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WILLIAM MORRIS 151<br />

in the Floods " ; any one might suppose that<br />

I did not know " Love is Enough." These<br />

are the poems which, with " Sigurd," give<br />

William Morris his place amongst the poets.<br />

Mr. Glutton Brock feels this surely enough,<br />

because he possesses, besides intellect, that<br />

other and rarer critical faculty, that spiritual<br />

tuning-fork by which a fine critic distinguishes<br />

between emotion and sentimentality, between<br />

rhetoric and rant. It is because Mr. Brock<br />

possesses this peculiar sensibility part aesthetic,<br />

part ethical, and part intellectual, it seems<br />

that he can be trusted to detect and dislike<br />

even the subtlest manifestations of that<br />

quality which most distinguishes Tennyson<br />

from Morris, Kipling from Walt Whitman,<br />

and the Bishop of London from the Vicar of<br />

Wakefield. That is why I suppose Mr. Brock<br />

to be one of our best critics.<br />

If there were anything fundamentally nasty<br />

about Morris Mr. Brock would not be inclined<br />

to overrate him. Mr. Brock pardons no<br />

horrors : there are none here to<br />

unpardonable<br />

pardon. But he overrates, or rather overmarks,<br />

William Morris as a scrupulous but<br />

soft-hearted examiner might overmark a<br />

sympathetic pupil. He never gives marks<br />

when the answer is wrong, but he gives a great<br />

many when it is : right and he is a little blind<br />

to deficiencies. He does not make it clear

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