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WILLIAM MORRIS i<br />

New HERE is a book that starts a dozen hares,<br />

Oct"ioi4 any one ^ which would be worth catching<br />

or hunting, at any rate, through a couple of<br />

large-type columns. For a really good book<br />

about William Morris is bound to raise those<br />

questions that Morris made interesting and<br />

his<br />

disciples fashionable, and that our children,<br />

we may hope, will one day make vital.<br />

" How<br />

"<br />

far can society affect art, or art society ?<br />

"<br />

What might we have made of machinery<br />

"<br />

and what has machinery made of us ?<br />

"<br />

Was the nineteenth century a disaster or<br />

"<br />

only a failure ? These are the questions<br />

that it seems right and natural for a writer<br />

who has made William Morris his peg to<br />

discuss ; and if I discuss something quite<br />

different it may look as though, forsaking<br />

profitable hares, I were after a herring of my<br />

own trailing. Yet, reading this book, I find<br />

that the question that interests me most is :<br />

" Why does Glutton Brock tend to overrate<br />

1 "<br />

William Morris." By A. Glutton Brock. (Williams<br />

University Library, is. net.)<br />

146<br />

and Norgate : Home

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