Download File
Download File Download File
150 WILLIAM MORRIS what was wanted ; they would do what they were told. Some feeling of this sort may, I think, be at the back of Mr. Glutton Brock's peculiar sympathy with Morris ; it would explain, too, why he did less than justice to Shelley in that remarkable study he published some years ago. He could not quite forgive the poet for being so hopelessly anti-Social. Perhaps, in his heart, Mr. Brock would hardly admit the absolute value of aesthetic rapture he wants ; art to do something for life, and he loses patience with people who simply add to its confusion. Shelley, he thought, made a mess of his own life and of Harriet's, and, for all one knows, of Miss Kitchener's, and of a score of others ; and his poetry you must read for its own sake or not at all. The poetry of Morris has value for people who have never known what it is to feel an aesthetic emotion, and his life was superbly useful to his fellow-men. The great State of the future will be glad of as many William Morrises as it can get. But it is I who am being less than just now. From what I have said any one might infer that I had not read, or had not appreciated, that volume called " The Defence of Guenevere and Other Poems," in which are to be found things of pure beauty, " Summer Dawn," " In Prison," " The Wind," " The Haystack
WILLIAM MORRIS 151 in the Floods " ; any one might suppose that I did not know " Love is Enough." These are the poems which, with " Sigurd," give William Morris his place amongst the poets. Mr. Glutton Brock feels this surely enough, because he possesses, besides intellect, that other and rarer critical faculty, that spiritual tuning-fork by which a fine critic distinguishes between emotion and sentimentality, between rhetoric and rant. It is because Mr. Brock possesses this peculiar sensibility part aesthetic, part ethical, and part intellectual, it seems that he can be trusted to detect and dislike even the subtlest manifestations of that quality which most distinguishes Tennyson from Morris, Kipling from Walt Whitman, and the Bishop of London from the Vicar of Wakefield. That is why I suppose Mr. Brock to be one of our best critics. If there were anything fundamentally nasty about Morris Mr. Brock would not be inclined to overrate him. Mr. Brock pardons no horrors : there are none here to unpardonable pardon. But he overrates, or rather overmarks, William Morris as a scrupulous but soft-hearted examiner might overmark a sympathetic pupil. He never gives marks when the answer is wrong, but he gives a great many when it is : right and he is a little blind to deficiencies. He does not make it clear
- Page 111 and 112: THE LYSISTRATA 1 At XdjOtrey Te/xev
- Page 113 and 114: Rogers to give THE LYSISTRATA 101 u
- Page 115 and 116: THE LYSISTRATA 103 and arguments od
- Page 117 and 118: THE LYSISTRATA 105 war, came forth
- Page 119 and 120: THE LYSISTRATA 107 ludicrous ; but
- Page 121 and 122: THE LYSISTRATA 109 Fiercely they st
- Page 123 and 124: THE LYSISTRATA in artist than party
- Page 125 and 126: THE LYSISTRATA 113 Have inspired th
- Page 127 and 128: TRELAWNY'S LETTERS 1 ANY one who ha
- Page 129 and 130: TRELAWNY'S LETTERS 117 book we find
- Page 131 and 132: TRELAWNY'S LETTERS 119 As Trelawny
- Page 133 and 134: TRELAWNY'S LETTERS 121 though he co
- Page 135 and 136: TRELAWNY'S LETTERS 123 we should ha
- Page 137 and 138: TRELAWNY'S LETTERS 125 are his lite
- Page 139 and 140: SOPHOCLES IN LONDON 127 realism and
- Page 141 and 142: SOPHOCLES IN LONDON 129 And what is
- Page 143 and 144: SOPHOCLES IN LONDON 131 our eccentr
- Page 145 and 146: SOPHOCLES IN LONDON 133 the latest
- Page 147 and 148: THE FLIGHT OF THE DRAGON * No one w
- Page 149 and 150: THE FLIGHT OF THE DRAGON 137 nings
- Page 151 and 152: THE FLIGHT OF THE DRAGON 139 ripe a
- Page 153 and 154: Greek or Christian in the primitive
- Page 155 and 156: THE FLIGHT OF THE DRAGON 143 the sp
- Page 157 and 158: THE FLIGHT OF THE DRAGON 145 jobber
- Page 159 and 160: WILLIAM MORRIS 147 " William Morris
- Page 161: WILLIAM MORRIS 149 that much of the
- Page 165 and 166: WILLIAM MORRIS 153 next morning for
- Page 167 and 168: WILLIAM MORRIS 155 affairs and priv
- Page 169 and 170: PERSIAN MINIATURES 157 1258 (the ye
- Page 171 and 172: PERSIAN MINIATURES 159 thirteenth c
- Page 173 and 174: PERSIAN MINIATURES 161 It is, in fa
- Page 175 and 176: PERSIAN MINIATURES 163 I will sugge
- Page 177 and 178: COUNTERCHECK QUARREL- SOME I HASTEN
- Page 179 and 180: COUNTERCHECK QUARRELSOME 167 does n
- Page 181 and 182: 169 the beauty of gems or of a butt
- Page 183 and 184: COUNTERCHECK QUARRELSOME 171 The po
- Page 185 and 186: COUNTERCHECK QUARRELSOME 173 they h
- Page 187 and 188: THE LONDON SALON 175 But there is m
- Page 189 and 190: THE LONDON SALON 177 how admirable
- Page 191 and 192: II ENGLISH POST-IMPRESSIONISTS IT i
- Page 193 and 194: ENGLISH POST-IMPRESSIONISTS 181 for
- Page 195 and 196: ENGLISH POST-IMPRESSIONISTS 183 int
- Page 197 and 198: ENGLISH POST-IMPRESSIONISTS 185 I c
- Page 199 and 200: ENGLISH POST-IMPRESSIONISTS 187 the
- Page 201 and 202: AN EXPENSIVE " MASTERPIECE " 189 I
- Page 203 and 204: AN EXPENSIVE " MASTERPIECE " 191 ow
- Page 205 and 206: AN EXPENSIVE " MASTERPIECE " 193 ar
- Page 207 and 208: MARCHAND 195 5) would have been jus
- Page 209 and 210: MARCHAND 197 shall be glad to hear
- Page 211 and 212: V THE MANSARD GALLERY 1 THE collect
150<br />
WILLIAM MORRIS<br />
what was wanted ; they would do what they<br />
were told.<br />
Some feeling of this sort may, I think, be<br />
at the back of Mr. Glutton Brock's peculiar<br />
sympathy with Morris ;<br />
it would explain, too,<br />
why he did less than justice to Shelley in that<br />
remarkable study he published some years ago.<br />
He could not quite forgive the poet for being<br />
so<br />
hopelessly anti-Social. Perhaps, in his<br />
heart, Mr. Brock would hardly admit the<br />
absolute value of aesthetic rapture he wants<br />
;<br />
art to do something for life, and he loses<br />
patience with people who simply add to its<br />
confusion. Shelley, he thought, made a mess<br />
of his own life and of Harriet's, and, for all one<br />
knows, of Miss Kitchener's, and of a score of<br />
others ;<br />
and his poetry you must read for its<br />
own sake or not at all. The poetry of Morris<br />
has value for people who have never known<br />
what it is to feel an aesthetic emotion, and his<br />
life was superbly useful to his fellow-men.<br />
The great State of the future will be glad of<br />
as many William Morrises as it can get.<br />
But it is I who am being less than just now.<br />
From what I have said any one might infer<br />
that I had not read, or had not appreciated,<br />
that volume called " The Defence of Guenevere<br />
and Other Poems," in which are to be<br />
found things of pure beauty, " Summer Dawn,"<br />
" In Prison," " The Wind," " The Haystack