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THE LONDON SALON 177<br />

how admirable a one is it !<br />

That Mr. Epstein<br />

should combine with the taste and intelligence<br />

to perceive the beauty of Mexican sculpture<br />

the skill and science to reproduce its fine<br />

qualities is surely something to note and<br />

admire. There is enough in this figure,<br />

imitative though it be, to secure for its author<br />

pre-eminence amongst living British sculptors. 1<br />

A third work in this part of the hall has<br />

attracted some attention. It is a picture of<br />

the coronation of George V. by one Fernand<br />

Piret, a French aviator so the story goes<br />

who never before dabbled in terrene arts.<br />

It may be so. In any case he has contrived<br />

a mordant comment on that memorable and<br />

mystic ceremony.<br />

Upstairs, the best things are two charming<br />

pictures by Mr. S. F. Gore. It is a joy to<br />

watch the progress of this good artist. The<br />

patient and unpretentious labour of his ex-<br />

perimental years is being handsomely rewarded.<br />

Mr. Gore is finding himself ; we never doubted<br />

that he was well worth finding. Mr. Gilman,<br />

1<br />

1917: A friendly critic reading this paragraph suggests<br />

that it might stand fairly as a description of Mestrovic.<br />

I cannot agree. Epstein is in every respect superior to the<br />

Serbian sculptor, in whose work there can be no question of<br />

anything but pastiche. It has been said that it expresses<br />

the soul of Serbia. I know nothing of that. What I do<br />

know, what every one familiar with modern art knows, is<br />

that it expresses nothing but what can be learnt by any<br />

clever student in the schools of Vienna, Munich, and Paris.<br />

M

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