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258 Dostoievsky, 13, 213 Doyle, Sir Arthur Conan, 14 Drummoud, Malcolm, 178 EDWARDS, George, 133 Emerson, 86 Epictetus, 86 Epstein, 176, 228, 229 Etchells, 178 FAGUET, 88 Ferrers, 88 Fildes, Sir Luke, 181 Finch, Madame Renee, 178 FitzGerald, 94, 129 Flammarion, MM., 17 Flaubert, 108 Fonnan, H. Buxton, 115 France, Anatole, n, 22, 90, 252 Francis, Sir Philip, 74-76 St., 86 Freeman, A., 62, 64, 65 Friesz, 181, 200, 215 Frith, 170 Fry, Roger, 170, 216, 226 GALSWORTHY, John, n, 12, 132 Gait, xo Garnett, Richard, 51 Garrod, 133 Gauguin, 181, 195, 211, 215, 216, 225, 226 George V, 177 George, Lloyd, 253 Gertler, Mark, 203, 204, 228 Gibbon, 99 Giles, Prof., 135 Gill, Eric, 229 Gilman, 177 Ginner, 178 Giotto, 157, 161, 206 Glaber, 242 Godwin, 86 Gogh, Van, 181, 211, 215, 225, 226 GoldonI, 33, 51 Goncharova, 207, 215 Gordon, Margaret, 82 83 Gore, S. F., 177, 184 Gournay, Mile, de, 18 Grahame, Cunninghame, 252 Grant, Duncan, 196, 202, 205, 206, 228, 229 Gray, 94 Greco, El, 206, 211 Gris, 200 HALS, Frans, 140 Hamilton, i6 INDEX OF NAMES Hao, Ch'eng, 243 Hardie, Keir, in Hardy, Thomas, 10, II Harvey, Martin, 128 Henner, 222 Herbin, 181 Herramaneck, 159 Hobson, 188, 189, 191 Homer, 13, 41 Horace, 39, 91 1'Hote, 181, 200 Houghton, I,ord, 51 Hoyles, Lady, 84 Hume, David, 76, 80 IBSEN, Henrik, 28-40, 253 Ingres, 197 International Journal of Ethics, the, 7 Irving, Sir Henry, 192 JAMES, Henry, 127 John, 205, 210 Johnson, Samuel, 14, 20, 76, 77, 80, 8r, 147 Jones, Inigo, 214 Jonson, Ben, 4 KANDINSKY, 215 Keats, 41, 102, 202 Kevorkian, 158 Kipling, Rudyard, 15, 145, 225, 253 Kokan, Shiba, 143, 145 Korin, 140 Kublai Khan, 245 LAFORGTJE, 10, 213 Lamb, Charles, 94, 96, 200 Laprade, 215 Larionoff, 215 Laurencin, Marie, 207 Leopardi, 94 Lespinasse, Julie de, 94 Lesueur, 205 Lewis, Wyndham, 175, 176, 182, 183, 199, 228, 229 Lippi, Lippo, 211 London, Bishop of, 151 MACAULAY, 147 Maillol, 211, 215, 226, 229 Mallarme, 213 Manguin, 194 Mantegna, 197 Marchaud, 181, 194-198, 200, 201, 202, 206, 215
Marinetti, 88 Marivaux, 9, 10 Marquet, 181, 215 Mathews, EJkin, 32 Matisse, Henri, 10, 181, 194, 196, 200, 211 215, 226 McEvoy, 210 Meredith, 120, 127 Merimde, 94 Meyer-Rielstahl, 160 Mill, 89 Milton, 13, 41 Mirek, Aga, 162, 163 Mohamed, Sultan, 161, 162 Montagu, I,ady Mary, 94 Montaigne, 17-27 Montgomerie, Miss Margaret, 79 Moore, George, n, 12, 15 Morgan, Pierpont, 157 Morris, William, 146-155 Mozart, 70, 249 Murray, Prof. Gilbert, 127, 128 Nation, the, 7 Nevinson, 186 New Age, the, 3 Ne-j> Statesman, the, 7 Nicholson, 129 Nietzsche, 213 Nineteenth Century, the, 52 Norton, Mrs., 122 OGILVIE, Mrs., 178 Okakura, 135 Okio, 144, 145 OHpnant, Mrs., 10 Orpen, 129, 210 PALLAS, 7 Paoli, 80 Paul, Herbert, 52 Peacock, Thomas Ix>ve, 50-73 Pdguy, 90 Philippe, Charles-Louis, 10 Phillips, Stephen, 129 Picasso, 10, 181, 184, 194, 195, 196, 200, 215, 216, 219, 226 Pichard, Mrs. I
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LIBRARY of CALIFORNIA MHDtC0 LMMvct
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POT-BOILERS BT CLIVE BELL T LONDON
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CONTENTS PAGE FOREWORD i MONTAIGNE
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FOREWORD DEAR GEOFFREY WHITWORTH, C
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FOREWORD 3 Naturally, by so obligin
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FOREWORD 5 I have said that the edi
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FOREWORD 7 I write more fluently no
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FOREWORD 9 amiss with Mr. Bennett's
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FOREWORD ii is bound to turn the be
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FOREWORD 13 " La Princesse de Cleve
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FOREWORD 15 Mr. Bennett is not so w
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MONTAIGNE IN FACSIMILE 1 LET it be
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MONTAIGNE 19 Montaigne was thorough
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MONTAIGNE 21 by, his subject, but,
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MONTAIGNE 23 moral code and the met
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MONTAIGNE 25 Indeed, this admiratio
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MONTAIGNE 27 not inappropriate, the
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IBSEN 29 the romantic, invited to s
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IBSEN 31 political thinker or a soc
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IBSEN 33 greatness of Ibsen's art t
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IBSEN 35 or his life to the ideal,
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IBSEN 37 Ibsen's social and politic
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IBSEN 39 tolerate. Men long for the
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MISS COLERIDGE i THE greatest art i
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MISS COLERIDGE 43 without demur tha
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MISS COLERIDGE 45 Here is the first
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MISS COLERIDGE 47 a shrinking fasti
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MISS COLERIDGE 49 picture. Her life
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PEACOCK 51 are as amateurish as the
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PEACOCK 53 was folly, who judged ev
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PEACOCK 55 century living in the ni
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PEACOCK 57 the Conservative party ;
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PEACOCK 59 Peacock's attitude towar
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PEACOCK 61 curiosity and ; just as
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PEACOCK 63 A letter to Hookham, dat
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PEACOCK 65 who claims attention for
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PEACOCK 67 His epitaph I wrote, as
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PEACOCK 69 his relations with Shell
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PEACOCK 71 most entertaining, and p
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PEACOCK 73 sionately pursued imposs
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BOSWELL'S LETTERS 75 they created a
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BOSWELL'S LETTERS 77 the sheer trut
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BOSWELL'S LETTERS 79 Boswell tells
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BOSWELL'S LETTERS 81 plexities bese
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CARLYLE'S LOVES AND LETTERS 83 ten
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CARLYLE'S LOVES AND LETTERS 85 tere
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CARLYLE'S LOVES AND LETTERS 87 What
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CARLYLE'S LOVES AND LETTERS 89 with
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CARLYLE'S LOVES AND LETTERS 91 gues
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CARLYLE'S LOVES AND LETTERS 93 degr
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CARLYLE'S LOVES AND LETTERS 95 high
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CARLYLE'S LOVES AND LETTERS 97 a gr
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THE LYSISTRATA 1 At XdjOtrey Te/xev
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Rogers to give THE LYSISTRATA 101 u
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THE LYSISTRATA 103 and arguments od
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THE LYSISTRATA 105 war, came forth
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THE LYSISTRATA 107 ludicrous ; but
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THE LYSISTRATA 109 Fiercely they st
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THE LYSISTRATA in artist than party
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THE LYSISTRATA 113 Have inspired th
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TRELAWNY'S LETTERS 1 ANY one who ha
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TRELAWNY'S LETTERS 117 book we find
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TRELAWNY'S LETTERS 119 As Trelawny
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TRELAWNY'S LETTERS 121 though he co
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TRELAWNY'S LETTERS 123 we should ha
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TRELAWNY'S LETTERS 125 are his lite
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SOPHOCLES IN LONDON 127 realism and
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SOPHOCLES IN LONDON 129 And what is
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SOPHOCLES IN LONDON 131 our eccentr
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SOPHOCLES IN LONDON 133 the latest
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THE FLIGHT OF THE DRAGON * No one w
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THE FLIGHT OF THE DRAGON 137 nings
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THE FLIGHT OF THE DRAGON 139 ripe a
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Greek or Christian in the primitive
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THE FLIGHT OF THE DRAGON 143 the sp
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THE FLIGHT OF THE DRAGON 145 jobber
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WILLIAM MORRIS 147 " William Morris
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WILLIAM MORRIS 149 that much of the
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WILLIAM MORRIS 151 in the Floods "
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WILLIAM MORRIS 153 next morning for
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WILLIAM MORRIS 155 affairs and priv
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PERSIAN MINIATURES 157 1258 (the ye
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PERSIAN MINIATURES 159 thirteenth c
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PERSIAN MINIATURES 161 It is, in fa
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PERSIAN MINIATURES 163 I will sugge
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COUNTERCHECK QUARREL- SOME I HASTEN
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COUNTERCHECK QUARRELSOME 167 does n
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169 the beauty of gems or of a butt
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COUNTERCHECK QUARRELSOME 171 The po
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COUNTERCHECK QUARRELSOME 173 they h
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THE LONDON SALON 175 But there is m
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THE LONDON SALON 177 how admirable
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II ENGLISH POST-IMPRESSIONISTS IT i
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ENGLISH POST-IMPRESSIONISTS 181 for
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ENGLISH POST-IMPRESSIONISTS 183 int
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ENGLISH POST-IMPRESSIONISTS 185 I c
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ENGLISH POST-IMPRESSIONISTS 187 the
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AN EXPENSIVE " MASTERPIECE " 189 I
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AN EXPENSIVE " MASTERPIECE " 191 ow
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AN EXPENSIVE " MASTERPIECE " 193 ar
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MARCHAND 195 5) would have been jus
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MARCHAND 197 shall be glad to hear
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V THE MANSARD GALLERY 1 THE collect
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THE MANSARD GALLERY 201 appreciate
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THE MANSARD GALLERY 203 ever, more
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THE MANSARD GALLERY 205 lacks sensi
Page 219 and 220: THE MANSARD GALLERY 207 saying so.
Page 221 and 222: CONTEMPORARY ART IN ENGLAND ONLY la
Page 223 and 224: CONTEMPORARY ART 211 and independen
Page 225 and 226: CONTEMPORARY ART 213 is tolerated b
Page 227 and 228: CONTEMPORARY ART 215 far more intel
Page 229 and 230: CONTEMPORARY ART 217 to visit the L
Page 231 and 232: CONTEMPORARY ART 219 before a great
Page 233 and 234: CONTEMPORARY ART 221 tending ever t
Page 235 and 236: CONTEMPORARY ART 223 burgher who ma
Page 237 and 238: CONTEMPORARY ART 225 its too willin
Page 239 and 240: CONTEMPORARY ART 227 Our critics an
Page 241 and 242: CONTEMPORARY ART 229 of the Royal A
Page 243 and 244: ART AND WAR* AN acquaintance of min
Page 245 and 246: ART AND WAR 233 between ends and me
Page 247 and 248: ART AND WAR 235 them there are bett
Page 249 and 250: ART AND WAR 237 had escaped restora
Page 251 and 252: ART AND WAR 239 emotion or the pass
Page 253 and 254: ART AND WAR 241 continued existence
Page 255 and 256: ART AND WAR 243 is my mission. They
Page 257 and 258: ART AND WAR 245 Kublai Khan, that c
Page 259 and 260: BEFORE THE WAR IT is to me a strang
Page 261 and 262: BEFORE THE WAR 249 and some of the
Page 263 and 264: BEFORE THE WAR 251 essence of socie
Page 265 and 266: BEFORE THE WAR 253 with Beardsleyes
Page 267 and 268: BEFORE THE WAR 255 beneath the scan
Page 269: ABBAS, Shah, 163 Abbassi, Riza, 162
Page 273 and 274: BY THE SAME AUTHOR ART Fourth Impre
Page 275: PRESS OPINIONS ON "ART" " Mr. Bell
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