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44<br />

MISS COLERIDGE<br />

she differed so disconcertingly from the type<br />

with which we have grown agreeably familiar<br />

in the " English Men of Letters " series, that,<br />

without violence, she could never have been<br />

fitted into the traditional mould. Her biographer<br />

has done the work thoroughly, but<br />

she is a thought heavy in the hand ; she is<br />

too literary, not to say professional<br />

she is<br />

;<br />

definite at all costs. She has " restored "<br />

Miss Coleridge as a German archaeologist might<br />

restore a Tanagra figure. Indeterminate lines<br />

have been ruthlessly rectified and asymmetry<br />

has grown symmetrical. Though we do not<br />

suggest that she misunderstood her friend, we<br />

are sure that the lady exhibited in the memoir<br />

is not the lady who reveals herself in the<br />

poems.<br />

Of the author of the poems we catch a<br />

glimpse in the fragments of letters and diaries<br />

which form the penultimate section of the<br />

volume. But here, again, we find cause for<br />

discontent. If private reasons forbade full-<br />

ness, was it wise to print scraps ? Why tantalize<br />

us ? In the letters we should, perhaps,<br />

have recaptured the lady we have lost in the<br />

essays and stories ; but these fragments,<br />

though suggestive, are too slight to be<br />

consolatory : besides, Miss Coleridge was no<br />

coiner of aphorisms and epigrams who could<br />

give her meaning in a handful of sentences.

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