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FOREWORD 5<br />

I have said that the editor of the Athenaum^<br />

in my time, was a charming and accomplished<br />

writer ; he is also my very good friend and<br />

too generous critic, and I should be a wretch<br />

if I did not love him. But on the evening<br />

when a weekly paper goes to press, when the<br />

pages are pouring in, and some one, as likely<br />

as not, is waiting at the Cafe Royal, even the<br />

most cultivated and considerate of editors will<br />

be an editor. Wherefore I must now plague<br />

you and my readers with a word or two in<br />

explanation of my method of correction and<br />

revision. Re-reading these articles some of<br />

which were written nine or ten years ago<br />

I come on such phrases as " this is a notable<br />

achievement," " his is equipment not really<br />

strong," and I wonder, of course, what the<br />

devil I did say. No doubt it was something<br />

definite and particular,<br />

for in those days I was<br />

but what subtle<br />

a most conscientious writer ;<br />

limitation, what delicately suggested reference,<br />

what finely qualifying phrase, what treasure of<br />

my critical nonage lies buried beneath this<br />

"<br />

getting out " formula I cannot now remember.<br />

I read the article again and again but I want<br />

the courage and energy to read again the book<br />

about which it was written. And, if I did,<br />

should I recapture precisely what I thought<br />

or felt and tried, by means of that lost clause<br />

or sentence, not to leave ?<br />

quite unexpressed

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