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i 4<br />

*<br />

FOREWORD<br />

Crime and Punishment,' and immediately<br />

Arne.' It ranks<br />

before re-reading Bjornson's '<br />

well with these European masterpieces." I<br />

repeat that in one I<br />

respect<br />

than Mr. Bennett.<br />

am a better critic<br />

This question<br />

It interests Mr.<br />

of criticism fascinates<br />

Bennett, too, and he<br />

me.<br />

has<br />

written several competent and surprisingly<br />

confident articles on the subject. I could<br />

almost wish to discuss one of them with him.<br />

I would help him to understand Coleridge and<br />

tell him about Dryden's essays and Johnson's<br />

"<br />

Lives of the Poets," and I would assure him,<br />

too, it was not I who wrote that unfortunate<br />

review of Conrad that gets such an exemplary<br />

drubbing at his hands for its self-complacent<br />

imbecility. He ought to know that, or he will<br />

think that I speak out of malice. He says<br />

that England has need of a literary critic.<br />

I agree. And I agree that this critic must not<br />

be of that professorial breed with which he<br />

deals so faithfully, not one who will date you<br />

every line in Shakespeare on internal evidence<br />

and then obligingly pronounce Sir Arthur<br />

Conan Doyle our greatest living writer. He<br />

will need the intelligence, the first-hand views,<br />

the open mind, the genuine taste for books,<br />

the respect for art and irreverence for persons<br />

of Mr. Bennett himself ; and, as I have hinted,<br />

he will need one or two qualities for which

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