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178<br />

THE LONDON SALON<br />

too, is steadily becoming more interesting ;<br />

but Mr. Ginner has, as yet, hardly fulfilled the<br />

promise of his early work. The delicate<br />

sensibility and fine scholarship which M.<br />

Lucien Pissarro chooses to conceal beneath a<br />

presentment of almost exaggerated modesty<br />

will escape no one whose eyes have not been<br />

blinded by the flush of fashionable vulgarity,<br />

of which, happily, there is very little here.<br />

The London Salon is no place for those who<br />

are, or who hope to become, portrait-makers<br />

at " a thousand " a head.<br />

All the creditable work to be found in this<br />

exhibition is not to be mentioned in one article.<br />

The pictures by Miss Helen Saunders, painted<br />

surely under the influence of Mr. Etchells ;<br />

The Omnibus, by Mr. Adeney ; the works of<br />

Mrs. Louise Pichard, Mr. Malcolm Drummond,<br />

Mr. J. B. Yeats, and Mr. W. B. C. Burnet ;<br />

that rather pretentious piece, Les Deux Amies,<br />

by Madame Renee Finch and The ; Cot, a<br />

charming little picture by Mrs. Ogilvie all<br />

deserve more attention than any overworked<br />

critic is likely to give them. They are, for<br />

the most part, accomplished paintings that<br />

provoke no doubts and no outrageous hopes.

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