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MISS COLERIDGE 47<br />

a shrinking fastidiousness excluded from her<br />

world much of the raw material from which<br />

great art is made. Stray reflections on Greek<br />

life and thought, though in themselves trivial,<br />

are interesting for what they betray of a state<br />

of mind familiar and always slightly distressing<br />

to people who take art seriously. She<br />

was a fair scholar Miss Sichel tells us ; cer-<br />

tainly she studied under an excellent master<br />

the author of " lonica " ; yet she could say<br />

of the " Bacchaj " "<br />

: The Hallelujah Lasses<br />

get drunk on the wine of the spirit, not the<br />

wine of the grape " ;<br />

and of the " Medea " :<br />

"<br />

Medea is thoroughly fin de siecle ; says<br />

she would rather go into battle three times<br />

than have a baby once, pitches<br />

into men like<br />

anything. But there's too much Whitechapel<br />

about her. How are you to be seriously<br />

interested in a woman who has murdered her<br />

mother and boiled<br />

"<br />

the ?<br />

play begins<br />

her father-in-law before<br />

What is this but the shy jauntiness, the<br />

elaborate understatement, of something small<br />

in the presence of something great ? That<br />

uneasy titter, caught from time to time as<br />

one turns Miss Coleridge's pages, we seem to<br />

have heard before in the Arena chapel or at<br />

the end of a Bach fugue.<br />

It is the comment<br />

of<br />

sophisticated refinement that can neither

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