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MONTAIGNE 21<br />

by, his subject, but, within those limits,<br />

perfect.<br />

The form in which Montaigne expressed<br />

himself was new to French literature. In the<br />

sixteenth century there was a recognized<br />

literary style based on the Latin period.<br />

Sentences were long, sonorous, and circuitous.<br />

It was a language well suited to those who followed<br />

the profession of letters, but unserviceable<br />

to one who would communicate his<br />

thoughts and feelings to others. Montaigne<br />

was not a professional author ; he was a<br />

country gentleman with something of his own<br />

to say. The literature of the professionals<br />

was an ingenious and abstract superstructure<br />

built up over an idea or an emotion. Mon-<br />

taigne wished to set down the original thought<br />

or feeling as it sprang, hot, from the mind ;<br />

and, as original thoughts and feelings present<br />

themselves always with the force of sensations,<br />

he gave them the forms of sensations that is<br />

to say, he wrote in images. He expressed his<br />

philosophy of good sense in short, hard, coloured<br />

sentences, keeping them as close as possible to<br />

the naked thoughts they conveyed. That in<br />

print they appear as long<br />

as those of his con-<br />

temporaries is a mere accident of typography ;<br />

for almost every semicolon in the " Essais "<br />

one may substitute a full stop : very rarely is<br />

the long sentence in Montaigne a period.

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