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ART AND WAR*<br />

AN acquaintance of mine, a French artist, who<br />

used to live in England and paint pictures for<br />

which I care nothing but on which the cultured<br />

dote, started early in August to join his regiment,<br />

leaving behind him his wife and five<br />

children. So miserable was the prospect before<br />

these that a benevolent lady wrote to such<br />

of her rich friends as happened to be amateurs<br />

of painting praying them to buy a picture or<br />

two and so help the family of their unfortunate<br />

favourite. One and all refused, severely giving<br />

the lady to understand that this was no time<br />

to think about art. Of charity they said<br />

nothing ; but they were generous, I dare say,<br />

in some more patriotic and conspicuous fashion.<br />

Charity, however, is beside my point. What<br />

interests me in this little story is the unanimity<br />

with which the cultivated people agree that<br />

this is no time for art. It interests me because<br />

I have lately been taken to task for saying that<br />

1 This essay was written for a Hampstead literary society<br />

I forget the name and read some time in October 1914.<br />

It was printed the following year in the International Journal<br />

of Ethics.<br />

231

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