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IBSEN 37<br />

Ibsen's social and political ideas follow<br />

necessarily from the nature of his art. He<br />

knew too much about the depths of character<br />

to suppose that people could be improved<br />

from without. He agreed with our grandmothers<br />

that what men need are new hearts.<br />

It is good feeling that makes good men, and<br />

the sole check on bad feeling is conscience.<br />

Laws, customs, and social conventions he<br />

regarded as ineffectual means to good. There<br />

is no virtue in one who is restrained from evil<br />

by fear. He went further : he regarded<br />

external restraints as means to bad, since they<br />

come between a man and his conscience and<br />

"<br />

blunt the moral sense. So long as I keep<br />

to the rules," says the smug citizen, " I am<br />

of the righteous." Ibsen loathed the State,<br />

with its negative virtues, its mean standards,<br />

its mediocrity, and its spiritual squalor. He<br />

was a passionate individualist.<br />

Perhaps no one has seen more clearly that<br />

the State, at its best, stands for nothing better<br />

than the lowest common factor of the human<br />

mind. What else can it stand for ? State<br />

ideals must be ideals that are not beyond the<br />

intellect and imagination of " the average<br />

citizen " ; also, since average minds are not<br />

pervious to reason, the reasoning of statesmen<br />

must be rhetoric. State morals law and<br />

custom that is to say are nothing more than

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