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260 INDEX OF NAMES VELASQUEZ, 140 Wells, H. G., 9, n, 12, 13, 88, 232 Veuillard, 194 Welsh, Jane, 91, 93i 94. 9, 07 Victoria, Queen, 99 Whistler, 140, 152 Vigee I^ebrun, Madame, 207 Whitman, Walt, 151 Vignier, 157 Whitworth, Geoffrey, I, 2 Vivarini, 219 Woolf, Virginia, n Vlaminck, de, 200, 201, 202, 215 Wordsworth, 240 Voltaire, 94, 99 Wren, 214 WAGNER, n, 253 YEATS, J. B., 178 Waller, Edmund, 29 Young, Dr. Arthur Button, 53, 64 Walpole, Horace, 94 Ward, Mrs. Humphrey, 12 Watteau, 140 ZOLA, 126, 127 PRINTED AT THE COMPLETE PRESS WEST NORWOOD CONDON
BY THE SAME AUTHOR ART Fourth Impression. Illustrated Cr. 8vo. Cloth, gilt top. 53. net For Press Opinions see over
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LIBRARY of CALIFORNIA MHDtC0 LMMvct
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POT-BOILERS BT CLIVE BELL T LONDON
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CONTENTS PAGE FOREWORD i MONTAIGNE
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FOREWORD DEAR GEOFFREY WHITWORTH, C
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FOREWORD 3 Naturally, by so obligin
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FOREWORD 5 I have said that the edi
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FOREWORD 7 I write more fluently no
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FOREWORD 9 amiss with Mr. Bennett's
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FOREWORD ii is bound to turn the be
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FOREWORD 13 " La Princesse de Cleve
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FOREWORD 15 Mr. Bennett is not so w
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MONTAIGNE IN FACSIMILE 1 LET it be
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MONTAIGNE 19 Montaigne was thorough
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MONTAIGNE 21 by, his subject, but,
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MONTAIGNE 23 moral code and the met
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MONTAIGNE 25 Indeed, this admiratio
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MONTAIGNE 27 not inappropriate, the
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IBSEN 29 the romantic, invited to s
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IBSEN 31 political thinker or a soc
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IBSEN 33 greatness of Ibsen's art t
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IBSEN 35 or his life to the ideal,
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IBSEN 37 Ibsen's social and politic
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IBSEN 39 tolerate. Men long for the
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MISS COLERIDGE i THE greatest art i
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MISS COLERIDGE 43 without demur tha
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MISS COLERIDGE 45 Here is the first
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MISS COLERIDGE 47 a shrinking fasti
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MISS COLERIDGE 49 picture. Her life
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PEACOCK 51 are as amateurish as the
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PEACOCK 53 was folly, who judged ev
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PEACOCK 55 century living in the ni
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PEACOCK 57 the Conservative party ;
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PEACOCK 59 Peacock's attitude towar
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PEACOCK 61 curiosity and ; just as
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PEACOCK 63 A letter to Hookham, dat
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PEACOCK 65 who claims attention for
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PEACOCK 67 His epitaph I wrote, as
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PEACOCK 69 his relations with Shell
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PEACOCK 71 most entertaining, and p
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PEACOCK 73 sionately pursued imposs
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BOSWELL'S LETTERS 75 they created a
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BOSWELL'S LETTERS 77 the sheer trut
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BOSWELL'S LETTERS 79 Boswell tells
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BOSWELL'S LETTERS 81 plexities bese
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CARLYLE'S LOVES AND LETTERS 83 ten
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CARLYLE'S LOVES AND LETTERS 85 tere
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CARLYLE'S LOVES AND LETTERS 87 What
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CARLYLE'S LOVES AND LETTERS 89 with
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CARLYLE'S LOVES AND LETTERS 91 gues
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CARLYLE'S LOVES AND LETTERS 93 degr
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CARLYLE'S LOVES AND LETTERS 95 high
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CARLYLE'S LOVES AND LETTERS 97 a gr
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THE LYSISTRATA 1 At XdjOtrey Te/xev
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Rogers to give THE LYSISTRATA 101 u
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THE LYSISTRATA 103 and arguments od
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THE LYSISTRATA 105 war, came forth
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THE LYSISTRATA 107 ludicrous ; but
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THE LYSISTRATA 109 Fiercely they st
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THE LYSISTRATA in artist than party
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THE LYSISTRATA 113 Have inspired th
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TRELAWNY'S LETTERS 1 ANY one who ha
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TRELAWNY'S LETTERS 117 book we find
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TRELAWNY'S LETTERS 119 As Trelawny
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TRELAWNY'S LETTERS 121 though he co
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TRELAWNY'S LETTERS 123 we should ha
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TRELAWNY'S LETTERS 125 are his lite
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SOPHOCLES IN LONDON 127 realism and
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SOPHOCLES IN LONDON 129 And what is
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SOPHOCLES IN LONDON 131 our eccentr
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SOPHOCLES IN LONDON 133 the latest
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THE FLIGHT OF THE DRAGON * No one w
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THE FLIGHT OF THE DRAGON 137 nings
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THE FLIGHT OF THE DRAGON 139 ripe a
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Greek or Christian in the primitive
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THE FLIGHT OF THE DRAGON 143 the sp
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THE FLIGHT OF THE DRAGON 145 jobber
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WILLIAM MORRIS 147 " William Morris
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WILLIAM MORRIS 149 that much of the
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WILLIAM MORRIS 151 in the Floods "
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WILLIAM MORRIS 153 next morning for
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WILLIAM MORRIS 155 affairs and priv
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PERSIAN MINIATURES 157 1258 (the ye
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PERSIAN MINIATURES 159 thirteenth c
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PERSIAN MINIATURES 161 It is, in fa
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PERSIAN MINIATURES 163 I will sugge
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COUNTERCHECK QUARREL- SOME I HASTEN
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COUNTERCHECK QUARRELSOME 167 does n
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169 the beauty of gems or of a butt
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COUNTERCHECK QUARRELSOME 171 The po
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COUNTERCHECK QUARRELSOME 173 they h
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THE LONDON SALON 175 But there is m
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THE LONDON SALON 177 how admirable
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II ENGLISH POST-IMPRESSIONISTS IT i
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ENGLISH POST-IMPRESSIONISTS 181 for
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ENGLISH POST-IMPRESSIONISTS 183 int
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ENGLISH POST-IMPRESSIONISTS 185 I c
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ENGLISH POST-IMPRESSIONISTS 187 the
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AN EXPENSIVE " MASTERPIECE " 189 I
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AN EXPENSIVE " MASTERPIECE " 191 ow
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AN EXPENSIVE " MASTERPIECE " 193 ar
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MARCHAND 195 5) would have been jus
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MARCHAND 197 shall be glad to hear
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V THE MANSARD GALLERY 1 THE collect
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THE MANSARD GALLERY 201 appreciate
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THE MANSARD GALLERY 203 ever, more
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THE MANSARD GALLERY 205 lacks sensi
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THE MANSARD GALLERY 207 saying so.
Page 221 and 222: CONTEMPORARY ART IN ENGLAND ONLY la
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Page 233 and 234: CONTEMPORARY ART 221 tending ever t
Page 235 and 236: CONTEMPORARY ART 223 burgher who ma
Page 237 and 238: CONTEMPORARY ART 225 its too willin
Page 239 and 240: CONTEMPORARY ART 227 Our critics an
Page 241 and 242: CONTEMPORARY ART 229 of the Royal A
Page 243 and 244: ART AND WAR* AN acquaintance of min
Page 245 and 246: ART AND WAR 233 between ends and me
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Page 249 and 250: ART AND WAR 237 had escaped restora
Page 251 and 252: ART AND WAR 239 emotion or the pass
Page 253 and 254: ART AND WAR 241 continued existence
Page 255 and 256: ART AND WAR 243 is my mission. They
Page 257 and 258: ART AND WAR 245 Kublai Khan, that c
Page 259 and 260: BEFORE THE WAR IT is to me a strang
Page 261 and 262: BEFORE THE WAR 249 and some of the
Page 263 and 264: BEFORE THE WAR 251 essence of socie
Page 265 and 266: BEFORE THE WAR 253 with Beardsleyes
Page 267 and 268: BEFORE THE WAR 255 beneath the scan
Page 269 and 270: ABBAS, Shah, 163 Abbassi, Riza, 162
Page 271: Marinetti, 88 Marivaux, 9, 10 Marqu
Page 275: PRESS OPINIONS ON "ART" " Mr. Bell
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