- Page 2: LIBRARY of CALIFORNIA MHDtC0 LMMvct
- Page 9 and 10: POT-BOILERS BT CLIVE BELL T LONDON
- Page 11 and 12: CONTENTS PAGE FOREWORD i MONTAIGNE
- Page 13 and 14: FOREWORD DEAR GEOFFREY WHITWORTH, C
- Page 15 and 16: FOREWORD 3 Naturally, by so obligin
- Page 17 and 18: FOREWORD 5 I have said that the edi
- Page 19 and 20: FOREWORD 7 I write more fluently no
- Page 21 and 22: FOREWORD 9 amiss with Mr. Bennett's
- Page 23 and 24: FOREWORD ii is bound to turn the be
- Page 25: FOREWORD 13 " La Princesse de Cleve
- Page 29 and 30: MONTAIGNE IN FACSIMILE 1 LET it be
- Page 31 and 32: MONTAIGNE 19 Montaigne was thorough
- Page 33 and 34: MONTAIGNE 21 by, his subject, but,
- Page 35 and 36: MONTAIGNE 23 moral code and the met
- Page 37 and 38: MONTAIGNE 25 Indeed, this admiratio
- Page 39 and 40: MONTAIGNE 27 not inappropriate, the
- Page 41 and 42: IBSEN 29 the romantic, invited to s
- Page 43 and 44: IBSEN 31 political thinker or a soc
- Page 45 and 46: IBSEN 33 greatness of Ibsen's art t
- Page 47 and 48: IBSEN 35 or his life to the ideal,
- Page 49 and 50: IBSEN 37 Ibsen's social and politic
- Page 51 and 52: IBSEN 39 tolerate. Men long for the
- Page 53 and 54: MISS COLERIDGE i THE greatest art i
- Page 55 and 56: MISS COLERIDGE 43 without demur tha
- Page 57 and 58: MISS COLERIDGE 45 Here is the first
- Page 59 and 60: MISS COLERIDGE 47 a shrinking fasti
- Page 61 and 62: MISS COLERIDGE 49 picture. Her life
- Page 63 and 64: PEACOCK 51 are as amateurish as the
- Page 65 and 66: PEACOCK 53 was folly, who judged ev
- Page 67 and 68: PEACOCK 55 century living in the ni
- Page 69 and 70: PEACOCK 57 the Conservative party ;
- Page 71 and 72: PEACOCK 59 Peacock's attitude towar
- Page 73 and 74: PEACOCK 61 curiosity and ; just as
- Page 75 and 76: PEACOCK 63 A letter to Hookham, dat
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PEACOCK 65 who claims attention for
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PEACOCK 67 His epitaph I wrote, as
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PEACOCK 69 his relations with Shell
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PEACOCK 71 most entertaining, and p
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PEACOCK 73 sionately pursued imposs
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BOSWELL'S LETTERS 75 they created a
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BOSWELL'S LETTERS 77 the sheer trut
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BOSWELL'S LETTERS 79 Boswell tells
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BOSWELL'S LETTERS 81 plexities bese
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CARLYLE'S LOVES AND LETTERS 83 ten
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CARLYLE'S LOVES AND LETTERS 85 tere
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CARLYLE'S LOVES AND LETTERS 87 What
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CARLYLE'S LOVES AND LETTERS 89 with
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CARLYLE'S LOVES AND LETTERS 91 gues
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CARLYLE'S LOVES AND LETTERS 93 degr
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CARLYLE'S LOVES AND LETTERS 95 high
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CARLYLE'S LOVES AND LETTERS 97 a gr
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THE LYSISTRATA 1 At XdjOtrey Te/xev
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Rogers to give THE LYSISTRATA 101 u
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THE LYSISTRATA 103 and arguments od
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THE LYSISTRATA 105 war, came forth
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THE LYSISTRATA 107 ludicrous ; but
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THE LYSISTRATA 109 Fiercely they st
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THE LYSISTRATA in artist than party
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THE LYSISTRATA 113 Have inspired th
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TRELAWNY'S LETTERS 1 ANY one who ha
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TRELAWNY'S LETTERS 117 book we find
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TRELAWNY'S LETTERS 119 As Trelawny
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TRELAWNY'S LETTERS 121 though he co
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TRELAWNY'S LETTERS 123 we should ha
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TRELAWNY'S LETTERS 125 are his lite
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SOPHOCLES IN LONDON 127 realism and
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SOPHOCLES IN LONDON 129 And what is
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SOPHOCLES IN LONDON 131 our eccentr
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SOPHOCLES IN LONDON 133 the latest
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THE FLIGHT OF THE DRAGON * No one w
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THE FLIGHT OF THE DRAGON 137 nings
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THE FLIGHT OF THE DRAGON 139 ripe a
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Greek or Christian in the primitive
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THE FLIGHT OF THE DRAGON 143 the sp
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THE FLIGHT OF THE DRAGON 145 jobber
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WILLIAM MORRIS 147 " William Morris
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WILLIAM MORRIS 149 that much of the
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WILLIAM MORRIS 151 in the Floods "
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WILLIAM MORRIS 153 next morning for
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WILLIAM MORRIS 155 affairs and priv
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PERSIAN MINIATURES 157 1258 (the ye
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PERSIAN MINIATURES 159 thirteenth c
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PERSIAN MINIATURES 161 It is, in fa
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PERSIAN MINIATURES 163 I will sugge
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COUNTERCHECK QUARREL- SOME I HASTEN
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COUNTERCHECK QUARRELSOME 167 does n
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169 the beauty of gems or of a butt
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COUNTERCHECK QUARRELSOME 171 The po
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COUNTERCHECK QUARRELSOME 173 they h
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THE LONDON SALON 175 But there is m
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THE LONDON SALON 177 how admirable
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II ENGLISH POST-IMPRESSIONISTS IT i
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ENGLISH POST-IMPRESSIONISTS 181 for
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ENGLISH POST-IMPRESSIONISTS 183 int
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ENGLISH POST-IMPRESSIONISTS 185 I c
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ENGLISH POST-IMPRESSIONISTS 187 the
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AN EXPENSIVE " MASTERPIECE " 189 I
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AN EXPENSIVE " MASTERPIECE " 191 ow
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AN EXPENSIVE " MASTERPIECE " 193 ar
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MARCHAND 195 5) would have been jus
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MARCHAND 197 shall be glad to hear
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V THE MANSARD GALLERY 1 THE collect
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THE MANSARD GALLERY 201 appreciate
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THE MANSARD GALLERY 203 ever, more
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THE MANSARD GALLERY 205 lacks sensi
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THE MANSARD GALLERY 207 saying so.
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CONTEMPORARY ART IN ENGLAND ONLY la
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CONTEMPORARY ART 211 and independen
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CONTEMPORARY ART 213 is tolerated b
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CONTEMPORARY ART 215 far more intel
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CONTEMPORARY ART 217 to visit the L
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CONTEMPORARY ART 219 before a great
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CONTEMPORARY ART 221 tending ever t
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CONTEMPORARY ART 223 burgher who ma
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CONTEMPORARY ART 225 its too willin
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CONTEMPORARY ART 227 Our critics an
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CONTEMPORARY ART 229 of the Royal A
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ART AND WAR* AN acquaintance of min
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ART AND WAR 233 between ends and me
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ART AND WAR 235 them there are bett
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ART AND WAR 237 had escaped restora
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ART AND WAR 239 emotion or the pass
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ART AND WAR 241 continued existence
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ART AND WAR 243 is my mission. They
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ART AND WAR 245 Kublai Khan, that c
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BEFORE THE WAR IT is to me a strang
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BEFORE THE WAR 249 and some of the
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BEFORE THE WAR 251 essence of socie
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BEFORE THE WAR 253 with Beardsleyes
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BEFORE THE WAR 255 beneath the scan
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ABBAS, Shah, 163 Abbassi, Riza, 162
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Marinetti, 88 Marivaux, 9, 10 Marqu
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BY THE SAME AUTHOR ART Fourth Impre
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PRESS OPINIONS ON "ART" " Mr. Bell