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IBSEN 31<br />

political thinker or a social reformer ; while<br />

their enemies, the aesthetes, were very willing<br />

to call him a great artist, since by doing so<br />

they excused themselves from paying the<br />

least attention to anything that he said.<br />

Ibsen was a reformer in the sense that all great<br />

artists are reformers it is ; impossible to speak<br />

of<br />

reality without criticizing civilization. In<br />

the same way he was a it is<br />

politician im-<br />

;<br />

possible to care passionately about art without<br />

caring about the fate of mankind. But<br />

Mr. Roberts is certainly right in holding that<br />

to appreciate Ibsen we must consider him as<br />

an artist.<br />

Ibsen approached humanity in the spirit of<br />

an artist. He sought that essential thing in<br />

men and women by which we should know<br />

them if the devil came one night and stole<br />

away their bodies ; we may<br />

call it character<br />

if we choose. He imagined situations in<br />

which character would be revealed clearly.<br />

The subjects of his plays are often " problems,"<br />

because he was interested in people who only<br />

when " problems "<br />

arise are seen to be<br />

essentially different from one another, or,<br />

indeed, from the furniture with which they<br />

live. There is no reason to suppose that<br />

Ibsen had any love for " problems " as such ;<br />

and we are tempted to believe that some<br />

modern " problems " are nothing more than

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