />
intellectual brilliancy which sparkles from all<br />
the facets of his satire, parody, and epigram,<br />
suffice to endear him to the small, fastidious<br />
world whose approval is best worth having,<br />
and also, perhaps, to justify our opinion.<br />
But, unless we mistake, the appeal of his<br />
novels goes farther than the frontiers of good<br />
taste. Peacock's mind was original ; he<br />
thought about many things<br />
and he did his<br />
own thinking. He is the other side to every<br />
at life is a<br />
question his ; way of looking<br />
perpetual challenge ; and a man without a<br />
vestige of humour or taste may read him<br />
with profit<br />
for his point of view.<br />
Peacock belongs to no school or age. He<br />
has been called a man of the eighteenth