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MARCHAND 195<br />

5) would have been just what it is if Gauguin<br />

had never existed, or that the scheme of the<br />

beautiful Portrait defemme (No. 4) owes nothing<br />

to Picasso. And isn't it pretty clear that<br />

Marchand would have painted in an altogether<br />

different style if Cezanne had never existed ?<br />

Believing, as I do, in the influence of one<br />

artist on another, I regard this exhibition as<br />

a<br />

piece<br />

of rare good fortune for British art.<br />

Marchand is eminent in just those qualities<br />

that we most lack. Above all things he is a<br />

painter. I am curious to hear what Mr.<br />

Sickert has got to say about his pictures ; and<br />

I shall be if disappointed they do not wring<br />

from him what used to be the highest encomium<br />

on the lips<br />

of his old friend Degas<br />

C^est de la peinture !<br />

No is<br />

living painter more purely concerned<br />

with the creation of form, with the emotional<br />

significance of shapes and colours, than Marchand.<br />

To him, evidently, the function of a<br />

painter is to paint ; the discussion of such<br />

interesting matters as Love, Life, Death, and<br />

"<br />

The grand for ever," he leaves to the literary<br />

gentlemen. He has nothing to say about<br />

Man's place in the Universe, or even in<br />

Camden Town it is in combinations of lines<br />

;<br />

and colours that he deals, and, as you may<br />

see, he has already produced some of extraordinary<br />

subtlety and significance. Before

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